https://www.radicale1924.org/english-program-2021 daily 0.75 2024-02-27 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628465951485-2XOA11NJVJF4CN61HJ82/50648849937_1fb2d979e3_b.jpeg English Program 2021 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628840170525-TL5W0N27HC2CN5F2SLIR/157648.jpeg English Program 2021 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629222976208-F7ZG03OBOWBPLAYOQZHK/Exploding_Radicale.png English Program 2021 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631391002204-SMAOYZ8L0Y1B9H7B8Z8Y/BLACKRADICALE.jpg English Program 2021 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631458742574-AM9RA9WGXGIM1SQ2X8S1/37872697226_8c3519f22d_o.jpg English Program 2021 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636653936004-Z3KT8OTXQBGHCIRM6H2C/Untitled+design+%2832%29.jpg English Program 2021 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636743892293-41TPZ6X14ZER2275ZG0B/Untitled+design+%2839%29.jpg English Program 2021 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636743930602-DNKZCOJIS1DEOTN6GTXX/Untitled+design+%2839%29.jpg English Program 2021 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631377449477-L769TCTMDE0AY09J45CH/cropped-1200px-Saint-Cirq-Lapopie-1.jpeg English Program 2021 - Make it stand out Saint-Cirq-Lapopie, © Adam Baker. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630684130617-P5HV7NOXY6ZI3E2U2J0G/HR_56600100457450_10_watermarked.jpeg English Program 2021 - Make it stand out Photographie d'André Breton à Saint-Cirq-Lapopie. © ADAGP. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631457210699-EQT3Y0E2V2HU2K32XAT3/Screen%2BShot%2B2021-09-03%2Bat%2B11.29.15%2BAM.jpeg English Program 2021 - Make it stand out Costume design by Pablo Picasso for the performance of Parade des Ballets Russes by Serge Diaghilev at the Théâtre du Châtelet in Paris on May 18, 1917. Characters in the parade: French manager, horse and American manager. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629117345839-SZ2KXHJ166ZZ0MW8GDFJ/SAINT_CIRQ_LAPOPIE-46-02%2B%25281%2529.jpg English Program 2021 - Commune De Saint-Cirq-Lapopie https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629116778882-98INO4FUEZ0MLKSO0VCH/Logo-La-rose-impossible+%281%29.jpeg English Program 2021 - L’association La Rose Impossible https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629116779199-FYMHZH7S3MOWYOQQAYK5/logo.png English Program 2021 - La Maison André Breton https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629117742831-SGIT1RHHS79KXVKHEAMZ/Screen+Shot+2021-08-16+at+2.41.56+PM.png English Program 2021 - La Maison Rignault https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630514863206-ZDZTBVET7MDR76E1BD83/Screen+Shot+2021-09-01+at+6.46.03+PM.png English Program 2021 - René Magritte Museum, Jette, Belgium https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631457972412-4DQV2OEN7E8X7V3WO6T0/1490287557_saint-cirq-lapopie+%281%29.jpeg English Program 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630684721170-ZEPN967GIUSM5X7BGUPC/HR_56600100053740_1_watermarked.jpeg English Program 2021 - Make it stand out Charles Estienne (en tricot rayé) en compagnie d'André Breton, Jean-Claude Silbermann, Meret Oppenheim, Elisa Breton, Robert Benayoum, Marie-Jo Silbermann, Georges Goldfayne, Aube et Yves Elléouët, à Saint-Cirq Lapopie vers 1958. Photo TFV. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631458038957-K8OVFJDC2PX33OV713Y8/Radicale_1924.png English Program 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.radicale1924.org/invited-artists-2021-en daily 0.75 2024-02-27 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784058015-XHG3VVTQIXQHSFVN6XJL/image34.png Invited Artists (2021 EN) - CARLOS AIRES (Spain, 1974) He obtained a bachelor’s in fine arts at the University of Granada in Spain. Upon graduating in 1997, he moved to the Netherlands and completed his postgraduate studies at Fontys Academy (Tilburg, Netherlands), HISK (Antwerp, Belgium) and Ohio State University (Ohio, USA). He has participated in numerous exhibitions in national and international institutions, such as: CAC (Malaga, Spain), MACBA (Barcelona, Spain), Boulder Museum of Contemporary Art (USA), Imperial Belvedere Palace (Vienna, Austria), ARTIUM (Vitoria, Spain), Maison Particulière Art Center (Brussels, Belgium), MUSAC (Leon, Spain), BB6 Bucharest International Biennale for Contemporary Art (Bucharest, Romania), B.P.S. 22 (Charleroi, Belgium), 5th Thessaloniki Biennale of Contemporary Art (Thessaloniki , Greece). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784058015-XHG3VVTQIXQHSFVN6XJL/image34.png Invited Artists (2021 EN) - CARLOS AIRES (Spain, 1974) He obtained a bachelor’s in fine arts at the University of Granada in Spain. Upon graduating in 1997, he moved to the Netherlands and completed his postgraduate studies at Fontys Academy (Tilburg, Netherlands), HISK (Antwerp, Belgium) and Ohio State University (Ohio, USA). He has participated in numerous exhibitions in national and international institutions, such as: CAC (Malaga, Spain), MACBA (Barcelona, Spain), Boulder Museum of Contemporary Art (USA), Imperial Belvedere Palace (Vienna, Austria), ARTIUM (Vitoria, Spain), Maison Particulière Art Center (Brussels, Belgium), MUSAC (Leon, Spain), BB6 Bucharest International Biennale for Contemporary Art (Bucharest, Romania), B.P.S. 22 (Charleroi, Belgium), 5th Thessaloniki Biennale of Contemporary Art (Thessaloniki , Greece). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1655361986051-WHGPF6EQADM7560FEYSC/image6.jpeg Invited Artists (2021 EN) - GUILLAUME BIJL (Belgium, 1946) Guillaume Bijl is known for his large-scale installations and visual realism. Since the late 70s, Bijl created realistic decors using found objects. In doing this, he had a pioneering role in the resurgence of the ready-made. Bijl shows the audience various aspects of our western ‘civilisation’ and consumer society. Using extreme stereotypes, he creates a sort of ‘archeology of our time’ in a tragi-comedic, alienating way. His participation will be a great opportunity to reflect on his practice in light of a Surrealist strand that continues to reverberate into today’s art practices. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1632838000581-8NPVCW9ZIAQVIXLL8AF2/WhatsApp+Image+2018-09-09+at+14.22.10+%281%29.jpg Invited Artists (2021 EN) - VINICIUS COUTO (Brazil, 1988) Vinicius Couto, artvist and creative director, researches gender, race, class, sexuality, LGBT movements and their intersections, with the intention of awakening new formats of reflection. At the center of his work, the artist questions the imaginary constructed by non-normative corpses. In the visual arts, cinema, theatre and fashion, he seeks to combat the daily reproductions of violence to which his (our) body is subjected. In 2016, after contracting HIV, Vinicius was self-provoked to openly perform his HIV status, aware of the possibilities that his body promotes itself. Planning his coming out of the AIDS closet, he created "Libertar-ser"in 2017. On the following year, he created "I=I or "Undetectable = Untransmissible". It premiered at the Cairo Biennale - EG in 2018, and was exhibited at MAM-SP and CMA Hélio Oiticica - RJ in 2019. Throughout his research as an artist, he uses experience as a definition for the theory of (his) existence. And in 2021, he was selected to be one of the residents of Kovent.zer0. His provocation comes, above all, in the use of desire as a form of deconstruction, in (re)existing in the face of decolonial processes, of anti-heroism in the representations of power and induced consumption as a gay, Latin American, of peripheral origin. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784061421-1H1HGPYAEEZGCXUIB1Z9/image9.png Invited Artists (2021 EN) - LUC DELEU (Belgium, 1944) After they settled in house “Les Nénuphars”, in the prestigious Cogels Osylei in Antwerp, Belgium in May 1968, Luc Deleu and his wife Laurette Gillemot founded T.O.P. office, a studio for urbanism and architecture in 1970. The starting point, motivation and goal of the studio was questioning architecture and urban design, their position and duty in a global society. This generated the necessity to think about why and how to run an architect studio and how to direct it towards a truly independent and autonomous development with the use of a large set of media. So, T.O.P. office was set up with the very conviction that it would be better to reduce the spatial impact of building and to build less. Convinced that future developments in communication media would enable a reborn nomadic life, the first ideas were to come with work that emphasizes mobility versus the immobilism of real estate and to contradict the exclusive privilege of the building as living and job accommodation. On many occasions - apart from being an independent research team developing an autonomous format for urban research by design – T.O.P office participated in the debate on urban planning and architecture, and therefore maybe ended up in a certain niche. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1632157612428-0UN6ZH4XW82AILKT3LI4/Hans-Demeulenaere.jpg Invited Artists (2021 EN) - HANS DEMEULENAERE (Ostend, 1974) Hans Demeulenaere (Ostend, 1974) lives and works in Bruges. He graduated in Visual Arts at the LUCA School of Arts in Ghent and has been a resident artist at the Masereelcentrum in Kasterlee (2019) and the Workspacebrussels in Brussels (2015). Central to his artistic research are his reflections on exhibition spaces and the transformation of architectural elements into sculptures and installations. His most recent solo and group exhibitions include: Doppelganger, De Garage, Mechelen (2021); Soft Fold, with Dimitri Vangrunderbeek, Fred& Ferry Gallery, Antwerp (2021); There is Nothing Connected, Nothing Distinct, with Esther Venrooy, Onomatopee, Eindhoven (2018); You make a better door than you do a window, with Emi Kodama, Beursschouwburg, Brussels (2016); Politics of Installation, with Bas van den Hurk, P/////AKT, Amsterdam (2015); Be ALL AND END ALL, with Herman Van Ingelgem and Marc Nagtzaam, Millington Marriott, London (2015); Some Objects, Eight Sculptures, Several Frames. One Video and a Book, Mu.ZEE, Ostend (2014); The Gathering Of Characters And Forms (Chapter I), Dash, Kortrijk, (2014); A Never Ending Story, Extra City Kunsthal, Antwerp (2013). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784058296-GZBU7PUU27LSHIRXI6KI/image15.png Invited Artists (2021 EN) - CEDRIC FARGUES (France, 1988) His work has been featured in several exhibitions at galleries and museums, including the New Galerie and the Queer Thoughts. The artist's first artwork to be offered at auction was Two works: Bébéfleurs 9; Bébéfleurs 16 at FauveParis in 2020. Cédric continues his relaxed infiltration into the world of contemporary art. The Figeacois artist of Lotoise and Aveyron origins based in Figeac, megaphone of the movement henceforth called "cabécoucore", caught the internets with his nonchalance, easily rocking from his sleigh bed to lava lamps with Faurissonian influences, all crossed by post-internet farts far removed from the “sadness-no-future-it's-the-end-of-the-world” posture that has afflicted Figeac for years. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784063253-628KLVVPJJPYG3Y5QWK0/image30.png Invited Artists (2021 EN) - STEPHANIE LAGARDE (France, 1982) Based in Paris, her work focuses on the occupation of space and memory, researching strategies performed to maintain and challenge control over actual and virtual territories. Echoing ancient mnemonic techniques, Lagarde assembles conflictual narratives out of sound, image and text from real and virtual, old and new, historical and fictional sources. She exhibited in venues such as Plato Ostrava, Czech Republic; Kunstmuseum Bonn, Germany; Frei_raum Q21 MuseumsQuartier Vienna, Austria; Tallinn Art Hall, Estonia; Ludwig Forum für Internationale Kunst, Aachen, Germany; Centre for Contemporary Photography, Melbourne, Australia; Palais de Tokyo, Paris, France. Her videos have been shown in festivals such as IFFR (Rotterdam), BISFF (Beijing), Berlin Atonal, Videonale (Bonn), Transmediale (Berlin), EMAF (Osnabrück), DOKLeipzig, Kasseler Dokfest, KFFK (Koln), November Festival (London). She won the Grand Prize at BIEFF 2019 (Bucharest) and the International competition award of Short Waves Festival 2019 (Poznan, Poland). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637943846008-X2Z9FNM4NFNIWOXGUFPB/unnamed+%282%29.jpeg Invited Artists (2021 EN) - SIHAM MEHAIMZI (France, 1988) Siham Mehaimzi was born in 1988 in Agen to Moroccan immigrant parents descended from a Sahrawi tribe. Siham grew up in the south of France where she began writing at the age of 10. After graduating in psychoanalytic clinical psychology, it was at the university during the "temporary art projects" that she met the poet Serge Pey who discovered her work and the program at the poetry cellar in Toulouse. Beside him, she takes part in the poetry march in homage to Antonio Machado who appears in the documentary film "the letterbox of the cemetery". Formed by the “Theater 2 Act” company, Siham aspires to the orality of poetry through which vibrates her ancestral memory, her mother’s exile and feminist issues. Siham was published in an anthology of poets in the journal Mange Monde, edited by Rafael de Surtis, then in the Revue A, transcultural review, literature action, published by Marsa and in the journal Méninge. And in the GLAD magazine! on gender, language and sexuality. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679650865286-754DGIFFSIKJXGP75209/image12.png Invited Artists (2021 EN) - SAMYRA MOUMOUH (Belgium, 1983) Formally trained as filmmaker and architectural designer, mainly works in the field of contemporary art. Her practice consists of designing exhibitions; developing a design concept and foresee the technical assistance for the realization of art. She was (2011-2018) the (inter)national assistant of Anne-Mie Van Kerckhoven [AMVK] and also works irregularly for and with other artists such as Hans Demeulenaere and Chantal Yzermans. Samyra creates scenography for dance and theatre, designs site specific furniture for artist studio's events, as well as the interior of commercial and private spaces. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784074401-7XX9LQVQ7SXU3F8XB5H1/image17.png Invited Artists (2021 EN) - RIA PACQUEE (Belgium, 1954) Ria had her international breakthrough in the 1980s with her performance series featuring characters she created – ‘Madame’ and ‘It’. Infiltrating reality by means of these two personae, she carried out an artistic investigation of the thin dividing line between the fictional and the actual. In more recent work she has tended to concentrate on photographic and video productions, in which the experiences gained as a performance artist still play an important role. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628787056114-3J3BH6R56ZXWAD2Q5KB5/image19.png Invited Artists (2021 EN) - MIKES POPPE (Belgium, 1983) Since 2007, while focusing on his academic research on “Performance Art”, Mikes Poppe quoted a number of live performances in the form of re-enactments (‘Archive-projects’). He specialized in meticulously reconstructing canonical/historical performances (from the 1960ies & 70ies), confronting them with so-called ‘Inspired-by projects’: i.e. semi-autonomous performances inspired by the historical antecedents, creating a personal interpretation/transformation of the original material. Poppe re-enacted work of Marina Abramovic, Danny Devos, Vito Acconci, Chris Burden just to name a few. Nowadays he regularly presents autonomous art performances, drawings and installations. His visual artwork has strong performative elements and can be seen as complementary to his live art projects. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784032910-9I1QZPL6JEWJZL8631TR/image31.png Invited Artists (2021 EN) - PIETER VAN DER SCHAAF (The Netherlands, 1984) Working mainly with installation and sculpture. He graduated from Academie Minerva in Groningen (NL) in 2010 and studied at the California College of the Arts in San Francisco/Oakland (USA) in 2009. In 2016 and 2017 Pieter was a resident at the Jan van Eyck Academie in Maastricht (NL). His work has been shown at the Fondation Ricard in Paris, the 63rd Salon de Montrouge, at Occidental Temporary in Villejuif, Nest in Den Haag and the Jan van Eyck Academie in Maastricht. He had solo shows at Espace d’art Contemporain du Théâtre de Privas, and Glassbox and Galerie Jeune Création in Paris. Forthcoming, he will show new work for the occasion of his solo show at B32 in Maastricht (NL) end 2021. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628787009247-OFZRGGKHS75D2LIBCM5I/image35.png Invited Artists (2021 EN) - IDRIS SEVENANS (Belgium, 1991) Working on sculptures, films, exhibitions, unwanted advertising and books (including 'Stoppen met Lezen' and 'De Computer', about Marcel van Maele), Idris runs a shop of remarkable products (the unrealistic initiative Troebel Neyntje) and founded his own school: AARS (Antwerp Artist Run School). The twentieth-century philosopher Hans Theys (Bangladesh, 1936) described the ubiquitous centipede Sevenans as "a flawless bullshit detector" and also as "something already done in the 1960s, only fresher". He himself got stuck in the 1960s, so he should know. Living in a world where we are incessantly bombarded with patronizing precepts, ugly images and ludicrous gossip that should lead us to consume senseless, useless, tasteless, colorless and ambiguous things that we do not need, so in that world, we greet with joy the aikido-like way in which Sevenans floors this ineradicable nonsense with a spiral movement. ― Carla Van Campenhout, February 2020 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628930557637-E83SY9WPJQP2F6W14T40/image13.png Invited Artists (2021 EN) - A.L. STEINER (USA, 1967) Based in Los Angeles and Brooklyn, A.L. Steiner serves on the MFA Faculty in Visual Arts at Bard College, Yale University, and the School of the Art Institute in Chicago. She works in photography, video, installation, collage, and performance, often in collaboration; she also lectures, writes, and curates. A self-described “skeptical queer eco-feminist androgyne,” Steiner is co-curator of Ridykeulous, a member of the musical collective Chicks on Speed, and co-founder of Working Artists and the Greater Economy (WAGE), which advocates for the payment of fees for artists exhibiting in nonprofit art institutions. Steiner’s artworks are irreverent, humorous, personal, perverse, and political. Most evident in her large-scale installations of collaged digital photographs is Steiner’s expansive network of queer friends and lovers. Her installation in the 2014 Whitney Biennial, More Real than Reality Itself/Cost-benefit analysis, for example, investigates sociocultural, biopolitical, and familial constructions through the lived practices of activists and artists Rita “Bo” Brown, Carla Cloer, Ericka Huggins, Miya Masaoka, and Laurie Weeks. https://www.radicale1924.org/advisors daily 0.75 2021-09-13 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628804723096-GGVMMWOVVOQG0J9SETKA/image18.jpeg Advisors - JOHN C. WELCHMAN Professor of Modern Art History in the Visual Arts Department at the University of California, San Diego. John writes regularly on modern and contemporary art and critical theory. Among his numerous publications are Past Realization: Essays on Contemporary European Art; After the Wagnerian Bouillabaisse: Essays on European Avant-Garde Art; Modernism Relocated: Towards a Cultural Studies of Visual Modernity; Invisible Colours: A Visual History of Titles; and Art After Appropriation: Essays on Art in the 1990’s. He is the editor of three collections of writings by the artist Mike Kelley, and the co-editor of Black Sphinx: On the Comedic in Modern Art. Welchman has written art criticism for Artforum, where he had a column in the late 1980s and early 90s; Screen; and the New York Times, among other newspapers and journals. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628804723096-GGVMMWOVVOQG0J9SETKA/image18.jpeg Advisors - JOHN C. WELCHMAN Professor of Modern Art History in the Visual Arts Department at the University of California, San Diego. John writes regularly on modern and contemporary art and critical theory. Among his numerous publications are Past Realization: Essays on Contemporary European Art; After the Wagnerian Bouillabaisse: Essays on European Avant-Garde Art; Modernism Relocated: Towards a Cultural Studies of Visual Modernity; Invisible Colours: A Visual History of Titles; and Art After Appropriation: Essays on Art in the 1990’s. He is the editor of three collections of writings by the artist Mike Kelley, and the co-editor of Black Sphinx: On the Comedic in Modern Art. Welchman has written art criticism for Artforum, where he had a column in the late 1980s and early 90s; Screen; and the New York Times, among other newspapers and journals. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631305661749-0SO2GNKD6F7J017F6DVF/page_25.jpg Advisors - GERALDINE CELLI Performing Arts Curator at Wendel Auditorium and Studio, Centre Pompidou-Metz, France. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631394513228-Y781YO9LD9AZDRE1RU5F/image28.png Advisors - MARK GEURDEN Independent Consultant Bachelors in Romance languages and literature at the University of Antwerp. Additionally, he specialized in so-called “pragma-semiotics” (performance analysis) during a post-academic study in theatre sciences at the universities of Antwerp, Brussels and Ghent. From 1996 till 1999 he worked as a member of staff and artistic advisor for the programming of the Cultural Centre of Hasselt, Belgium (theatre and dance). Until September 2020, he worked as a staff member of Troubleyn/Jan Fabre, a theatre company in Antwerp, responsible for the artistic development of the company infrastructure (Troubleyn/Laboratorium) and for the (long term) artistic and financial policy of the company in general. In 2010 he founded the research group “Laboratorium”, which is a trans-disciplinary scientific research group focusing on the teachings and training guidelines developed by Jan Fabre. Since 2021, he is active as an independent consultant and dramaturg. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628804725014-YQACZWQN1JJ12TBPS6MV/image27.png Advisors - STEFAN WOUTERS Curator Magritte Museum, Brussels Professor Art History, Vrije Universiteit Brussels Stefan is a professor and curator working on temporary interventions in the public space. Inspired by the art history classes he attended at the Royal Academy of Fine Arts, he decided to study Art History and Archaeology at the Free University of Brussels (VUB). During these studies he worked as a translator and a writer for the communication department of the Centre for Fine Arts, Brussels. His interest increasingly shifted towards time-based art forms and in 2015 he received a double PhD in Art History and Archaeology (Free University of Brussels) and in Theater Sciences (University of Antwerp) for his research on the Belgian Happening scene of the mid-1960s. In order to finance his studies he collaborated for the online database Belgium is Happening and participated as a performance artist in the international performance group Virtual Vérité, led by Los Angeles-based artist Harry Gamboa, Jr. Stefan has been the curator of the Belgium Performance Festival. https://www.radicale1924.org/team daily 0.75 2022-12-09 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628806913845-ZXG34D6O4KLY32O508FO/image26.png TEAM - CHANTAL YZERMANS | Director and Founder Trained as a dancer at the Royal Conservatory of Antwerpen, Chantal moved to New York in 2000 to study for six years with Merce Cunningham and his Company. Chantal’s work has been presented at different venues and festivals internationally, among them Centre Pompidou Metz, Círculo de Bellas Artes in Madrid, Rencontres Chorégraphiques Seine Saint Denis, and M_HKA Museum for Contemporary Art Antwerpen. Now a full-time resident of Saint-Cirq-Lapopie, Chantal’s vision is to bring contemporary artists to advance in creative methods and practices that approach the history and legacies of this medieval village. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628806913845-ZXG34D6O4KLY32O508FO/image26.png TEAM - CHANTAL YZERMANS | Director and Founder Trained as a dancer at the Royal Conservatory of Antwerpen, Chantal moved to New York in 2000 to study for six years with Merce Cunningham and his Company. Chantal’s work has been presented at different venues and festivals internationally, among them Centre Pompidou Metz, Círculo de Bellas Artes in Madrid, Rencontres Chorégraphiques Seine Saint Denis, and M_HKA Museum for Contemporary Art Antwerpen. Now a full-time resident of Saint-Cirq-Lapopie, Chantal’s vision is to bring contemporary artists to advance in creative methods and practices that approach the history and legacies of this medieval village. https://www.radicale1924.org/new-gallery daily 0.75 2021-08-15 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629023097328-R8RY9OQYVLIYAR2KBGSH/Carlos-Aires-9.jpg Dinero - Partenaire-Résidence 30k/an x 4 Participation in the partners committee in all phases of the program (insights on the work of the curatorial team, and the direction of the Program). Direct contact to the artists and their creative process (during their time in Saint-Cirq-Lapopie or elsewhere, first option to acquire limited editions specially created for the Residency Program). 5 VIP passes to every Summer Event (one-week in Saint-Cirq-Lapopie to live all the artists creations and special dinners). Presence in all communications materials (5 partners maximum at this level). Recognition and exclusivity of the sector https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629023097328-R8RY9OQYVLIYAR2KBGSH/Carlos-Aires-9.jpg Dinero - Partenaire-Résidence 30k/an x 4 Participation in the partners committee in all phases of the program (insights on the work of the curatorial team, and the direction of the Program). Direct contact to the artists and their creative process (during their time in Saint-Cirq-Lapopie or elsewhere, first option to acquire limited editions specially created for the Residency Program). 5 VIP passes to every Summer Event (one-week in Saint-Cirq-Lapopie to live all the artists creations and special dinners). Presence in all communications materials (5 partners maximum at this level). Recognition and exclusivity of the sector https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628812452282-ASFYF1V43KWZ05DXV26V/Carlos-Aires-9.jpg Dinero - Partenaire-Résidence 30k/an x 4 Participation in the partners committee in all phases of the program (insights on the work of the curatorial team, and the direction of the Program). Direct contact to the artists and their creative process (during their time in Saint-Cirq-Lapopie or elsewhere, first option to acquire limited editions specially created for the Residency Program). 5 VIP passes to every Summer Event (one-week in Saint-Cirq-Lapopie to live all the artists creations and special dinners). Presence in all communications materials (5 partners maximum at this level). Recognition and exclusivity of the sector. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629023336133-KP13WMN4HJD97MNFXVMA/20567870441456683858.jpg Dinero - Partenaire-Geste artistique 10k/an x 4 Support of an artist in particular (visits with the artist at different moments and locations). 3 VIP passes to every Summer Event (three days in Saint-Cirq-Lapopie to experience all the activities and artists’ creations and special dinners). Presence in all communications materials (10 partners at this level). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629023458922-F7LH02P8SYX1YURYTQW4/file.jpeg Dinero - Partenaire-Engagé 5k/an x 4 (ou valeur équivalente en nature) Mention in all supporting media (20 Partners at this level). 2 VIP Pass to the Summer Event (two-days in Saint-Cirq-Lapopie to experience all the activities and artists’ creations and special dinners). https://www.radicale1924.org/art-program daily 0.75 2022-06-07 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628970316039-EH5KXFBYCAEILMATLZ9K/1.jpg Art Program - ART RESIDENCY Each year, the Residency will invite a group of artists and researchers to live and work in Saint-Cirq-Lapopie. The Residency will provide them with the time, space, and support to experiment, collaborate, and create new work. Following health requirements, the Residency will be flexible to operate at different times and locations, caring for the residents and their work. While the preference will be to invite them to Saint-Cirq for one-month, other models of residence will be considered as needed. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628970316039-EH5KXFBYCAEILMATLZ9K/1.jpg Art Program - ART RESIDENCY Each year, the Residency will invite a group of artists and researchers to live and work in Saint-Cirq-Lapopie. The Residency will provide them with the time, space, and support to experiment, collaborate, and create new work. Following health requirements, the Residency will be flexible to operate at different times and locations, caring for the residents and their work. While the preference will be to invite them to Saint-Cirq for one-month, other models of residence will be considered as needed. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628970384359-WQ4N3I56ONK0BS51Y5FI/2.jpg Art Program - SUMMER EVENT This one-week Summer Event will bring artists, partners, guests and publics together making Saint-Cirq-Lapopie, a temporary center for artistic creativity. The Summer Event will present the work developed during the residency and will organize a series of presentations, interventions, performances, and live situations, looking to engage with the public and using a variety of spaces in Saint-Cirq-Lapopie. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628970456106-40Q9B4GB0TFD95PH7PWO/image7.png Art Program - PUBLICATIONS Throughout the year, the Program will work with residents and invited guests to produce a series of Publications. These will be dedicated to specific themes and will have an open-format, using online and offline ways to connect with a larger public. Collaborating with designers, artists, researchers, and academics, the Publications will be a mode to communicate and expand on the interests and character of the Program. At the end of the four-year cycle, the Program will work towards a Book, that will gather all the projects and activities. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628970540282-HBVES13M066QQOAB5B1J/image18.jpeg Art Program - EDITIONS Working with the residents, the Program will develop a series of limited editions of print materials and art pieces. Elaborating from the Surrealist’s interest in objects, the Editions will connect to the resident’s projects, forming a collection of the works created during the Residency. https://www.radicale1924.org/slideshow-saintcirq daily 0.75 2021-08-13 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628835848118-6E8MECGI8C1FPMAICNT1/View_of_the_church_of_Saint-Cirq-Lapopie_08.jpeg Slideshow Saint-Cirq https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628835848118-6E8MECGI8C1FPMAICNT1/View_of_the_church_of_Saint-Cirq-Lapopie_08.jpeg Slideshow Saint-Cirq https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628835787658-PXNUNZ8MHBXMUUS777XG/157648.jpeg Slideshow Saint-Cirq https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628835787896-XHQTEZUHIWPUXM1OBS9M/71062212-Europe-France-Lot-Saint-Cirq-Lapopie-village-overlooking-a-meander-of-the-Lot.jpeg Slideshow Saint-Cirq https://www.radicale1924.org/upcoming-artists daily 0.75 2021-10-27 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629015643120-H4H8SMJ9CRSWR5NXJAO9/unnamed+%281%29.jpeg Upcoming Artists - MONSTER CHETWYND Halfway in between parties, films, theater plays and the carnivalesque, Chetwynd’s work directs us towards an energizing landscape that considers iconic moments of cultural history as a way to trigger a critique to morality, and the standardization of life. Introducing fun and humor as part of the creative processes brings a sense of joy that is deeply embedded in surrealism. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629015643120-H4H8SMJ9CRSWR5NXJAO9/unnamed+%281%29.jpeg Upcoming Artists - MONSTER CHETWYND Halfway in between parties, films, theater plays and the carnivalesque, Chetwynd’s work directs us towards an energizing landscape that considers iconic moments of cultural history as a way to trigger a critique to morality, and the standardization of life. Introducing fun and humor as part of the creative processes brings a sense of joy that is deeply embedded in surrealism. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629015656205-5SHLE256K2XSK9521LX7/unnamed+%282%29.png Upcoming Artists - PAKUI HARDWARE In their work the artistic duo from Lithuania explores the synthetic and natural connections of materials as a form of revealing the inner processes of Capitalism and the Anthropocene. Their interest in biology, design, and art history brings them to consider formal and material concerns recalling the intentions of the avant-garde. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629015666495-E80G4988HFRO68NLUPNH/unnamed+%281%29.png Upcoming Artists - MICHAEL PORTNOY As a multimedia artist, choreographer, musician, and actor, Portnoy has questioned the limits of participation in art by expanding on absurdity, ambiguity, and the unexpected. His latest pieces place the spectator and performers in situations that address the construction of racism and sexism. Known for his formulation of Relational Stalinism, Portnoy describes this as a way to “reengineer the logic, language and movements of human exchange, to give us new rules on how to be and act together.” https://www.radicale1924.org/radical-low-radicale-1924 daily 0.75 2024-08-29 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629113548621-8PC1QZOTJ4H6PYY9HUJF/RADICAL+LOW+LOGO.png Radical Low + Radicale 1924 - RADICAL LOW | Production Company Radical Low is a not-for-profit organization dedicated to produce and disseminate the performing and visual arts by organizing contemporary interdisciplinary projects in a permanent context of research and cooperation, as well as developing educational actions for all audiences. Radical Low was registered in the Lot region of South West France in January 2020, Registration Number: W461006540. Radical Low is a non for profit recognized as being of public interest, decree of October 18, 2022. Donations are tax- deductible. The head office for Radical Low is located in the municipality of Saint-Cirq-Lapopie: Le Bourg, 46330, Saint-Cirq Lapopie, France. Béatrice Vignals - Perret , President Claudio Schönenberger, Treasurer https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629113548621-8PC1QZOTJ4H6PYY9HUJF/RADICAL+LOW+LOGO.png Radical Low + Radicale 1924 - RADICAL LOW | Production Company Radical Low is a not-for-profit organization dedicated to produce and disseminate the performing and visual arts by organizing contemporary interdisciplinary projects in a permanent context of research and cooperation, as well as developing educational actions for all audiences. Radical Low was registered in the Lot region of South West France in January 2020, Registration Number: W461006540. Radical Low is a non for profit recognized as being of public interest, decree of October 18, 2022. Donations are tax- deductible. The head office for Radical Low is located in the municipality of Saint-Cirq-Lapopie: Le Bourg, 46330, Saint-Cirq Lapopie, France. Béatrice Vignals - Perret , President Claudio Schönenberger, Treasurer https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629027281198-NCQTZ22VJA931FSUPUD4/image-asset.jpeg Radical Low + Radicale 1924 - RADICAL LOW + RADICALE 1924 Radical Low is a not-for-profit organization dedicated to produce and disseminate the performing and visual arts by organizing contemporary interdisciplinary projects in a permanent context of research and cooperation, as well as developing educational actions for all audiences. Radicale 1924 is a project administered by the not-for-profit organization Radical Low. Radical Low was registered in the Lot region of South West France in January 2020, Registration Number: W461006540. The head office for Radical Low is located in the municipality of Saint-Cirq-Lapopie: Le Bourg, 46330, Saint-Cirq-Lapopie, France. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629113528185-UGPFF2YVKWFV05AO5W38/Radicale1924_white_logo_2.png Radical Low + Radicale 1924 - RADICALE 1924 | Art Residency Program RADICALE 1924 is a new artist residency project in Saint-Cirq-Lapopie, France. On the occasion of the centenary of the publication of the Surrealist Manifesto, Radicale 1924 continues the village’s tradition as an artists' village, reflecting its commitment to fostering artistic exploration and collaboration. Radicale 1924 is a project managed by the nonprofit organization Radical Low. Chantal Yzermans : Founder https://www.radicale1924.org/supporters daily 0.75 2021-08-16 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629028677153-GJZBYJ1GUZR1LOWZB6DP/SAINT_CIRQ_LAPOPIE-46-02.jpeg Supporters - COMMUNE DE SAINT-CIRQ-LAPOPIE Radicale 1924 is made possible with funds from the Municipality of Saint-Cirq-Lapopie, France. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629028677153-GJZBYJ1GUZR1LOWZB6DP/SAINT_CIRQ_LAPOPIE-46-02.jpeg Supporters - COMMUNE DE SAINT-CIRQ-LAPOPIE Radicale 1924 is made possible with funds from the Municipality of Saint-Cirq-Lapopie, France. https://www.radicale1924.org/french-program daily 0.75 2021-11-25 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629225968728-3VMXQZ9X6BOMVSW9ZANO/1+%281%29.jpeg French Program - ART RESIDENCY Chaque année, la Résidence invitera un groupe d'artistes et de chercheurs à vivre et à travailler à Saint-Cirq-Lapopie. La résidence leur fournira le temps, l'espace et le soutien nécessaires pour expérimenter, collaborer et créer de nouvelles œuvres. Conformément aux exigences sanitaires, la résidence sera flexible pour fonctionner à différents moments et lieux, en prenant soin des résidents et de leur travail. Si la préférence sera de les inviter à Saint-Cirq pour un mois, d'autres modèles de résidence seront envisagés au besoin. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629225968728-3VMXQZ9X6BOMVSW9ZANO/1+%281%29.jpeg French Program - ART RESIDENCY Chaque année, la Résidence invitera un groupe d'artistes et de chercheurs à vivre et à travailler à Saint-Cirq-Lapopie. La résidence leur fournira le temps, l'espace et le soutien nécessaires pour expérimenter, collaborer et créer de nouvelles œuvres. Conformément aux exigences sanitaires, la résidence sera flexible pour fonctionner à différents moments et lieux, en prenant soin des résidents et de leur travail. Si la préférence sera de les inviter à Saint-Cirq pour un mois, d'autres modèles de résidence seront envisagés au besoin. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629225966715-MB3DNCBVAYMOR04OWI9W/2.jpeg French Program - EVÈNEMENT D’ÉTÉ Cet événement estival d'une semaine réunira artistes, partenaires, invités et publics pour faire de Saint-Cirq-Lapopie, un lieu éphémère de création artistique. L'événement d'été présentera le travail développé au cours de la résidence et organisera une série de présentations, d'interventions, de performances et de situations vivantes, cherchant à engager le public et utiliser une variété d'espaces à Saint-Cirq-Lapopie. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629225964572-ASCDPD375SPOY39POWEF/image7.jpeg French Program - PUBLICATIONS Tout au long de l'année, le programme travaillera avec les résidents et les invités pour produire une série de publications. Celles-ci seront dédiées à des thèmes spécifiques et auront un format ouvert, utilisant des moyens en ligne et hors ligne pour se connecter avec un public plus large. En collaboration avec des artistes, des chercheurs et des universitaires, les publications seront un mode de communication et de développement du caractère du programme. A la fin du cycle de quatre ans, le programme travaillera (à la publication) d’un Livre, qui rassemblera tous les projets et activités. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629225960255-2LT8FW4GY94CU403AEDP/image18.jpeg French Program - ÉDITIONS En collaboration avec les résidents, le programme développera une série d'éditions limitées de documents imprimés et d'œuvres d'art. Élaborant à partir de l'intérêt du Surréalisme pour les objets, les éditions se connecteront aux projets du résident, formant une collection d’œuvres créées au cours de la résidence.j https://www.radicale1924.org/invited-artists-2021-fr daily 0.75 2024-03-02 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1709387692979-WVCHNZE5MDUUQ5AFCJ4S/image34.jpg Invited Artists 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1709389025752-ZFP7W3LR0SVVBSL2RD7O/image34.jpg Invited Artists 2021 FR - CARLOS AIRES (Espagne, 1974) Il a obtenu une licence en beaux-arts à l'Université de Grenade en Espagne. Après avoir obtenu son diplôme en 1997, il a déménagé aux Pays-Bas et a terminé ses études de troisième cycle à Fontys Academy (Tilburg, Pays-Bas), HISK (Anvers, Belgique) et Ohio State University (Ohio, États-Unis). Il a participé à de nombreuses expositions dans des institutions nationales et internationales, telles que : CAC (Malaga, Espagne), MACBA (Barcelone, Espagne), Boulder Museum of Contemporary Art (USA), Imperial Belvedere Palace (Vienne, Autriche), ARTIUM (Vitoria , Espagne), Maison Particulière Art Center (Bruxelles, Belgique), MUSAC (Leon, Espagne), BB6 Bucarest International Biennale for Contemporary Art (Bucarest, Roumanie), BPS 22 (Charleroi, Belgique), 5e Biennale d'art contemporain de Thessalonique (Thessalonique, Grèce). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1655361715994-G9LJX3FF2DS95SXSP3FN/d9f7bcb4-59c4-11e8-8947-441b65ad8de5.jpeg Invited Artists 2021 FR - GUILLAUME BIJL (Belgique, 1946) Guillaume Bijl est connu pour ses installations à grande échelle et son réalisme visuel. Depuis la fin des années 70, Bijl a créé des décors réalistes en utilisant des objets trouvés. Ce faisant, il a joué un rôle de pionnier dans la résurgence du ready-made. Bijl montre au public divers aspects de notre "civilisation" occidentale et de notre société de consommation. À l’aide de stéréotypes extrêmes, il crée une sorte d'"archéologie de notre époque" de manière tragi-comique et aliénante. Sa participation sera une excellente occasion de réfléchir à sa pratique à la lumière d'un courant surréaliste qui continue de se répercuter dans les pratiques artistiques actuelles. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637866323421-GRYJW29O6WLBAOF3MLGY/WhatsApp%2BImage%2B2018-09-09%2Bat%2B14.22.10%2B%281%29.jpg Invited Artists 2021 FR - Vinicius Couto Vinicius Couto ( Brazil, 1988) artvist et directeur créatif, étudie le genre, la race, la classe, la sexualité, les mouvements LGBT et leurs intersections, avec l’intention d’éveiller de nouveaux formats de réflexion. Au centre de son travail, l'artiste interroge l'imaginaire construit par des corps non normatifs. Dans les arts plastiques, le cinéma, le théâtre et la mode, il cherche à combattre les reproductions quotidiennes de violences auxquelles son (notre) corps est soumis. En 2016, après avoir contracté le HIV , Vinicius s'est auto-provoqué et se révèle ouvertement séropositivite. Il crée « Libertar-ser » en 2017. L'année suivante, il crée « I=I or « Undetectable = Untransmissible ». exposé au MAM-SP et au CMA Hélio Oiticica - RJ en 2019. Tout au long de ses recherches d'artiste, il utilise l'expérience comme définition de la théorie de (son) existence. En 2021, il est sélectionné comme résidents de Kovent.zer0. Sa provocation vient avant tout de l'utilisation du désir comme forme de déconstruction, de la (ré)existence face aux processus décoloniaux, de l'anti-héroïsme dans les représentations du pouvoir et de la consommation induite en tant que gay -latino-américain. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629230551342-1TMATSK5DAB36M47081J/image9.png Invited Artists 2021 FR - LUC DELEU (Belgique, 1944) Après s'être installés dans la maison « Les Nénuphars », dans le prestigieux Cogels Osylei à Anvers en Belgique en mai 1968, Luc Deleu et son épouse Laurette Gillemot fondent T.O.P. office, un studio d'urbanisme et d'architecture en 1970. Le point de départ, la motivation et le but du studio étaient de questionner l'architecture et le design urbain, leur place et leur devoir dans une société globale. Cela a généré la nécessité de réfléchir sur les raisons et les façons de gérer un studio d'architecte et comment l'orienter vers un développement vraiment indépendant et autonome avec l'utilisation d'un large éventail de médias. Alors, T.O.P. bureau a été mis en place avec la conviction même qu'il vaudrait mieux réduire l'impact spatial de la construction et construire moins. Convaincus que les évolutions futures des supports de communication permettraient de renaître la vie nomade, les premières idées vont venir avec un travail qui privilégie la mobilité contre l'immobilisme de l'immobilier et contredit le privilège exclusif du bâtiment comme logement et lieu de travail. A de nombreuses reprises - en plus d'être une équipe de recherche indépendante développant un format autonome pour la recherche urbaine par le design - T.O.P office a participé au débat sur l'urbanisme et l'architecture, et donc peut-être s'est retrouvé dans un certain créneau. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629230544388-DX0JXDMN19Z9NUV0ZWOF/image15.png Invited Artists 2021 FR - CEDRIC FARGUES (France, 1988) Son travail a été présenté dans plusieurs expositions dans des galeries et des musées, dont la New Galerie et les Queer Thoughts. La première œuvre de l'artiste proposée aux enchères était Deux œuvres: Bébéfleurs 9; Bébéfleurs 16 chez FauveParis en 2020. Cédric poursuit son infiltration décontractée dans le monde de l'art contemporain. L'artiste figeacois d'origine lotoise et aveyronnaise basé à Figeac, porte-voix du mouvement désormais appelé "cabécoucore", a attrapé les internautes avec sa nonchalance, berçant facilement de son lit traîneau aux lampes à lave aux influences faurissoniennes, le tout traversé de farts post- internet lointains éloigné de la posture « tristesse-pas- d'avenir-c'est-la-fin-du-monde » qui afflige Figeac depuis des années. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629230550935-BHLO59CY539Y0E4ELH8V/image30.png Invited Artists 2021 FR - STEPHANIE LAGARDE (France, 1982) Basée à Paris, son travail se concentre sur l'occupation de l'espace et de la mémoire, en recherchant des stratégies mises en œuvre pour maintenir et défier le contrôle sur les territoires réels et virtuels. Faisant écho à d'anciennes techniques mnémoniques, Lagarde assemble des récits conflictuels à partir de sons, d'images et de textes mais également de sources réelles et virtuelles, anciennes et nouvelles, historiques et fictives. Elle a exposé dans des lieux tels que Plato Ostrava, République tchèque; Kunstmuseum Bonn, Allemagne; Frei_raum Q 21 MuseumsQuartier Vienne, Autriche; Tallinn Art Hall, Estonie; Ludwig Forum für Internationale Kunst, Aix-la-Chapelle, Allemagne; Centre de photographie contemporaine, Melbourne, Australie; Palais de Tokyo, Paris, France. Ses vidéos ont été présentées dans des festivals tels que IFFR (Rotterdam), BISFF (Pékin), Berlin Atonal, Videonale (Bonn), Transmediale (Berlin), EMAF (Osnabrück), DOKLeipzig, Kasseler Dokfest, KFFK (Koln), November Festival (Londres). Elle a remporté le Grand Prix au BIEFF 2019 (Bucarest) et le prix de la compétition internationale du Short Waves Festival 2019 (Poznan, Pologne). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637943746577-3Q0X1B188ZC5GL8LI6IL/unnamed+%282%29.jpeg Invited Artists 2021 FR - SIHAM MEHAIMZI (France, 1988) Siham Mehaimzi est née en 1988 à Agen de parents immigrés marocain descendants d’une tribu Sahraoui. Siham grandit dans le sud de la France où elle commence à écrire à l’âge de 10 ans. Diplômée en psychologie clinique psychanalytique c’est à l’université au cours des «chantiers d’arts provisoires» qu’elle rencontre le poète Serge Pey qui découvre son travail et la programme à la cave poésie de Toulouse. Auprès de lui, elle participe à la marche de la poésie en hommage à Antonio Machado qui apparaît dans le film documentaire « la boite aux lettres du cimetière ». Formée par la compagnie du « théâtre 2 l’acte », Siham aspire à l’oralité de la poésie à travers laquelle vibre sa mémoire ancestrale, l’exile de sa mère et les questions féministes. Siham a été publiée dans une anthologie des poètes de la cave poésie dans la revue Mange Monde aux éditions Rafael de Surtis, puis dans la Revue A revue transculturelle littérature action aux éditions Marsa et dans la revue Méninge. Et dans la revue GLAD! sur le genre le langage et la sexualité . https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679650954362-X6IAK3BO617JRBTVTS6Z/samyra_moumouh.jpeg Invited Artists 2021 FR - SAMYRA MOUMOUH (Belgique,1983) Formée en tant que cinéaste et designer architectural, travaille principalement dans le domaine de l'art contemporain. Sa pratique consiste à concevoir des expositions; développer un concept de design et prévoir l'assistance technique pour la réalisation de l'art. Elle a été (2011-2018) l'assistante (inter)nationale d'Anne-Mie Van Kerckhoven [AMVK] et travaille également de manière irrégulière pour et avec d'autres artistes tels que Hans Demeulenaere et Chantal Yzermans. Samyra crée des scénographies pour la danse et le théâtre, conçoit des meubles spécifiques au site pour les événements d'ateliers d'artistes, ainsi que l'intérieur d'espaces commerciaux et privés. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629230553633-Y3S2P34F4HJ1JCUBETMR/image17.png Invited Artists 2021 FR - RIA PACQUEE (Belgique, 1954) Ria a fait sa percée internationale dans les années 1980 avec sa série de performances mettant en vedette des personnages qu'elle a créés - "Madame" et "It". Infiltrant la réalité à travers ces deux personnages, elle a mené une enquête artistique sur la mince ligne de démarcation entre le fictionnel et le réel. Dans ses travaux plus récents, elle se concentre davantage sur des productions photographiques et vidéo, dans lesquelles les expériences acquises en tant qu'artiste de la performance jouent toujours un rôle important. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629230553831-R5TNRPGRBDSKXXV0EXRA/mike.jpg Invited Artists 2021 FR - MIKES POPPE (Belgique, 1983) Depuis 2007, tout en se concentrant sur ses recherches académiques sur la « Performance Art », Mikes Poppe a cité un certain nombre de performances live sous forme de reconstitutions (« Archive-projects »). Il s'est spécialisé dans la reconstruction méticuleuse de performances canoniques/ historiques (des années 60 et 70), en les confrontant à des projets dits « Inspirés par » : c'est-à-dire des performances semi-autonomes inspirées par les antécédents historiques, créant une interprétation/transformation personnelle de l'original. Matériel. Poppe a rejoué le travail de Marina Abramovic, Danny Devos, Vito Acconci, Chris Burden pour n'en nommer que quelques-uns. Aujourd'hui, il présente régulièrement des performances artistiques autonomes, des dessins et des installations. Son œuvre visuelle a de forts éléments performatifs et peut être considérée comme complémentaire à ses projets d'art en direct. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629230862092-PPSO7IHDPT1F28FWTYYC/pieterpieter.jpeg Invited Artists 2021 FR - PIETER VAN DER SCHAAF (Pays-Bas, 1984) Travaillant principalement avec l'installation et la sculpture. Il est diplômé de l'Academie Minerva à Groningen (NL) en 2010 et a étudié au California College of the Arts de San Francisco/ Oakland (USA) en 2009. En 2016 et 2017, Pieter a été résident à la Jan van Eyck Academie à Maastricht (NL). Son travail a été exposé à la Fondation Ricard à Paris, au 63e Salon de Montrouge, à Occidental Temporary à Villejuif, Nest à Den Haag et à la Jan van Eyck Academie à Maastricht. Il a présenté des expositions personnelles à l'Espace d'art contemporain du Théâtre de Privas, ainsi qu'à Glassbox et à la Galerie Jeune Création à Paris. A venir, il présentera de nouvelles œuvres à l'occasion de son exposition personnelle au B32 à Maastricht (NL) fin 2021. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629230555868-LN2E566HCL6VYHPNNTD1/452ae620-879e-11e9-800d-90963116f9e1.jpeg Invited Artists 2021 FR - IDRIS SEVENANS (Belgique, 1991) Travaillant sur des sculptures, des films, des expositions, des publicités indésirables et des livres (dont « Stoppen met Lezen » et « De Computer », sur Marcel van Maele), Idris gère une boutique de produits remarquables (l'initiative irréaliste Troebel Neyntje) et a fondé sa propre école : AARS (Antwerp Artist Run School). Le philosophe du vingtième siècle Hans Theys (Bangladesh, 1936) a décrit le mille-pattes omniprésent Sevenans comme « un détecteur de conneries sans faille » et aussi comme « quelque chose de déjà fait dans les années 1960, seulement plus frais ». Il s'est lui-même coincé dans les années 1960, alors il devrait savoir. Vivre dans un monde où nous sommes sans cesse bombardés de préceptes condescendants, d'images laides et de commérages ridicules qui devraient nous amener à consommer des choses insensées, inutiles, insipides, incolores et ambiguës dont nous n'avons pas besoin, alors dans ce monde, nous saluons avec joie la façon aïkido dont Sevenans pare cette absurdité indéracinable d'un mouvement en spirale. ― Carla Van Campenhout, February 2020 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629230736083-VUYOCDCOON4QKKOW21II/image13.jpeg Invited Artists 2021 FR - A.L. STEINER (USA, 1967) Basé à Los Angeles et à Brooklyn, A.L. Steiner est membre de la faculté des arts visuels du MFA du Bard College, de l'Université de Yale et de la School of the Art Institute de Chicago. Elle tr av ail l e dans l a photographie, la vidéo, l'installation, le collage et la performance, souvent en collaboration ; elle donne également des conférences, écrit et est curatrice. Une « androgyne éco-féministe queer sceptique » autoproclamée, Steiner est co-commissaire de Ridykeulous, membre du collectif musical Chicks on Speed et co-fondateur de Working Artists and the Greater Economy (WAGE), qui milite pour le paiement d'honoraires pour les artistes exposant dans des institutions artistiques à but non lucratif. Les œuvres de Steiner sont irrévérencieuses, humoristiques, personnelles, perverses et politiques. Le plus évident dans ses installations à grande échelle de photographies numériques collées est le vaste réseau d'amis et d'amoureux queer de Steiner. Son installation à la Whitney Biennial 2014, More Real than Reality Itself/Cost-benefit analysis, par exemple, étudie les constructions socioculturelles, biopolitiques et familiales à travers les pratiques vécues des activistes et artistes Rita "Bo" Brown, Carla Cloer, Ericka Huggins, Miya Masaoka et Laurie Weeks. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637866319391-W2E7JQ0MJFJ3AWZA41AB/Hans-Demeulenaere+%281%29.jpeg Invited Artists 2021 FR - Hans Demeulenaere Hans Demeulenaere (Ostende, 1974) vit et travaille à Bruges. Il est diplômé en Arts Visuels de la LUCA School of Arts de Gand et a été artiste résident au Masereel Centrum à Kasterlee (2019) et Work Space Brussels (2015). Au cœur de sa recherche artistique se trouvent ses réflexions sur les espaces d'exposition et la transformation d'éléments architecturaux en sculptures et installations. Ses expositions personnelles et collectives les plus récentes incluent : Doppelganger, De Garage, Mechelen (2021) ; Soft Fold, avec Dimitri Vangrunderbeek, Fred& Ferry Gallery, Anvers (2021) ; Il n'y a rien de connecté, rien de distinct, avec Esther Venrooy, Onomatopee, Eindhoven (2018) ; Tu fais une meilleure porte qu'une fenêtre, avec Emi Kodama, Beursschouwburg, Bruxelles (2016) ; Politics of Installation, avec Bas van den Hurk, P/////AKT, Amsterdam (2015) ; Be ALL AND END ALL, avec Herman Van Ingelgem et Marc Nagtzaam, Millington Marriott, Londres (2015) ; Quelques Objets, Huit Sculptures, Plusieurs Cadres. Une vidéo et un livre, Mu.ZEE, Ostende (2014) ; The Gathering Of Characters And Forms (Chapitre I), Dash, Courtrai, (2014) ; Une histoire sans fin, Extra City Kunsthal, Anvers (2013). https://www.radicale1924.org/french-advisors daily 0.75 2021-11-25 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629241023604-2WKP2VER7QWRVK224732/image18+%281%29.jpeg French Advisors - JOHN C. WELCHMAN Professeur d'histoire de l'art moderne au département des arts visuels de l'Université de Californie à San Diego. John écrit régulièrement sur l'art moderne et contemporain et la théorie critique. Parmi ses nombreuses publications figurent Past Realization: Essays on Contemporary European Art; Après la Bouillabaisse wagnérienne: Essais sur l'art d'avant-garde européen; Modernisme délocalisé: vers une étude culturelle de la modernité visuelle; Couleurs invisibles: une histoire visuelle des titres; et Art After Appropriation: Essais sur l'art dans les années 1990. Il est l'éditeur de trois recueils d'écrits de l'artiste Mike Kelley et le coéditeur de Black Sphinx: On the Comedic in Modern Art. Welchman a écrit des critiques d'art pour ARTFORUM, où il a tenu une chronique à la fin des années 1980 et début des années 90; Filtrer; et le New York Times, entre autres journaux et revues. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629241023604-2WKP2VER7QWRVK224732/image18+%281%29.jpeg French Advisors - JOHN C. WELCHMAN Professeur d'histoire de l'art moderne au département des arts visuels de l'Université de Californie à San Diego. John écrit régulièrement sur l'art moderne et contemporain et la théorie critique. Parmi ses nombreuses publications figurent Past Realization: Essays on Contemporary European Art; Après la Bouillabaisse wagnérienne: Essais sur l'art d'avant-garde européen; Modernisme délocalisé: vers une étude culturelle de la modernité visuelle; Couleurs invisibles: une histoire visuelle des titres; et Art After Appropriation: Essais sur l'art dans les années 1990. Il est l'éditeur de trois recueils d'écrits de l'artiste Mike Kelley et le coéditeur de Black Sphinx: On the Comedic in Modern Art. Welchman a écrit des critiques d'art pour ARTFORUM, où il a tenu une chronique à la fin des années 1980 et début des années 90; Filtrer; et le New York Times, entre autres journaux et revues. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631305300686-X0BD8Z9NOHJ3RVK0Q8YW/page_25.jpeg French Advisors - GERALDINE CELLI Commissaire des arts du spectacle à l'Auditorium et Studio Wendel, Centre Pompidou-Metz. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631394952386-S44P9702GU94AXFNQP5E/image28.png French Advisors - MARK GEURDEN Consultant Indépendant Licence en langues et littératures romanes à l'Université d'Anvers. De plus, il s'est spécialisé dans ce qu'on appelle la « pragma-sémiotique » (analyse de la performance) lors d'une étude post-académique en sciences du théâtre aux universités d'Anvers, de Bruxelles et de Gand. De 1996 à 1999, il a travaillé comme membre du personnel et conseiller artistique pour la programmation du Centre culturel de Hasselt, Belgique (théâtre et danse). Jusqu'en septembre 2020, il a travaillé comme membre du personnel de Troubleyn/Jan Fabre, une compagnie de théâtre à Anvers, responsable du développement artistique de l'infrastructure de la compagnie (Troubleyn/Laboratorium) et de la politique artistique et financière (à long terme) de la compagnie. En 2010, il a fondé le groupe de recherche « Laboratorium », qui est un groupe de recherche scientifique transdisciplinaire axé sur les enseignements et les orientations de formation élaborée par Jan Fabre. Depuis2021, il est actif en tant que consultant indépendant et dramaturge. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629241010827-HWWHA1GZJN362E5SDUEE/image27.png French Advisors - STEFAN WOUTERS Conservateur Musée René Magritte, Bruxelles Professeur d’histoire de l’Art, Académie royale des beaux-arts d Anvers Stefan est professeur et curateur travaillant sur des interventions temporaires dans l'espace public. Inspiré par les cours d'histoire de l'art qu'il suit à l'Académie royale des beaux-arts, il décide d'étudier l'histoire de l'art et l'archéologie à l'Université libre de Bruxelles (VUB). Au cours de ces études, il a travaillé comme traducteur et écrivain pour le service de communication du Palais des Beaux-Arts de Bruxelles. Son intérêt s'est de plus en plus tourné vers les formes d'art basées sur le temps et en 2015, il a obtenu un double doctorat en histoire de l'art et archéologie (Université libre de Bruxelles) et en sciences du théâtre (Université d'Anvers) pour ses recherches sur la scène belge du happening du milieu années 1960. Afin de financer ses études, il a collaboré pour la base de données en ligne Belgium is Happening et a participé en tant qu'artiste de performance au groupe de performance international Virtual Vérité, dirigé par l'artiste basé à Los Angeles Harry Gamboa, Jr. Stefan a été le curateur du Belgium Performance Festival https://www.radicale1924.org/french-team daily 0.75 2024-03-02 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1709383002012-JZTSZI0R2BJCTIVEROMY/image26.jpg French Team - CHANTAL YZERMANS | Directeur et Fondateur Formée comme danseuse au Conservatoire Royal d'Anvers, Chantal s'installe à New York en 2000 pour étudier pendant six ans avec Merce Cunningham et sa Compagnie. Le travail de Chantal a été présenté dans différents lieux et festivals à l'échelle internationale, parmi lesquels le Centre Pompidou Metz, le Círculo de Bellas Artes à Madrid, la Rencontres Internationales Chorégraphiques de Seine Saint-Denis (FR) et le M_HKA Museum for Contemporary Art Antwerpen. Désormais résidente à temps plein de Saint-Cirq-Lapopie, la vision de Chantal est d'amener les artistes contemporains à faire progresser des méthodes et des pratiques créatives qui abordent l'histoire et l'héritage de ce village médiéval. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1709383002012-JZTSZI0R2BJCTIVEROMY/image26.jpg French Team - CHANTAL YZERMANS | Directeur et Fondateur Formée comme danseuse au Conservatoire Royal d'Anvers, Chantal s'installe à New York en 2000 pour étudier pendant six ans avec Merce Cunningham et sa Compagnie. Le travail de Chantal a été présenté dans différents lieux et festivals à l'échelle internationale, parmi lesquels le Centre Pompidou Metz, le Círculo de Bellas Artes à Madrid, la Rencontres Internationales Chorégraphiques de Seine Saint-Denis (FR) et le M_HKA Museum for Contemporary Art Antwerpen. Désormais résidente à temps plein de Saint-Cirq-Lapopie, la vision de Chantal est d'amener les artistes contemporains à faire progresser des méthodes et des pratiques créatives qui abordent l'histoire et l'héritage de ce village médiéval. https://www.radicale1924.org/french-organization daily 0.75 2024-08-29 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629241807684-997OZB0PORD1P01U4RKD/RADICAL%2BLOW%2BLOGO.png French Organization - RADICAL LOW | Société de production Radical Low est une association à but non lucratif dédiée à la production et à la diffusion des arts de la scène et des arts visuels en organisant des projets interdisciplinaires contemporains dans un contexte permanent de recherche et de coopération, ainsi qu'en développant des actions pédagogiques pour tous les publics. Basé à Saint-Cirq-Lapopie depuis janvier 2020. Siege Social Mairie de Saint-Cirq Lapopie, Lieu-dit Le Bourg, 46330 Saint-Cirq Lapopie Numero de l'association W461006540 /identifiant SRET du siège 899 420 269 00016 Association reconnue d'intérêt général, rescrit du 18 octobre 2022 Béatrice Vignals- Perret Présidente Claudio Schönenberger, Trésorier https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629241807684-997OZB0PORD1P01U4RKD/RADICAL%2BLOW%2BLOGO.png French Organization - RADICAL LOW | Société de production Radical Low est une association à but non lucratif dédiée à la production et à la diffusion des arts de la scène et des arts visuels en organisant des projets interdisciplinaires contemporains dans un contexte permanent de recherche et de coopération, ainsi qu'en développant des actions pédagogiques pour tous les publics. Basé à Saint-Cirq-Lapopie depuis janvier 2020. Siege Social Mairie de Saint-Cirq Lapopie, Lieu-dit Le Bourg, 46330 Saint-Cirq Lapopie Numero de l'association W461006540 /identifiant SRET du siège 899 420 269 00016 Association reconnue d'intérêt général, rescrit du 18 octobre 2022 Béatrice Vignals- Perret Présidente Claudio Schönenberger, Trésorier https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629241806058-7NPU2ARQ66C8T4GAN434/Radicale1924_white_logo_2.png French Organization - RADICALE 1924 | Programme de Résidence Artistique RADICALE 1924 est un nouveau projet de résidence d’artistes à Saint-Cirq-Lapopie, France. À l’occasion du centenaire de la publication du Manifeste du surréalisme, le projet Radicale 1924 s’inscrit dans la continuité de la tradition du village en tant que village d’artistes, témoignant de son engagement à encourager l’exploration artistique et la collaboration. Radicale 1924 est un projet géré par l’organisation à but non lucratif Radical Low. Chantal Yzermans, fondatrice https://www.radicale1924.org/french-patron-circle daily 0.75 2021-08-17 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629243436598-KVOCUDIVSIAI964T8PET/Carlos-Aires-9.jpeg French Patron Circle - Partenaire-Résidence 30k/an x 4 Participation au comité des partenaires dans toutes les phases du programme (informations sur le travail de l'équipe de conservation et la direction du programme). Contact direct avec les artistes et leur processus de création (lors de leur séjour à Saint-Cirq-Lapopie ou ailleurs, première possibilité d'acquérir des éditions limitées spécialement créées pour le programme de résidence). 5 pas VIP à chaque Summer Event (une semaine à Saint-Cirq-Lapopie pour vivre toutes les créations des artistes et dîners spéciaux). Présence dans tous les supports de communication (5 partenaires maximum à ce niveau). Reconnaissance et exclusivité du secteur. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629243436598-KVOCUDIVSIAI964T8PET/Carlos-Aires-9.jpeg French Patron Circle - Partenaire-Résidence 30k/an x 4 Participation au comité des partenaires dans toutes les phases du programme (informations sur le travail de l'équipe de conservation et la direction du programme). Contact direct avec les artistes et leur processus de création (lors de leur séjour à Saint-Cirq-Lapopie ou ailleurs, première possibilité d'acquérir des éditions limitées spécialement créées pour le programme de résidence). 5 pas VIP à chaque Summer Event (une semaine à Saint-Cirq-Lapopie pour vivre toutes les créations des artistes et dîners spéciaux). Présence dans tous les supports de communication (5 partenaires maximum à ce niveau). Reconnaissance et exclusivité du secteur. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629243236354-IRFKWOR5PRDO418QOQU3/20567870441456683858.jpeg French Patron Circle - Partenaire-Geste artistique 10k/an x 4 Accompagnement d'un artiste en particulier (visites avec l'artiste à différents moments et lieux). 3 laissez-passer VIP à chaque événement d'été (trois jours à Saint-Cirq-Lapopie pour découvrir toutes les activités et créations d'artistes et dîners spéciaux). Présence dans tous les supports de communication (10 partenaires à ce niveau). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629243264267-4B6AA7RUWAMLLRSB8435/file+%281%29.jpeg French Patron Circle - Partenaire-Engagé 5k/an x 4 (ou valeur équivalente en nature) Mention dans tous les supports supports (20 Partenaires à ce niveau). 2 Pass VIP à l'Événement d'été (deux jours à Saint- Cirq-Lapopie pour découvrir toutes les activités et créations d'artistes et dîners spéciaux). https://www.radicale1924.org/french-photo-crediting daily 0.75 2021-09-03 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630665010939-ETZUSNNBNWZTH8T8SR01/HR_56600100457450_10_watermarked.jpeg French Photo Crediting - Photographie par Elisa Breton Photographie d'André Breton à Saint-Cirq-Lapopie prise entre 1953 et 1962. © ADAGP, Paris, 2012. ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630665010939-ETZUSNNBNWZTH8T8SR01/HR_56600100457450_10_watermarked.jpeg French Photo Crediting - Photographie par Elisa Breton Photographie d'André Breton à Saint-Cirq-Lapopie prise entre 1953 et 1962. © ADAGP, Paris, 2012. ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630660690734-BY5CBQ5Y3J9AIE98M5IV/1490287557_saint-cirq-lapopie.jpeg French Photo Crediting - Photographe inconnu Saint-Cirq-Lapopie, France ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630666859767-ACFSJCA4OI956GW7NHJO/Screen+Shot+2021-09-03+at+11.29.15+AM.png French Photo Crediting - Photographe inconnu Conception des costumes de Pablo Picasso pour la représentation de Parade des Ballets Russes de Serge Diaghilev au Théâtre du Châtelet à Paris le 18 mai 1917. Personnages de la parade : Manager français, cheval et manager américain. ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630660685106-62ZB9VKQPWHTP1EH7NG7/image8.png French Photo Crediting - Photographe inconnu Charles Estienne (en tricot rayé) en compagnie d'André Breton, Jean-Claude Silbermann, Meret Oppenheim, Elisa Breton, Robert Benayoum, Marie-Jo Silbermann, Georges Goldfayne, Aube et Yves Elléouët, à Saint-Cirq Lapopie vers 1958. Photo TFV ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630683625670-WWFUHJVS3TKAO3XUQ8PB/Screen+Shot+2021-09-03+at+11.15.33+AM.png French Photo Crediting - Photographie par Elisa Breton Photographie prise à Cordes, cour de l'Hostellerie. Sur la photo, c'est Toyen, Péret, Paalen, Schuster, Goldfayn. © Elisa Breton ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630660697930-GZBDRJ7X2IWNP9BD08QA/cropped-1200px-Saint-Cirq-Lapopie-1+%281%29.jpeg French Photo Crediting - Photographie par Adam Baker ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630692491842-06B3O6N6XX337H2TNGKI/HR_56600100201100_6_watermarked.jpeg French Photo Crediting - Photographie par Elisa Breton © Elisa Breton ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630685067613-FTM0D5WND85W1OGEPNBL/1962%2BToyen_Silberman_Simone%2BDax%2B_elisa%2BB.png French Photo Crediting - Photographe inconnu Photographie de groupe prise à Saint-Cirq-Lapopie, en 1962. People cited Nicole Espagnol, Robert Lagarde, Jacques Mer, Jean-Claude Silbermann, André Breton, Alain Joubert, Marie Cerminova, dite Toyen, Elisa Claro Breton, Simone Dax, Marie-José Silbermann. © ADAGP, Paris, 2012. ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630660700164-CHBDA23ATP4SFZVRNH12/HR_56600100596620_1_watermarked.png French Photo Crediting - Photographie de Man Ray People cited Georges Goldfayn, Wolfgang Paalen, Man Ray, André Breton, Marie Cerminova, known as Toyen, Elisa Claro Breton, Benjamin Péret. © Man Ray Trust / ADAGP, Paris, 2005. ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630660708345-H5UWQWR2HMA7R9S6B3MO/Screen+Shot+2021-09-03+at+11.16.09+AM.png French Photo Crediting - Photographe inconnu © ADAGP, Paris, 2012. ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630690877597-814CDU3FC670PPRT0VE0/HR_56600100575210_1_watermarked.jpeg French Photo Crediting - Photographie par Elisa Breton Quatre photographies de groupe prises à St-Cirq-Lapopie datées de l'été 1953. Photographie représentant Mary Wilson, Toyen, Wolfgang Paalen, Benjamin Péret, Maryse Sandoz, Georges Goldfayn, Jean Schuster, Anna Seghers, Zimbacca, Bédoin. ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630690255228-FXS4GCWU8NJJG5BPGASK/thumb_large.jpeg French Photo Crediting - Photographie par Man Ray Maison d'André Breton à Saint-Cirq-Lapopie. ➞ Cliquez ici pour en savoir plus. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630664848396-EKWO7KNSUFTCKB4VDQI1/HR_56600100457450_11_watermarked.jpeg French Photo Crediting - Photographie par Elisa Breton Photographie d'André Breton à Saint-Cirq-Lapopie prise entre 1953 et 1962. © ADAGP, Paris, 2012. ➞ Cliquez ici pour en savoir plus. https://www.radicale1924.org/new-index daily 0.75 2021-11-08 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1634677051815-PFH0DW73ENLPOCHNGAUL/IMG_4150.jpg New Index https://www.radicale1924.org/parade-public-2021 daily 0.75 2024-02-27 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636343285457-H8W97ZF4XYW370CAVHWN/IMG_20211002_113640.jpeg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636628904628-T87U7LQ258KZ21DSWZM5/Untitled+design+%2831%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636628978109-D8K71PXSOBX7C4D7Z4DS/Untitled+design+%2831%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629218357-EHSVHLBXH0PP9ABL59UP/Untitled+design+%2831%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629373157-BIVME96U9NMTXTI1YE7B/Untitled+design+%2831%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629501960-MOJQJ5A8IZ8HKF2Y58K9/Untitled+design+%2831%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629569007-B13XI3R8HDTPVMASHL5T/Untitled+design+%2831%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629609727-HBZW43OWN0F1V47V96KM/Untitled+design+%2831%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629641392-DCH7BPR53ZRFUJV0HC8N/Untitled+design+%2831%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636630894716-RE9OWMG5URCNOWLYXU3O/Untitled+design+%2831%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637260481877-RQOWMFPQ8AMWSF2GNLND/Teaching+%283%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637707270375-ADL5RD44BO0Q19ZRR2TT/Teaching+%284%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637676605464-GT3PEJTR532HL9X78WXG/51700633205_f62b47a1b8_k.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629218357-EHSVHLBXH0PP9ABL59UP/Untitled+design+%2831%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636630626381-SUPIQCZGNXHGKO6MSC0A/Untitled+design+%2831%29.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/49c9ee04-c367-4240-96d2-8254da94536f/Screen%2BShot%2B2021-09-03%2Bat%2B11.29.15%2BAM+%283%29.jpeg Parade 2021 EN - Make it stand out Costume design by Pablo Picasso for the performance of Parade des Ballets Russes by Serge Diaghilev at the Théâtre du Châtelet in Paris on May 18, 1917. Characters in the parade: French Manager, Horse and American Manager. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/2b3eccd1-f661-46e9-b406-4635af6e60a2/ezgif.com-gif-maker+%2852%29.gif Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/f0a38193-096b-43a1-a314-0403b5c586b7/51668953634_a08ec3ba95_k.jpg Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0e0029e4-fa1f-4b94-8b95-274bfb9adc70/Guillaume+Bijl_Sorry_Maison+Routier.JPG Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/cf9cdf5c-50a2-409f-b6a7-312a283c89b8/IMG_0035+%281%29.jpg Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/649c1ce8-9cee-4d69-a8a0-b2f75659c87d/ezgif.com-gif-maker+%2856%29.gif Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/17db46e5-d754-4935-80cc-e86d1538b93e/IMG_0013.jpeg Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/7762bd1c-ea58-49ec-8c01-b5ad7b483f3a/ezgif.com-gif-maker+%2855%29.gif Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/6be763ed-105d-45cc-bd1d-199dde887d39/IMG_0459.jpg Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637172407051-R2MJ4MTZWATSBHQTTT4A/unnamed%2B%282%29%2B%283%29.jpeg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637172407443-5K27LJE20G5P92SCAJNF/956B289A-5162-4DD8-8855-9B7104427426_1_105_c%2B%281%29.jpeg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637172451329-4ESLSRHDGSE2XS5MRQA4/51663971270_890b4050cd_k%2B%281%29.jpeg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637172452973-XLPC360RFG54UPDBP6KT/51686986833_f2f38198fe_k.jpg Parade 2021 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/3d858fe1-3bf1-4812-8eea-81145869d3f4/IMG_0453.jpeg Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0ce8eecf-4928-440a-b5f8-0aae964a6b63/ezgif.com-gif-maker+%2857%29.gif Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/6374e732-21ea-4f50-84b3-44b14879844b/SelfportraitSamyraMoumouh-Radical1924.jpeg Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/e41004d7-30e6-46f2-aa17-310db6480d66/IMG_4339.jpeg Parade 2021 EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636649701568-M134T4CDQBNYK1DF200N/IMG_0466+%281%29.jpeg Parade 2021 EN 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https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629117345839-SZ2KXHJ166ZZ0MW8GDFJ/SAINT_CIRQ_LAPOPIE-46-02%2B%25281%2529.jpg Parade 2021 EN - Commune De Saint-Cirq-Lapopie (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629116778882-98INO4FUEZ0MLKSO0VCH/Logo-La-rose-impossible+%281%29.jpeg Parade 2021 EN - L’association La Rose Impossible (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629116779199-FYMHZH7S3MOWYOQQAYK5/logo.png Parade 2021 EN - La Maison André Breton (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629117742831-SGIT1RHHS79KXVKHEAMZ/Screen+Shot+2021-08-16+at+2.41.56+PM.png Parade 2021 EN - La Maison Rignault (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630514863206-ZDZTBVET7MDR76E1BD83/Screen+Shot+2021-09-01+at+6.46.03+PM.png Parade 2021 EN - René Magritte Museum, Jette, Belgium (Copy) (Copy) 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https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637850472012-XXX212MFD03P1OCVTS5H/image-asset.jpeg opener https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637850550777-671KM4Z5N8YI7EUILB6I/IMG_7271.JPG opener https://www.radicale1924.org/idris-sevenans daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1726044550329-10LNSC75M54VSANXXHGB/Archive+de+Zwanze.jpg Idris Sevenans - Archive de Zwanze (2024) Idris Sevenans Since 2022, Idris Sevenans has meticulously organized the archives of his project Radicale 1924 within his ' Floating Archive' initiated on July 4th, 2022, for the inauguration of the Nightshop at Radicale in the village. For this final exhibition, we are proud to present the 'Archive de Zwanze'. 'In keeping with the long tradition of Zwanze and surrealism, the rebellious installations and interventions of Idris Sevenans truly shine. His Tour de Zwanze is an associative and disruptive interplay, where artistic seriousness meets popular banter and parody. Here too, the potato—symbolically portrayed as a stone—takes on significance. After all, what would this nation at the heart of Europe be without the potato?' ( Dennis Van Mol, September 2024) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1726044550329-10LNSC75M54VSANXXHGB/Archive+de+Zwanze.jpg Idris Sevenans - Archive de Zwanze (2024) Idris Sevenans Since 2022, Idris Sevenans has meticulously organized the archives of his project Radicale 1924 within his ' Floating Archive' initiated on July 4th, 2022, for the inauguration of the Nightshop at Radicale in the village. For this final exhibition, we are proud to present the 'Archive de Zwanze'. 'In keeping with the long tradition of Zwanze and surrealism, the rebellious installations and interventions of Idris Sevenans truly shine. His Tour de Zwanze is an associative and disruptive interplay, where artistic seriousness meets popular banter and parody. Here too, the potato—symbolically portrayed as a stone—takes on significance. After all, what would this nation at the heart of Europe be without the potato?' ( Dennis Van Mol, September 2024) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1709388532982-GQ9KT8OZ3UCGNLJ5GZSZ/20210726%2BSaint%2BCirq%2BLapopie_0091.jpg Idris Sevenans https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733306809285-FYN8AHO6KLB85SQMKCC6/FL1A3280.jpg Idris Sevenans https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733306829259-6VR7EZ7J6X6999P200CR/FL1A3148.jpg Idris Sevenans https://www.radicale1924.org/introduction-english daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628840170525-TL5W0N27HC2CN5F2SLIR/157648.jpeg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1634683893777-YMC56KF7Q1BBDG5AT7TE/IMG_4545.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629680050-DGHMMP1N5FDC3H8PL23G/Untitled+design+%2831%29.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629796416-3Z7TGHZE52PHBH91IIAF/Untitled+design+%2831%29.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629821990-RFGB60WDJZ7TCZ9EX32B/Untitled+design+%2831%29.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636630626381-SUPIQCZGNXHGKO6MSC0A/Untitled+design+%2831%29.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628465951485-2XOA11NJVJF4CN61HJ82/50648849937_1fb2d979e3_b.jpeg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628927444025-WY0B31VOZHF2HI2EW8M8/Untitled+design+%2818%29.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637634612257-EPI05961NPWTX0UQFCSK/Teaching+%284%29.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637634858698-U76H5U5K6F7BUSK43UID/Teaching+%284%29.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630690747008-V92E5UMSD11X2LZXTEBX/B+%281%29.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628791129038-FQXXU2WU4O66NV0IRLUE/Untitled+design+%2815%29.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636743930602-DNKZCOJIS1DEOTN6GTXX/Untitled+design+%2839%29.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630684960252-3BL4LE4BVNAHHDC5ELH3/HR_56600100053740_1_watermarked.jpeg Introduction EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/eb4425fe-25c0-4f5b-a43e-a98fdca90916/460-saint-cirq-lapopie-lot-pittoresque-saint-cirq-lapopie-eglise.jpg Introduction EN - Make it stand out Image by Docteur Adrien Routier of Saint Cirq Lapopie in 1933 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629117345839-SZ2KXHJ166ZZ0MW8GDFJ/SAINT_CIRQ_LAPOPIE-46-02%2B%25281%2529.jpg Introduction EN - Commune De Saint-Cirq-Lapopie (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629116778882-98INO4FUEZ0MLKSO0VCH/Logo-La-rose-impossible+%281%29.jpeg Introduction EN - L’association La Rose Impossible (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629116779199-FYMHZH7S3MOWYOQQAYK5/logo.png Introduction EN - La Maison André Breton (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629117742831-SGIT1RHHS79KXVKHEAMZ/Screen+Shot+2021-08-16+at+2.41.56+PM.png Introduction EN - La Maison Rignault (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630514863206-ZDZTBVET7MDR76E1BD83/Screen+Shot+2021-09-01+at+6.46.03+PM.png Introduction EN - René Magritte Museum, Jette, Belgium (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1652183201700-YE56XAZEJV2K65VBMHLA/unitwin_bel_erasmus_university_en.png Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1652183209899-VBX47Y2S8JJG931ZQWWJ/kenniscentrum-open-time.jpeg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733340858840-TSEFYFVG7VSOJMISVD22/image-asset.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733340900289-XQCJJT9BOJT75YF6UUMK/image-asset.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733340923859-7A88SFL9I6Y3FR3LY7G2/image-asset.jpg Introduction EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/b5f88806-3674-4979-bd49-adb475b561dd/HR_56600100829460_1_watermarked.jpeg Introduction EN - Make it stand out Box of Beetles. Collection of insects hunted and preserved by André Breton in the forest of Grésigne, in the Tarn. Photo by Nelly Blaya, © MCHM. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/4050007e-9ab7-40d9-bef1-d1fa7b90f8fb/1490287557_saint-cirq-lapopie+%282%29.jpeg Introduction EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630667422842-DYFXZPC2AOC4OY25TA5Z/HR_56600100457450_10_watermarked.jpeg Introduction EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628831582469-NU60B6WA14O4TF3JALVW/image8.png Introduction EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/53fdf70d-40b9-4b11-b653-18ccc81976c6/Screen+Shot+2023-08-23+at+09.05.10.png Introduction EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.radicale1924.org/parade-evenement-2021 daily 0.75 2024-02-27 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636628904628-T87U7LQ258KZ21DSWZM5/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636628978109-D8K71PXSOBX7C4D7Z4DS/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629218357-EHSVHLBXH0PP9ABL59UP/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629501960-MOJQJ5A8IZ8HKF2Y58K9/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636343285457-H8W97ZF4XYW370CAVHWN/IMG_20211002_113640.jpeg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629569007-B13XI3R8HDTPVMASHL5T/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629609727-HBZW43OWN0F1V47V96KM/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636630894716-RE9OWMG5URCNOWLYXU3O/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629373157-BIVME96U9NMTXTI1YE7B/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629641392-DCH7BPR53ZRFUJV0HC8N/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637260481877-RQOWMFPQ8AMWSF2GNLND/Teaching+%283%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637676605464-GT3PEJTR532HL9X78WXG/51700633205_f62b47a1b8_k.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637678288446-6FG6M58XPJN78MANYXSL/Teaching+%284%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629218357-EHSVHLBXH0PP9ABL59UP/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629218357-EHSVHLBXH0PP9ABL59UP/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1638359036372-8XF2W1VJZ7ZSCJZANBY3/51706728449_5fc8db7b96_k.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636629218357-EHSVHLBXH0PP9ABL59UP/Untitled+design+%2831%29.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1638242144486-9ACLLVOKU0KN5AHIWR45/IMG_4155+copy+copy+copy.jpg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1e48f500-5e30-4fb6-839d-459f2ba560d8/Screen%2BShot%2B2021-09-03%2Bat%2B11.29.15%2BAM+%283%29.jpeg Parade 2021 FR - Make it stand out Création des costumes de Pablo Picasso pour la représentation de la Parade des Ballets Russes de Serge Diaghilev au Théâtre du Châtelet à Paris le 18 mai 1917. Personnages du défilé : Manager Français, Horse et Manager Américain. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/792ca381-6c89-4ec3-91c8-db7f6885d466/IMG_4339.jpg Parade 2021 FR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636649701568-M134T4CDQBNYK1DF200N/IMG_0466+%281%29.jpeg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636649702779-I0PMJMW8IML3T5SA47LK/IMG_0463%2B%282%29.jpeg Parade 2021 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/f6d50384-6bef-4aff-98ff-8fdd179c67e6/IMG_0490.jpg Parade 2021 FR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/98c0f2c5-43d1-4652-a3d6-96585d84aee4/ezgif.com-gif-maker+%2853%29.gif Parade 2021 FR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/2b3eccd1-f661-46e9-b406-4635af6e60a2/ezgif.com-gif-maker+%2852%29.gif Parade 2021 FR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/f0a38193-096b-43a1-a314-0403b5c586b7/51668953634_a08ec3ba95_k.jpg Parade 2021 FR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0e0029e4-fa1f-4b94-8b95-274bfb9adc70/Guillaume+Bijl_Sorry_Maison+Routier.JPG Parade 2021 FR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. 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https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/eecf1ee9-9934-425f-9a6c-8c4ef2a38740/51706940830_797ccb1105_k.jpg ARCHIVES 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/c5a229fc-6f6e-4907-87b7-963a0759a665/51718300868_a43d56a63c_k.jpg ARCHIVES 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/7ace2b4f-191c-46be-a3de-e9a613baaa1b/51706941310_89b18ce24b_k.jpg ARCHIVES 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/73b7e962-77b2-4f00-9ead-c20c09819e08/IMG_0019+%281%29.JPG ARCHIVES 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. 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https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1638540715437-1TQOSU1TF27KX00AYGSD/IMG_0443+copy+copy.JPG FOTO 2021-3 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1638540730408-O25SAL4JYBWMN2ST9230/Saint_Cirq018+copy+copy.JPG FOTO 2021-3 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1638661646459-55LXIPSN1WVDRT8WAZRV/IMG_0539.JPG FOTO 2021-3 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1638663981460-RKCP39XENWQZIXE709AT/51725715155_d194cde9d5_k.jpg FOTO 2021-3 https://www.radicale1924.org/donate-2 daily 0.75 2023-06-05 https://www.radicale1924.org/contact daily 0.75 2023-03-16 https://www.radicale1924.org/invited-artists-2022-en daily 0.75 2024-02-27 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1708888464904-KMWEWUBKUWJU56SMPHOC/image.jpg Invited Artists (2022 EN) - Georges Adéagbo (1942 Benin) A conceptual artist who has developed his own style of using found objects since the early 1970s in Cotonou, Benin. During his walks, he collects lost or discarded objects that tell something about the society he visits and incorporates them into his installations. Adéagbo enriches his palette with sculptures and traditional masks from Benin to present the culture of his country wherever he is invited to exhibit. For each installation, he commissions paintings and wood panels from Beninese artisans, thus linking the local and the global. As a result, episodes from his personal past intersect with unusual interpretations of supposedly objective historical studies, mainstream pop culture is juxtaposed with canonized high culture, and the mundane is confronted with the profound in his work. Adéagbo avoids overly obvious interpretations of his work: ambiguity and entrapment are integral to his strategy of provocation. Adéagbo's works can be found in important collections such as: Centre Pompidou-Paris, Museum Ludwig Cologne, Philadelphia Museum of Art, The Whitworth Art Gallery, Manchester, Toyota City Museum, KIASMA Helsinki, Moderna Museum Stockholm and the Contemporary Art Collection of the Federal Republic of Germany. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1708888464904-KMWEWUBKUWJU56SMPHOC/image.jpg Invited Artists (2022 EN) - Georges Adéagbo (1942 Benin) A conceptual artist who has developed his own style of using found objects since the early 1970s in Cotonou, Benin. During his walks, he collects lost or discarded objects that tell something about the society he visits and incorporates them into his installations. Adéagbo enriches his palette with sculptures and traditional masks from Benin to present the culture of his country wherever he is invited to exhibit. For each installation, he commissions paintings and wood panels from Beninese artisans, thus linking the local and the global. As a result, episodes from his personal past intersect with unusual interpretations of supposedly objective historical studies, mainstream pop culture is juxtaposed with canonized high culture, and the mundane is confronted with the profound in his work. Adéagbo avoids overly obvious interpretations of his work: ambiguity and entrapment are integral to his strategy of provocation. Adéagbo's works can be found in important collections such as: Centre Pompidou-Paris, Museum Ludwig Cologne, Philadelphia Museum of Art, The Whitworth Art Gallery, Manchester, Toyota City Museum, KIASMA Helsinki, Moderna Museum Stockholm and the Contemporary Art Collection of the Federal Republic of Germany. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675926748-2SOTJYFCCW8ACVR0X386/Screen+Shot+2022-06-08+at+10.09.47.png Invited Artists (2022 EN) - Nienke Baeckelandt (Belgium, 1989) The work of Nienke Baeckelandt derives from a persistent urge to experiment with different materials and media. Hereby she always seeks out the tension between intuition and control. Her images are often the result of “concentrations or intensities” of a certain moment. In her most recent work, she explores the boundaries of what the viewer notices or, on the contrary, what (s)he passes by. Seeing, appearing, disappearing. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675928171-LARAKHWVJQR9QVPAPVRB/Screen+Shot+2022-06-08+at+10.10.12.png Invited Artists (2022 EN) - Pierre Bismuth ( France, 1963) Pierre Bismuth is a French artist and filmmaker based in Brussels. His practice can be placed in the tradition of conceptual art and appropriation art. His work uses a variety of media and materials, including painting, sculpture, collage, video, architecture, performance, music, and film. Pierre Bismuth goes back to the basic principles of film and photography as a reaction against mass culture and its avalanche of images, sounds and information. In his installations, photos, collages, videos and scenarios, he destabilises the established codes dictated by mass culture. In this way he compels us to distance ourselves critically from our ingrained perceptions. With a certain irony, he has claimed that he is ‘not really into film’. He sees the use of cinematographic codes merely as a means of opening our eyes to the perceptions that he himself has pre-programmed. His most striking joint project took place in 2004, when, at the request of the director Michel Gondry, he wrote the scenario for the cult classic ‘Eternal Sunshine of the Spotless Mind’. For this film, as someone whose purpose was to constantly upset mainstream cinema, Bismuth actually won an Oscar for the ‘best scenario’! Self-portrait after Andreas Feininger (2008) by Pierre Bismuth https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1655126190178-8YOPO6TZFYQOBYNL2AI8/Screen+Shot+2022-06-08+at+10.10.22.png Invited Artists (2022 EN) - Nicolas Bourthoumieux (1985, France) Originally from Toulouse, Nicolas Bourthoumieux has lived and worked in Brussels since his studies at La Cambre. A multidisciplinary artist whose work includes sculptures, installations, paintings, videos and photographs. In his practice, Nicolas Bourthoumieux subtly materializes his astonishment of the world, nourished by essential serendipity. His poetic gestures occupy the space, refusing a negotiation with the architecture. His ensemble of works commonly reveals the strange, invisible transformation time may confer on things. Often recycling his own artworks, he sees objects as carrying a temporal charge from which ghosts may (re)appear. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675931144-MI21Y0HY6I2S57NN4W8X/Screen+Shot+2022-06-08+at+10.10.33.png Invited Artists (2022 EN) - ELIAS CAFMEYER ( Belgium, 1990) Mainly working with sculptures and video installations, Elias Cafmeyer creates site-specific installations often in public space or inspired by the use of public space in the context of the city. He sees the city landscape as a metaphor for social construction and focusses on traces of urban development and forms of signage orchestrating mobility. His interventions deal with strategies such as inversion, juxtaposition and contrast, creating a sense of alienation. Apart from his video installations, Cafmeyer often uses raw, industrial material such as metal, untreated wood and concrete. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675931482-MQCD0LT9MCFWWNNY3XQD/Screen+Shot+2022-06-08+at+10.10.50.png Invited Artists (2022 EN) - Hans Demeulenaere (Belgium , 1974) Hans Demeulenaere lives and works in Bruges. He graduated in Visual Arts at the LUCA School of Arts in Ghent and has been a resident artist at the Masereelcentrum in Kasterlee (2019) and the Workspacebrussels in Brussels (2015). Central to his artistic research are his reflections on exhibition spaces and the transformation of architectural elements into sculptures and installations.His most recent solo and group exhibitions include: Doppelganger, De Garage, Mechelen (2021); Soft Fold, with Dimitri Vangrunderbeek, Fred& Ferry Gallery, Antwerp (2021); There is Nothing Connected, Nothing Distinct, with Esther Venrooy, Onomatopee, Eindhoven (2018); You make a better door than you do a window, with Emi Kodama, Beursschouwburg, Brussels (2016); Politics of Installation, with Bas van den Hurk, P/////AKT, Amsterdam (2015); Be ALL AND END ALL, with Herman Van Ingelgem and Marc Nagtzaam, Millington Marriott, London (2015); Some Objects, Eight Sculptures, Several Frames. One Video and a Book, Mu.ZEE, Ostend (2014); The Gathering Of Characters And Forms (Chapter I), Dash, Kortrijk, (2014); A Never Ending Story, Extra City Kunsthal, Antwerp (2013). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675933205-WSAMSDU0F0T0HCYCAB6W/Screen+Shot+2022-06-08+at+10.11.03.png Invited Artists (2022 EN) - Olga Fedorova (Russia, 1980) Olga works at the intersection of photography, painting, digital imaging and installations. Using three-dimensional software Fedorova creates forms that resemble ready-made models and inserts them into spaces and landscapes typified by their aseptic, clinical sterility and detached, impersonal ambience. The images of Fedorova, with their surreal, dystopian presentation, evoke uneasy, dreamlike states that feel both familiar and alien, comforting and disturbing. Quarantine Diary project is the first visual art project created by Fedorova, where she merged real and surreal to reflect 2020 pandemic time. 2020 Joachim Coucke & Olga Fedorova: Road To Know Where, Gent Belgium 2019Clusterfuck, Future Gallery Berlin Germany 2018 Artificial Paradise? Immersion in Space and Time, Graz Austria 2018Olga Fedorova: She lives in you, Gallerie Charlot, Paris 2018Future Love. Desire and Kinship in Hypernature, Basel Switzerland 2017Olga Fedorova: Generic Jungle, Annka Kultys , London UK https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675935382-X6VF4R5H7Y5WKUKN4X67/Screen+Shot+2022-06-08+at+10.11.21.png Invited Artists (2022 EN) - Simona Mihaela Stoia ( Romania, 1982) Simona Mihaela Stoia is a contemporary Romanian-Belgian painter, who lives and works in Belgium Her paintings are characterised by a threefold application of the paint: in the thinly applied, sometimes atmospheric, here and there released background, in the modeling of volumes that evoke the image of body parts, animals or plants, and in the moments where the paintings become more abstract and finally become mere paint and paint strip. Playing with these three approaches, she weaves and kneads paintings that are simultaneously sensual, mysterious, compact, open, complex and bold. Here too we encounter, thematically speaking, darkness and playfulness, here too we meet an artist who thinks visibly with paint and painting techniques. The most specific thing about Stoias paintings, however, is something else, namely her ability to create paintings that take place in completely different color registers. Her paintings often have a dominant color sphere (e.g. emerald, carmine, yellow or pink) that on a closer look breaks up into countless harmonious colors that are not different values of the same tone, but individually touched, autonomous tones, which she can 'see' beforehand . Hans Theys, 2020 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1655103930306-56SV03GXS46LSQOUK7KX/Screen+Shot+2022-06-08+at+10.11.36.png Invited Artists (2022 EN) - Yi Zhang ((Republic of China, 1996) Yi Zhang is born in Wuhan and studied painting in Guangzhou. In 2016, an Erasmus exchange brought her to Antwerp for six months. In 2019 she returned to Belgium to continue her practice in visual art. In 2019 she returned to Belgium for a master's degree in visual arts. That same year she won the Stockman's Art Book Prize and showed drawings in Inbox, M HKA. Today she lives in Amsterdam,where she was offered a six-month residency. In China, Zhang worked with different media: video, photography, drawing, sculptural installations and oil paintings on canvas. In one canvas we recognize the shape of a saucer and glued volumes that were given an extra shadow by means of paint. Her current works are about love and sharing love. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1660037960303-9Z93HIJLUCGQYZN0CPWJ/unnamed.jpg Invited Artists (2022 EN) - Zena Van den Block (Belgium, 1995) Zena Van den Block works mainly with images from popular culture, around recurring habits and starting from a passion for collecting and an urge for patterns. She searches for translations of discovered patterns in behavior or use of materials and communication by creating context or reversing it. This is often done through play and chance. Publications and multiples are a recurring form of work given the flexibility and divisibility of the medium Zena Van den Block studied photography and sculpture at Royal Academy of Fine Arts in Antwerp. She participated in various solo shows and group exhibition : SECONDroom -Antwerpen, FRED& FERRY -Antwerpen, Mu.Zee -Ostend, Kunstenfestival Aardenburg- the Netherlands among other places. As an artist in residency, Van den Block was invited at Ponte d’Arte ( PT), Artwell Residencies (NL) and Radicale 1924 (FR) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1660038203278-J2GEPIN0OXFNSUQ3SRM0/Agence_Futur.jpg Invited Artists (2022 EN) - Agence Future (AF) Agence Future (AF) is a long-term collaboration between photographer Bram Goots and futures researcher Maya Van Leemput. With a unique blend of conversation and image-based approaches they collect, study, co-create, try-out and share images of the futures. This practice started over 20 years ago with a 30-month field journey in 28 countries on five continents and hundreds of interviews. Agence Future’s films, print publications and installations highlight the diversity of images of the futures and the value of inclusive exchanges of various scale and scope (polylogues) about how we design, develop and transform all our futures as well as what those futures might become. https://www.radicale1924.org/invited-artists-2022-fr daily 0.75 2024-04-06 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657527230139-CZEV4PK0O1ZA51UPOWOL/image-asset.png Invited Artists (2022 FR) - Georges Adéagbo (1942 Benin) Un artiste conceptuel qui a développé son propre style d'utilisation d'objets trouvés depuis le début des années 1970 à Cotonou, au Bénin. Au cours de ses promenades, il collecte des objets perdus ou jetés qui racontent quelque chose de la société qu'il visite et les incorpore dans ses installations. Adéagbo enrichit sa palette de sculptures et de masques traditionnels du Bénin pour présenter la culture de son pays partout où il est invité à exposer. Pour chaque installation, il commande des peintures et des panneaux de bois à des artisans béninois, reliant ainsi le local et le global. Par conséquent, des épisodes de son passé personnel s'entrecroisent avec des interprétations inhabituelles d'études historiques prétendument objectives, la culture pop courante est juxtaposée à la haute culture canonisée, et le banal est confronté au profond dans son travail. Adéagbo évite les interprétations trop évidentes de son travail : l'ambiguïté et le piège font partie intégrante de sa stratégie de provocation. Les œuvres d'Adéagbo se trouvent dans d'importantes collections telles que : Centre Pompidou-Paris, Museum Ludwig Cologne, Philadelphia Museum of Art, The Whitworth Art Gallery, Manchester, Toyota City Museum, KIASMA Helsinki, Moderna Museum Stockholm et la collection d'art contemporain de la République fédérale d'Allemagne. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657527230139-CZEV4PK0O1ZA51UPOWOL/image-asset.png Invited Artists (2022 FR) - Georges Adéagbo (1942 Benin) Un artiste conceptuel qui a développé son propre style d'utilisation d'objets trouvés depuis le début des années 1970 à Cotonou, au Bénin. Au cours de ses promenades, il collecte des objets perdus ou jetés qui racontent quelque chose de la société qu'il visite et les incorpore dans ses installations. Adéagbo enrichit sa palette de sculptures et de masques traditionnels du Bénin pour présenter la culture de son pays partout où il est invité à exposer. Pour chaque installation, il commande des peintures et des panneaux de bois à des artisans béninois, reliant ainsi le local et le global. Par conséquent, des épisodes de son passé personnel s'entrecroisent avec des interprétations inhabituelles d'études historiques prétendument objectives, la culture pop courante est juxtaposée à la haute culture canonisée, et le banal est confronté au profond dans son travail. Adéagbo évite les interprétations trop évidentes de son travail : l'ambiguïté et le piège font partie intégrante de sa stratégie de provocation. Les œuvres d'Adéagbo se trouvent dans d'importantes collections telles que : Centre Pompidou-Paris, Museum Ludwig Cologne, Philadelphia Museum of Art, The Whitworth Art Gallery, Manchester, Toyota City Museum, KIASMA Helsinki, Moderna Museum Stockholm et la collection d'art contemporain de la République fédérale d'Allemagne. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657527277391-JZ0XI0SB8PCYTZ30UBL5/Screen+Shot+2022-07-11+at+10.11.09.png Invited Artists (2022 FR) - Nienke Baeckelandt (Belgium, 1989) Le travail de Nienke Baeckelandt découle d'un besoin constant d'expérimenter différents matériaux et médias. Elle recherche toujours la tension entre l'intuition et le contrôle. Ses images sont souvent le résultat de "concentrations ou d'intensités" d'un certain moment. Dans ses travaux les plus récents, elle explore les limites de ce que le spectateur remarque ou, au contraire, de ce qu'il laisse passer. Voir, apparaître, disparaître. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657527341577-5H7S5V7QIWMQWZAEJ2ZQ/image-asset.png Invited Artists (2022 FR) - Pierre Bismuth ( France, 1963) Pierre Bismuth est un artiste et cinéaste français basé à Bruxelles. Sa pratique peut être placée dans la tradition de l'art conceptuel et de l'art d'appropriation. Son travail utilise une variété de médias et de matériaux, notamment la peinture, la sculpture, le collage, la vidéo, l'architecture, la performance, la musique et le cinéma. Pierre Bismuth revient aux principes de base du cinéma et de la photographie en réaction contre la culture de masse et son avalanche d'images, de sons et d'informations. Dans ses installations, photos, collages, vidéos et scénarios, il déstabilise les codes établis dictés par la culture de masse. Il nous oblige ainsi à prendre une distance critique par rapport à nos perceptions invétérées. Avec une certaine ironie, il a déclaré qu'il n'était "pas vraiment intéressé par le cinéma". Pour lui, l'utilisation des codes cinématographiques n'est qu'un moyen d'ouvrir les yeux sur des perceptions qu'il a lui-même préprogrammées. Son projet commun le plus marquant a eu lieu en 2004, lorsqu'il a écrit, à la demande du réalisateur Michel Gondry, le scénario du film culte "Eternal Sunshine of the Spotless Mind". Pour ce film, Bismuth, dont le but était de déranger constamment le cinéma grand public, a même reçu l'Oscar du "meilleur scénario" ! Autoportrait d'après Andreas Feininger (2008) par Pierre Bismuth https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657527405398-AEPXHAYIO2FT2KWGH4UJ/image-asset.png Invited Artists (2022 FR) - Nicolas Bourthoumieux (1985, France) Originaire de Toulouse, Nicolas Bourthoumieux vit et travaille à Bruxelles depuis ses études à La Cambre. Artiste pluridisciplinaire, son travail comprend des sculptures, des installations, des peintures, des vidéos et des photographies. Dans sa pratique, Nicolas Bourthoumieux matérialise subtilement son étonnement du monde, nourri d'une sérendipité essentielle. Ses gestes poétiques occupent l'espace, refusant une négociation avec l'architecture. Son ensemble d'œuvres révèle communément l'étrange et invisible transformation que le temps peut conférer aux choses. Recyclant souvent ses propres œuvres, il considère les objets comme porteurs d'une charge temporelle d'où peuvent (ré)apparaître des fantômes. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657527438061-6RG0WK0GJ430T5YQBXE0/image-asset.png Invited Artists (2022 FR) - ELIAS CAFMEYER ( Belgium, 1990) Travaillant principalement avec des sculptures et des installations vidéo, Elias Cafmeyer crée des installations spécifiques au site, souvent dans l'espace public ou inspirées par l'utilisation de l'espace public dans le contexte de la ville. Il considère le paysage urbain comme une métaphore de la construction sociale et se concentre sur les traces du développement urbain et les formes de signalisation orchestrant la mobilité. Ses interventions font appel à des stratégies telles que l'inversion, la juxtaposition et le contraste, créant ainsi un sentiment d'aliénation. En dehors de ses installations vidéo, Cafmeyer utilise souvent des matériaux bruts et industriels tels que le métal, le bois non traité et le béton. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657527754409-M5WTEMPVW0JO43EW7PFP/image-asset.png Invited Artists (2022 FR) - Hans Demeulenaere (Belgium , 1974) Hans Demeulenaere vit et travaille à Bruges. Il est diplômé en arts visuels de l'école des arts LUCA de Gand et a été artiste résident au Masereelcentrum de Kasterlee (2019) et au Workspacebrussels de Bruxelles (2015). Au centre de sa recherche artistique se trouvent ses réflexions sur les espaces d'exposition et la transformation d'éléments architecturaux en sculptures et installations. Ses plus récentes expositions individuelles et collectives comprennent : Doppelganger, De Garage, Malines (2021) ; Soft Fold, avec Dimitri Vangrunderbeek, Galerie Fred&amp ; Ferry, Anvers (2021) ; There is Nothing Connected, Nothing Distinct, avec Esther Venrooy, Onomatopee, Eindhoven (2018) ; You make a better door than you do a window, avec Emi Kodama, Beursschouwburg, Bruxelles (2016) ; Politics of Installation, avec Bas van den Hurk, P/////AKT, Amsterdam (2015) ; Be ALL AND END ALL, avec Herman Van Ingelgem et Marc Nagtzaam, Millington Marriott, Londres (2015) ; Some Objects, Eight Sculptures, Several Frames. Une vidéo et un livre, Mu.ZEE, Ostende (2014) ; The Gathering Of Characters And Forms (Chapter I), Dash, Kortrijk, (2014) ; A Never Ending Story, Extra City Kunsthal, Anvers (2013). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657527956864-3G6C4D601RXKHC0YYGZT/image-asset.png Invited Artists (2022 FR) - Olga Fedorova (Russia, 1980) Olga travaille à l'intersection de la photographie, de la peinture, de l'imagerie numérique et des installations. À l'aide de logiciels tridimensionnels, Fedorova crée des formes qui ressemblent à des modèles prêts à l'emploi et les insère dans des espaces et des paysages caractérisés par leur stérilité clinique aseptique et leur ambiance détachée et impersonnelle. Les images de Fedorova, avec leur présentation surréaliste et dystopique, évoquent des états de malaise et de rêve qui sont à la fois familiers et étrangers, réconfortants et inquiétants. Le projet Quarantine Diary est le premier projet d'art visuel créé par Fedorova, où elle a fusionné le réel et le surréel pour refléter l'époque de la pandémie de 2020. 2020 Joachim Coucke & Olga Fedorova : Road To Know Where, Gent Belgique 2019Clusterfuck, Future Gallery Berlin Allemagne 2018 Artificial Paradise ? Immersion dans l'espace et le temps, Graz Autriche 2018Olga Fedorova : She lives in you, Gallerie Charlot, Paris 2018Future Love. Désir et parenté dans l'hypernature, Bâle Suisse 2017Olga Fedorova : Generic Jungle, Annka Kultys, Londres (Royaume-Uni) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657527981557-4J0NFYQJR106Y649VHH2/Screen+Shot+2022-07-11+at+10.13.00.png Invited Artists (2022 FR) - Simona Mihaela Stoia ( Romania, 1982) Simona Mihaela Stoia est un peintre contemporain roumano-belge, qui vit et travaille en Belgique. Ses peintures se caractérisent par une triple application de la peinture : dans les fonds appliqués en couches minces, parfois atmosphériques, libérés ici et là, dans le modelage de volumes qui évoquent l'image de parties du corps, d'animaux ou de plantes, et dans les moments où les peintures deviennent plus abstraites pour finalement devenir de la simple peinture et de la bande de peinture. En jouant avec ces trois approches, elle tisse et pétrit des peintures qui sont à la fois sensuelles, mystérieuses, compactes, ouvertes, complexes et audacieuses. Ici aussi nous rencontrons, thématiquement parlant, l'obscurité et le jeu, ici aussi nous rencontrons une artiste qui pense visiblement avec la peinture et les techniques de peinture. Mais ce qui est le plus spécifique dans les tableaux de Stoias, c'est autre chose, à savoir sa capacité à créer des tableaux qui se déroulent dans des registres de couleurs complètement différents. Ses tableaux ont souvent une sphère de couleur dominante (par exemple émeraude, carmin, jaune ou rose) qui, en y regardant de plus près, se décompose en d'innombrables couleurs harmonieuses qui ne sont pas des valeurs différentes d'un même ton, mais des tons autonomes, touchés individuellement, qu'elle peut "voir" à l'avance. Hans Theys, 2020 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657527999698-RMLAXBA1BB4RM32JISL7/Screen+Shot+2022-07-11+at+10.13.10.png Invited Artists (2022 FR) - Yi Zhang ((Republic of China, 1996) Yi Zhang est née à Wuhan et a étudié la peinture à Guangzhou. En 2016, un échange Erasmus l'a amenée à Anvers pendant six mois. En 2019, elle est retournée en Belgique pour poursuivre sa pratique en art visuel. En 2019, elle est retournée en Belgique pour un master en arts visuels. La même année, elle a remporté le prix Stockman's Art Book et a présenté des dessins dans Inbox, M HKA. Aujourd'hui, elle vit à Amsterdam, où on lui a proposé une résidence de six mois. En Chine, Zhang a travaillé avec différents médias : vidéo, photographie, dessin, installations sculpturales et peintures à l'huile sur toile. Dans une toile, on reconnaît la forme d'une soucoupe et des volumes collés auxquels on a donné une ombre supplémentaire au moyen de la peinture. Ses œuvres actuelles portent sur l'amour et le partage de l'amour. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1660038653331-EPFH2AIUT77XDJGKM78L/unnamed.jpg Invited Artists (2022 FR) - Zena Van den Block (Belgium, 1995) Zena Van den Block travaille principalement avec des images de la culture populaire, autour d'habitudes récurrentes et à partir d'une passion pour la collection et d'une envie de motifs. Elle cherche des traductions des modèles découverts dans le comportement ou l'utilisation des matériaux et de la communication en créant un contexte ou en le renversant. Cela se fait souvent par le jeu et le hasard. Les publications et les multiples sont une forme récurrente de travail, étant donné la flexibilité et la divisibilité du support. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1660038735663-0E6VAXAK78E4QA6PB4HI/Agence_Futur.jpg Invited Artists (2022 FR) - Agence Future (AF) Agence Future (AF) est une collaboration à long terme entre le photographe Bram Goots et la chercheuse en prospective Maya Van Leemput. Grâce à un mélange unique de conversations et d'approches basées sur l'image, ils collectent, étudient, co-créent, expérimentent et partagent des images de l'avenir. Cette pratique a débuté il y a plus de 20 ans par un voyage de terrain de 30 mois dans 28 pays sur cinq continents et des centaines d'entretiens. Les films, les publications imprimées et les installations de l'Agence Future mettent en lumière la diversité des images du futur et la valeur des échanges inclusifs à différentes échelles et portées (polylogues) sur la façon dont nous concevons, développons et transformons tous nos futurs ainsi que sur ce que ces futurs pourraient devenir. https://www.radicale1924.org/new-gallery-5 daily 0.75 2022-07-11 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657560666937-9SMTDFN0D3D5T11BGHJX/image-asset.png Programme FR - RÉSIDENCE Chaque année, la Résidence invite un groupe d'artistes et de chercheurs à vivre et à travailler à Saint Cirq Lapopie. La résidence leur offre le temps, l'espace et le soutien nécessaires pour expérimenter, collaborer et créer de nouvelles œuvres. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657560666937-9SMTDFN0D3D5T11BGHJX/image-asset.png Programme FR - RÉSIDENCE Chaque année, la Résidence invite un groupe d'artistes et de chercheurs à vivre et à travailler à Saint Cirq Lapopie. La résidence leur offre le temps, l'espace et le soutien nécessaires pour expérimenter, collaborer et créer de nouvelles œuvres. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657560698854-K1K338G7AVJ7X0DVSNL3/Screen+Shot+2022-07-11+at+19.25.19.png Programme FR - ÉVÉNEMENTS PUBLICS Les événements publics rassemblent des artistes, des partenaires, des invités et des publics pour transformer Saint Cirq Lapopie en un centre temporaire de créativité artistique. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657560738589-Z54ECA39CQZDEAFTK6QO/image-asset.png Programme FR - PUBLICATIONS Tout au long de l'année, le projet travaillera avec les résidents et les invités pour produire une série de publications. Celles-ci seront consacrées à des thèmes spécifiques et auront un format ouvert, utilisant des méthodes en ligne et hors ligne pour toucher un public plus large. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657560756923-CGL66928KDZ086PFSACX/Screen+Shot+2022-07-11+at+19.26.29.png Programme FR - ARTISTES Rencontrez nos artistes multidisciplinaires impliqués dans le premier et le deuxième cycle de résidence ! Pour garantir une atmosphère avantageuse, Radicale1924 donne sa chance aux candidats qui incarnent un avenir innovant, dynamique et progressiste. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1657560803099-2829ZEILAOP8Z7H7C5F2/Screen+Shot+2022-07-11+at+19.27.13.png Programme FR - PRATIQUES ARTISTIQUES Nous élaborons une lecture contemporaine du passé tout en élargissant la connaissance publique des pratiques artistiques en dialogue avec les complexités actuelles de notre présent. https://www.radicale1924.org/new-gallery-artists-23 daily 0.75 2024-02-27 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1660076418582-SWVG24D8VRECG3PT9E63/image-asset.png New Gallery with artists 2021-2022 - CARLOS AIRES (Spain, 1974) He obtained a bachelor’s in fine arts at the University of Granada in Spain. Upon graduating in 1997, he moved to the Netherlands and completed his postgraduate studies at Fontys Academy (Tilburg, Netherlands), HISK (Antwerp, Belgium) and Ohio State University (Ohio, USA). He has participated in numerous exhibitions in national and international institutions, such as: CAC (Malaga, Spain), MACBA (Barcelona, Spain), Boulder Museum of Contemporary Art (USA), Imperial Belvedere Palace (Vienna, Austria), ARTIUM (Vitoria, Spain), Maison Particulière Art Center (Brussels, Belgium), MUSAC (Leon, Spain), BB6 Bucharest International Biennale for Contemporary Art (Bucharest, Romania), B.P.S. 22 (Charleroi, Belgium), 5th Thessaloniki Biennale of Contemporary Art (Thessaloniki , Greece). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1660076418582-SWVG24D8VRECG3PT9E63/image-asset.png New Gallery with artists 2021-2022 - CARLOS AIRES (Spain, 1974) He obtained a bachelor’s in fine arts at the University of Granada in Spain. Upon graduating in 1997, he moved to the Netherlands and completed his postgraduate studies at Fontys Academy (Tilburg, Netherlands), HISK (Antwerp, Belgium) and Ohio State University (Ohio, USA). He has participated in numerous exhibitions in national and international institutions, such as: CAC (Malaga, Spain), MACBA (Barcelona, Spain), Boulder Museum of Contemporary Art (USA), Imperial Belvedere Palace (Vienna, Austria), ARTIUM (Vitoria, Spain), Maison Particulière Art Center (Brussels, Belgium), MUSAC (Leon, Spain), BB6 Bucharest International Biennale for Contemporary Art (Bucharest, Romania), B.P.S. 22 (Charleroi, Belgium), 5th Thessaloniki Biennale of Contemporary Art (Thessaloniki , Greece). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1660076528483-CJXK2ZNI2M60PFJXU0X5/image-asset.png New Gallery with artists 2021-2022 - GUILLAUME BIJL (Belgium, 1946) Guillaume Bijl is known for his large-scale installations and visual realism. Since the late 70s, Bijl created realistic decors using found objects. In doing this, he had a pioneering role in the resurgence of the ready-made. Bijl shows the audience various aspects of our western ‘civilisation’ and consumer society. Using extreme stereotypes, he creates a sort of ‘archeology of our time’ in a tragi-comedic, alienating way. His participation will be a great opportunity to reflect on his practice in light of a Surrealist strand that continues to reverberate into today’s art practices. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1660076607749-QH3RU9N1GRY30YQTYQMB/image-asset.png New Gallery with artists 2021-2022 - VINICIUS COUTO (Brazil, 1988) Vinicius Couto, artvist and creative director, researches gender, race, class, sexuality, LGBT movements and their intersections, with the intention of awakening new formats of reflection. At the center of his work, the artist questions the imaginary constructed by non-normative corpses. In the visual arts, cinema, theatre and fashion, he seeks to combat the daily reproductions of violence to which his (our) body is subjected. In 2016, after contracting HIV, Vinicius was self-provoked to openly perform his HIV status, aware of the possibilities that his body promotes itself. Planning his coming out of the AIDS closet, he created "Libertar-ser"in 2017. On the following year, he created "I=I or "Undetectable = Untransmissible". It premiered at the Cairo Biennale - EG in 2018, and was exhibited at MAM-SP and CMA Hélio Oiticica - RJ in 2019. Throughout his research as an artist, he uses experience as a definition for the theory of (his) existence. And in 2021, he was selected to be one of the residents of Kovent.zer0. His provocation comes, above all, in the use of desire as a form of deconstruction, in (re)existing in the face of decolonial processes, of anti-heroism in the representations of power and induced consumption as a gay, Latin American, of peripheral origin. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1660076638334-7ATSVCBK6FN2P7NPQFOI/image-asset.jpeg New Gallery with artists 2021-2022 - LUC DELEU (Belgium, 1944) After they settled in house “Les Nénuphars”, in the prestigious Cogels Osylei in Antwerp, Belgium in May 1968, Luc Deleu and his wife Laurette Gillemot founded T.O.P. office, a studio for urbanism and architecture in 1970. The starting point, motivation and goal of the studio was questioning architecture and urban design, their position and duty in a global society. This generated the necessity to think about why and how to run an architect studio and how to direct it towards a truly independent and autonomous development with the use of a large set of media. So, T.O.P. office was set up with the very conviction that it would be better to reduce the spatial impact of building and to build less. Convinced that future developments in communication media would enable a reborn nomadic life, the first ideas were to come with work that emphasizes mobility versus the immobilism of real estate and to contradict the exclusive privilege of the building as living and job accommodation. 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https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637260481877-RQOWMFPQ8AMWSF2GNLND/Teaching+%283%29.jpg Parade 2022 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1665666689290-FWEY8ZMICJK8HGH28ISK/image-asset.jpg Parade 2022 EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/82cc142a-aa95-473d-a462-35dc8ffe9c18/6a00d83542d51e69e2019b01ef0dac970d-600wi.jpg Parade 2022 EN Costume design by Pablo Picasso for the performance of Parade des Ballets Russes by Serge Diaghilev at the Théâtre du Châtelet in Paris on May 18, 1917. 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Wim Wauman (Belgium, 1976) Wim Wauman est un artiste visuel aux multiples facettes, un éducateur artistique et un auteur. Il a étudié la photographie à l'Académie royale des beaux-arts d'Anvers et à l'Institut supérieur des beaux-arts (HISK), et expose ses œuvres depuis 2000. En décembre 2019, il a conclu son projet de recherche Making Waves : A Play with Arts and Crafts sur les notions d'" arts " et d'" artisanat " (et l'opposition apparente entre " faire " et " penser "), et s'est vu décerner un diplôme de " PhD in arts " par l'Université d'Anvers. Ses recherches artistiques l'ont amené à développer un concept expérimental et complexe, baptisé "Blauwhaus". À première vue, il s'agit d'une installation/exposition conçue pour accueillir, "connecter" et collaborer avec d'autres artistes, fabricants et penseurs, mais aussi d'une "zone crépusculaire" fantasmagorique créée pour induire un état de "flux" (créatif) accru et stimuler les forces imaginatives. L'aventure a déclenché un flux de pensées associatives exprimées par de longs textes et des vers hermétiques et codés, ainsi que par l'expérimentation du principe jungien de "l'imagination active". https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678203931298-ZGS7V0SSRHI0KLF40WV9/image-asset.png Invited Artists (2023 FR) - Wim Wauman (Belgium, 1976) Wim Wauman est un artiste visuel aux multiples facettes, un éducateur artistique et un auteur. Il a étudié la photographie à l'Académie royale des beaux-arts d'Anvers et à l'Institut supérieur des beaux-arts (HISK), et expose ses œuvres depuis 2000. En décembre 2019, il a conclu son projet de recherche Making Waves : A Play with Arts and Crafts sur les notions d'" arts " et d'" artisanat " (et l'opposition apparente entre " faire " et " penser "), et s'est vu décerner un diplôme de " PhD in arts " par l'Université d'Anvers. Ses recherches artistiques l'ont amené à développer un concept expérimental et complexe, baptisé "Blauwhaus". À première vue, il s'agit d'une installation/exposition conçue pour accueillir, "connecter" et collaborer avec d'autres artistes, fabricants et penseurs, mais aussi d'une "zone crépusculaire" fantasmagorique créée pour induire un état de "flux" (créatif) accru et stimuler les forces imaginatives. L'aventure a déclenché un flux de pensées associatives exprimées par de longs textes et des vers hermétiques et codés, ainsi que par l'expérimentation du principe jungien de "l'imagination active". https://static1.squarespace.com/static/610ff4c25b34da3b3ed92e3f/63fcc0eb1fe2117a6aa72261/63fcc1084ae03879de2b1b91/1726126795762/ Invited Artists (2023 FR) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678204162513-EXU2YFNUYDZRK44K4PLO/image-asset.png Invited Artists (2023 FR) - Jolijn Baeckelandt (Belgium, 1993) Jolijn Baeckelandt est née à Ostende, travaille et vit à Anvers. Jolijn est un artiste visuel qui travaille avec le dessin, la peinture et des situations spécifiques au site. Jolijn Baeckelandt génère une simulation avec des figures, des objets et une imagerie communs liés à notre vie quotidienne, ceux-ci sont dépouillés de leur chasteté. Les figures et les objets représentés semblent épuisés et épuisants. Ils semblent déséquilibrés, indécis, mal à l'aise et donnent l'impression d'être constamment sur le point de faire quelque chose. Prendre ce qu'ils peuvent obtenir dans un état de folie. Soumis à la répétition, ils se manifestent sur la toile. Grâce à l'utilisation d'informations communes et quotidiennes, nous collectons, à travers nos routines partagées, un système de caractères et de symboles développé comme une iconographie et un lexique. Des éléments dérivés de la haute et de la basse culture sont accumulés avec des éléments de son expérience personnelle et de ses perspectives. Les influences du street art, de la culture pop, des phénomènes sous-culturels et des dessins animés sont fusionnées en les abordant de manière égale et humoristique. Avec une conscience sensible, un univers est construit dans lequel la sphère personnelle, la sphère ordinaire et la sphère fictionnelle se réunissent pour danser. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678204273047-B4QY8Q9FXXAJM5VFLHJT/image-asset.jpeg Invited Artists (2023 FR) - Simon Masschelein (Belgium,1994) La réflexion sculpturale de Simon Masschelein part de l'articulation. Il fabrique des sculptures articulées. Comment en est-il arrivé là ? À une époque, il était entouré de pièces de bois, qui ne dépassaient jamais un mètre et demi de long, joliment façonnées, et c'est à partir de là qu'il a commencé à envisager des sculptures plus hautes, ressemblant à des totems empilés et délabrés. Il a donc commencé à chercher des moyens de relier ces éléments, d'abord de la même manière que les prothèses sont reliées au corps, puis en les transformant en charnières. Une sculpture a été conceptualisée à partir d'un genou, une autre à partir de la façon dont un fémur s'adapte au bassin. Une sculpture, faite de quarante kilos d'albâtre sculpté, est maintenue en position verticale par un câble tendu auto-riveté à une boule de fer qui est fixée dans un support. Une étrange figure en deux parties, sur deux pieds bancals donnant forme à un modeste contrapposto, se plie parfois en avant. Un tronc d'arbre est ciselé en une colonne en spirale, puis évidé, coupé en deux et reconnecté par un lien en bois. Pour moi, la beauté de l'art de Masschelein réside dans la façon dont il adapte le bois, la pierre et le métal et combine ces éléments en de nouvelles formes. Pas d'assemblages, pas de vieux trucs, mais de nouvelles œuvres puissantes avec une tendresse à peine cachée. ( texte Hans Theys ) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679579742551-RU3WRHP72Q3G1EYQAK7Y/image-asset.jpeg Invited Artists (2023 FR) - Fran Van Coppenolle (Belgium, 1998) Fran est une sculptrice diplômée de l'Académie des Beaux-Arts d'Anvers en 2020. Elle a grandi dans le monde agricole, entourée d'objets ancestraux que -son grand-père et son père- et plus tard elle ont collectionnés, de chariots élévateurs et de diverses machines agricoles qu'elle manipule avec grâce, aisance et légèreté. Son atelier est situé dans la ferme familiale à la retraite en Flandre occidentale, un grand domaine avec des prairies, des champs, un étang, des arbres, des animaux et des écuries. Bienvenue à Ludwigshaven, l'endroit où Fran récolte son propre monde vivant. Fran Van Coppenolle crée des sculptures à partir de formes et d'objets qu'elle observe. Elle soude du métal, sculpte du bois, soude, plie et crée des volumes surprenants avec des morceaux de textile trouvés. Ses sculptures évoquent des fleurs, des papillons, des oiseaux et des machines volantes, non pas par intention, mais à la suite d'un travail de duplication pour arriver à des formes sculpturales. En même temps, elle recherche de subtiles asymétries qui semblent donner vie à ces délicates apparitions sculpturales. Les œuvres de Fran prennent une dimension supplémentaire car elles sont figuratives et méconnaissables. Elles permettent une multitude d'interprétations possibles. Des matériaux étonnamment frais sont mis sous tension, tendus, tressés, harnachés, attachés ensemble jusqu'à ce qu'ils commencent à former des objets intangibles, incompréhensibles et captivants. De belles créations qui jettent des espaces de respiration dans le monde sans demander la permission à personne. (texte Sabrina Brachot) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679579805490-5WEUUR9JXQL5ARWJ1PBI/image.jpg Invited Artists (2023 FR) - Kim Wey (Belgium, 1997) Kim Wey vit et travaille à Anvers. Son travail se concentre principalement sur la recherche de sa propre identité, qui ose entrer en conflit avec l'image idéale du monde du spectacle et de l'élite artistique qu'elle veut également satisfaire. Enfant de l'Internet pendant la décennie Kardashian, elle est farouchement inspirée par la culture pop occidentale. Ses installations et ses performances sont donc un jeu entre le canon classique et la scène contemporaine d'auto-identification autour de l'humeur et du style de la culture des médias sociaux. 2023 Vogels, group exhibition, Pizza Gallery Antwerp. 2022 A kiss is an imprint, group exhibition, D.E.K.A.M.E.R.E.D Antwerp 2022 It’s not about me, it’s about ART, solo exhibition, Ensemble vzw Gent 2022 1+1+1+1+1=>5, group exhibition, Desserts Gallerie Hasselt 2022 Vitrine #2, duo exhibition, Veduta Brussels 2021 Een goddelijke interventie, duo exhibition, Factor 44 Antwerp https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678205024916-OQZ2NXG5YIH6HJTGFSVT/image-asset.jpeg Invited Artists (2023 FR) - Han Swolfs (Belgium, 1984) Hantrax est le pseudonyme du compositeur, interprète et pianiste anversois Han Swolfs (1984). Réputé pour ses performances électroniques en direct et ses productions scéniques imaginatives au piano, ses spectacles sont cinétiques, atmosphériques, hypnotiques et cinématographiques. Un musicien aux multiples facettes, à la fois énigmatique et aimable. Hantrax traverse les catégories musicales avec une facilité déconcertante, du classique au jazz en passant par la musique électronique expérimentale. En tant que compositeur, sa musique est expérimentale dans son esprit, prenant des influences apparemment incompatibles et les mélangeant dans un langage musical qu'il a lui-même inventé. Il brise les règles des genres, croisant les styles à volonté dans son œuvre de musique de danse sombre et "non dansante". Ses compositions ingénieuses réimaginent les formes standard. Les technologies anciennes et nouvelles font partie intégrante de son processus, explorant les possibilités des systèmes analogiques et numériques, des machines à musique et des systèmes d'enregistrement. musiques innovantes de toutes catégories. Travaillant à l'intersection des arts, Hantrax a été impliqué dans de nombreuses collaborations et productions créatives. Il a notamment travaillé avec les artistes visuels Anne-mie van Kerckhoven, Pieterjan Ginckels et Arocha - Schraenen, et s'est produit en tant que soliste pour la compagnie théâtrale Abattoir Fermé et pour l'orchestre classique de Michiel De Malsche. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678205073886-9XGHP4CTRIP4O0XDMA38/jordi-Colomer-.gif Invited Artists (2023 FR) - Jordi Colomer (Spain, 1962) Jordi Colomer est né à Barcelone, en Espagne. Il vit et travaille actuellement entre Barcelone et Paris. Son travail, marqué par un fort sens de la sculpture, englobe de multiples disciplines, notamment la photographie et la vidéo, et leur mise en scène dans l'espace d'exposition. Souvent, la création de situations d'une sorte de "théâtre élargi" permet au spectateur d'évaluer sa relation avec les représentations et avec le rôle qu'il joue dans et devant celles-ci. Les œuvres les plus récentes présentent les multiples facettes de l'utopie, de la dystopie et de leur relation avec la fiction. Join Us, le projet pour le pavillon espagnol à la 57e Biennale de Venise, était une récupération du nomadisme comme mouvement collectif et matériau privilégié appliqué aux utopies urbaines. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678832632099-8HLPE42FQVSTQWUL1KEF/Screen+Shot+2023-03-14+at+22.51.39.png Invited Artists (2023 FR) - Juli Susin (DE, 1966) En 1981 Juli Susin (né en 1966) quitte l'Union Soviétique avec sa famille pour s'installer à Berlin, puis les contingences de la situation d’apatride l'amènent en France où il sera diplômé de l’Ecole des Beaux-Arts de Paris en 1991. A partir des années 1980, il développe avec des ami(e)s un réseau international de collaborations autour du livre d'Artiste, plus récemment connu sous le nom de Royal Book Lodge. L'histoire de ces activités collaboratives, initiées avec l'artiste française Véronique Bourgoin, est écrite par l'historien John C. Welchman, et publiée sous le nom de « Royal Book Lodge », aux éditions Hatje Cantz, en mars 2023. Depuis 2005, il travaille à Albisola (Italie), dans l'atelier de céramique fondé par Ivos Pacetti. Des œuvres de céramique réalisées ces dernières années ont été inspirées par les nombreux séjours de l'artiste au Paraguay. Une partie des œuvres a été présentée en 2013, dans le musée Oscar Niemeyer, dans le cadre de la biennale de Curitiba, Brésil. Photo credits : Juli Susin, New-York, Hotel Larchmont 2019 (Photo: Véronique Bourgoin) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1699189151508-35PLIMXLD26I1H2N4FYD/Screen+Shot+2023-03-14+at+22.51.56.png Invited Artists (2023 FR) - Véronique Bourgoin (France, 1966) Véronique Bourgoin née à Marseille vit et travaille à Montreuil , France. Elle est diplômée de l’école des Beaux-Arts de Paris en 1991. La pratique de Véronique Bourgoin se construit à partir d’une série d’expérimentations du support photographique avant de se prolonger dans une multiplicité de medium tels que l’édition, le dessin, la peinture, la céramique ou encore la vidéo et l’installation. Le caractère expérimental de sa pratique se déploie autant par la manipulation d’éléments physiques, chimiques que psychiques, mettant en lumière les effets transformationnels de la vision et de l’imagination et en particulier les effets spectaculaires dans des contextes contre spectaculaires où s’enchevêtrent intime et simulacre. Inspirée autant par son quotidien, que par des contingences politiques, technologiques ou historiques, Véronique Bourgoin examine la construction de « paradis contemporains » déployée à partir d’une trame de questionnements récurrents sur la matérialité, le corps, le vivant, l’identité et ses modes de représentations face au conflits de notre époque.Les expériences collaboratives sont intrinsèques à sa démarche artistique et sa relation au monde. A partir de la fin des années 80, elle initie avec Juli Susin un projet collaboratif autour de la création de livres d’artistes. L'histoire de ces activités réunies sous le nom « Royal Book Lodge », fait l’objet d’un livre de l'historien John C. Welchman, publiée aux éditions Hatje Cantz, en mars 2023. En 1995, elle co-fonde avec J. Susin, l’Atelier Reflexe, école expérimentale de photographie (1995-2016). Elle crée en 2005, un groupe de performeuses The Hole Garden, une identité collective à l’origine d’actions performatives, de films et séries de photographies. Véronique Bourgoin à participé à de nombreuses expositions dans des institutions et festivals internationaux tels que Fotohof, Salzbourg ,Performa, New Museum, New-York ; Photo Festival Landskrona, Suède ; Fotomuseum, Rotterdam ; Tütün Deposu Ek bina, Istanbul ; Caochangdi Photospring Festival, Chine; LA Art Center, Los Angeles ; Musée d’Art Moderne de Saint Paulo, Bresil ; El Laboratorio Arte Alameda de Mexico ; Maison d’Arts Bernard Anthonioz, Paris ; Biennale de la photographie de Thessalonique, Grèce ; Oscar Niemeyer Museum, Curitiba Biennial, Brésil. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678832556703-OZHDF3XXSERWH2UUUJSI/liv_bugge_Q7A4532.jpg Invited Artists (2023 FR) - Liv Bugge (Norway, 1974) Liv Bugge a étudié à l'Académie nationale des arts d'Oslo et à l'Institut supérieur des beaux-arts de Belgique. Elle a terminé son doctorat, "The Other Wild : Touching Art as Confrontation", à l'Académie nationale des arts d'Oslo en 2019. La recherche de Bugge explore comment les mécanismes de la société sont intériorisés et contribuent au maintien de notions normatives et d'éthique autour, par exemple, de dichotomies telles que la vie et la non-vie ou l'humain et la nature. Liv a une pratique informée par des perspectives queer et féministes et a dirigé la plateforme FRANK avec l'artiste Sille Storihle pendant la période 2012-2020. Bugge a eu des présentations solos, entre autres, dans les lieux suivants : Marabouparken Konsthall à Stockholm, Kunstnernes Hus et Musée interculturel à Oslo, et Sørlandets Kunstmuseum à Kristiansand. Elle a présenté son travail à la Biennale internationale d'art contemporain de Göteborg. Elle a participé à la Biennale de Venise 2022 "The Milk of Dreams", commandée par Cecilia Alemani, invitée à participer avec son œuvre « Play". https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679578208471-SDL6EZ79BWT56FMCLCH9/image-asset.jpeg Invited Artists (2023 FR) - Jack Davey (UK, 1990) Jack Davey vit et travaille à Londres Travaillant principalement comme sculpteur sur des textiles, Davey a exploré les médias numériques, le son et le collage dans le cadre de ses installations plus importantes. Dans son travail, Jack tente de capturer les énergies et les émotions au sein d'une structure solide et s'interroge sur la manière dont on peut insuffler ces qualités à un objet inanimé. L'expérimentation matérielle, la recherche théorique et des thèmes tels que la frustration et le désir sexuels, la colère, le comportement, l'anatomie humaine, le subconscient, la mémoire et les messages cachés sont autant de moyens d'investigation. Fondamentalement, Jack vise à disséquer, analyser et reconstruire ces éléments pour créer un nouveau langage sculptural. Une conscience contenue dans un objet. Au cours d'une résidence d'un mois au Tessin, en Suisse (mai 2022), Jack a développé un corpus d'œuvres entièrement réalisées en papier parcellaire. Il a abouti à deux installations interactives de taille réelle intitulées Dirty Room. Ces installations ont été complétées par des dessins, des collages peints et des vidéos. Dans la foulée, Jack a récemment célébré l'ouverture de sa dernière exposition solo In Bulge au Casstl d'Anvers, en Belgique (novembre - décembre 2022). Une exposition qui affine les concepts, la matérialité et les questions d'impermanence examinés durant cette période. Cela a été fusionné avec l'effort de Jack pour geler l'énergie et imprégner les objets de certitude et de conscience immobiles. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679578096835-QRRR3QS7HTA3QPKJ6CHE/Screen%252BShot%252B2023-03-14%252Bat%252B22.52.49.jpg Invited Artists (2023 FR) - Tamara Beheydt (Belgique, 1991) Tamara Beheydt est historienne de l'art et rédactrice indépendante. Elle fait partie du groupe principal de rédacteurs du magazine H ART et publie fréquemment des contributions pour d'autres médias écrits tels que Openbaar Kunstbezit Vlaanderen et De Tijd. Elle rédige des textes d'exposition ou des textes de portfolio pour des artistes et intervient occasionnellement en tant qu'oratrice lors de tables rondes, de conférences ou d'exposés d'artistes. Convaincue de la valeur de l'art contemporain pour la communauté humaine, elle s'engage à fournir une plate-forme de soutien aux discours artistiques et à maintenir une vue d'ensemble critique des développements dans le domaine culturel. https://www.radicale1924.org/invited-artists-2023-en daily 0.75 2024-09-12 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678200457224-RIL2GB822JNPOZ3T9702/image-asset.png Invited Artists (2023 EN) - Wim Wauman (Belgium, 1976) Wim Wauman plays and experiments with photography, language, materials, objects and narration. He is known for his quirky compositions featuring ‘inspirational objects’ photographed in elaborate wooden settings. Around 2015, he started to compose figurative and abstract work with fine wood veneer and gradually formed an exclusive collection of personalized tables, cabinets, stools, and distinct props functioning as ‘infrastructural’ or ‘conversation’ pieces (including vintage blankets and found artefacts). In December 2019 Wauman obtained a ‘PhD in the arts’ degree at the University of Antwerp (ARIA) with a poetic and artistic exploration on notions of craftsmanship, making and thinking. His conclusion involved the temporary transformation of a ‘neglected provincial castle’ into a semi-pastoral research centre designed to collaborate with fellow artists and to induce an artistic state of flow (Blauwhaus, Waasmunster, 2019). There he gained interest in re-imagining local histories and singularities to ‘enchant’ and ‘heal’ his surroundings through a strategic combination of visual (and experiential) stimuli, multidisciplinary interventions, discursive gatherings, and public events ‘powered by #AirCrafts’: an imaginative '(witch)craft' involving ritual, seduction, fabulation, narration and wordplay. Nowadays Wauman amusingly combines aspects of conceptual and visual arts with marquetry techniques, decorative and illustrative design, scenography, visionary writing, and storytelling. He regularly publishes booklets on his research, idiosyncratic fabulations and artistic ‘Blauwhaus’ collaborations. His work has been acquired by museums such as FotoMuseum (Antwerp) and Victoria and Albert Museum (London) or by the Flemish Community (M HKA, Antwerp). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678200457224-RIL2GB822JNPOZ3T9702/image-asset.png Invited Artists (2023 EN) - Wim Wauman (Belgium, 1976) Wim Wauman plays and experiments with photography, language, materials, objects and narration. He is known for his quirky compositions featuring ‘inspirational objects’ photographed in elaborate wooden settings. Around 2015, he started to compose figurative and abstract work with fine wood veneer and gradually formed an exclusive collection of personalized tables, cabinets, stools, and distinct props functioning as ‘infrastructural’ or ‘conversation’ pieces (including vintage blankets and found artefacts). In December 2019 Wauman obtained a ‘PhD in the arts’ degree at the University of Antwerp (ARIA) with a poetic and artistic exploration on notions of craftsmanship, making and thinking. His conclusion involved the temporary transformation of a ‘neglected provincial castle’ into a semi-pastoral research centre designed to collaborate with fellow artists and to induce an artistic state of flow (Blauwhaus, Waasmunster, 2019). There he gained interest in re-imagining local histories and singularities to ‘enchant’ and ‘heal’ his surroundings through a strategic combination of visual (and experiential) stimuli, multidisciplinary interventions, discursive gatherings, and public events ‘powered by #AirCrafts’: an imaginative '(witch)craft' involving ritual, seduction, fabulation, narration and wordplay. Nowadays Wauman amusingly combines aspects of conceptual and visual arts with marquetry techniques, decorative and illustrative design, scenography, visionary writing, and storytelling. He regularly publishes booklets on his research, idiosyncratic fabulations and artistic ‘Blauwhaus’ collaborations. His work has been acquired by museums such as FotoMuseum (Antwerp) and Victoria and Albert Museum (London) or by the Flemish Community (M HKA, Antwerp). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713100595089-6EG4LLMQ3BKCHCOHVSSZ/image-asset.jpg Invited Artists (2023 EN) - Jolijn Baeckelandt (Belgium, 1993) Jolijn Baeckelandt (Ostend,1993) is a contemporary painter who lives and works in Antwerp. In her paintings Baeckelandt’s tries to point out the duality between the expected and the unexpected, chaos and order, and other. The complex relations and the movement between these. A perpetual game of ping pong where each element relies on the other's presence. Her paintings are the results of the space and time between these contradictions where she tries to react on and capture this moment. According to her; contradictions through thinking and contemplating is essential to a human being. It arises not only in thought but also in the process of creation. These contradictions provide conflict, tension and friction. This tension field creates an openness and through these we gain motion. Always open to the next paradox. “ The imposed one-sided thinking and behavior blocks the (mind from) ejaculation”. Baeckelandt often employs everyday, recognizable materials (and symbols) as a foundation. materials that provoke tension between them and the paint.- a continuous push and pull. With her work, she doesn't aim to provide answers or draw conclusions. Instead, she consistently ends with a question mark, keeping the process in motion. Constantly encountering new confrontations in form and content. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678200973465-1ACOT6DYFJ8UW27J6YKQ/image-asset.jpeg Invited Artists (2023 EN) - Simon Masschelein (Belgium, 1994) Simon Masschelein’s sculptural thinking starts from the joint. He fabricates hinged sculptures. How did he come to this? At a time, he was surrounded by pieces of wood, never longer than one and a half meter, nicely shaped, and this was a starting point to envision higher sculptures, resembling ramshackle stacked totem poles. So he started looking for ways to connect these elements, initially similar to ways protheses are connected to the body, then morphing them into hinges. One sculpture has been conceptualized from a knee, another from the way a femur fits the pelvis. One sculpture, made out of forty kilos of sculpted alabaster, is held upright by a tensioned cable self-riveted to an iron ball which is clamped in a bracket. A strange, two-piece figure on two wobbly feet giving shape to a modest contrapposto, sometimes folds forward. A tree trunk is chiseled into a spiral column, then hollowed out, halved and reconnected by a wooden link. For me, the beauty of Masschelein’s art is the way he adapts wood, stone and metal and combines these elements into new shapes. No assemblages, no old stuff, but powerful new work with a hardly hidden tenderness. ( text Hans Theys) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679579140086-XBQ1D296CN0YBXVRN0ZL/image-asset.jpeg Invited Artists (2023 EN) - Fran Van Coppenolle (Belgium, 1998) Fran is a sculptor who graduated from the Antwerp Academy of Fine Arts in 2020. She grew up in the agricultural world, surrounded by ancestral objects that-her grandfather and father- and later she collected, forklifts and various agricultural machines that she handles with grace, ease and lightness. Her studio is located on her family's -retired-farm in -the west Flanders-, a large estate with meadows, fields, a pond, -trees, animals- and stables. Welcome to Ludwigshaven, the place where Fran, harvests her own living world. Fran Van Coppenolle creates sculptures based on shapes and objects that she observes. She welds metal, carves wood, welds, bends and creates surprising volumes with found pieces of textile. Her sculptures evoke flowers, butterflies, birds and flying machines, not by intention, but as a result of a work of duplication to arrive at sculptural forms. At the same time, she seeks subtle asymmetries that seem to bring these delicate sculptural apparitions to life. Fran's works take on an extra dimension because they are figurative and unrecognizable. They allow for a multitude of possible interpretations. Surprisingly fresh materials are put under tension, tightened, braided, harnessed, tied together until they begin to form intangible, incomprehensible and captivating objects. Beautiful creations that throw breathing spaces into the world without asking anyone's permission. (text Sabrina Brachot) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679579658489-VQXBF5EYLPPXE8T2UQNU/image-asset.jpg Invited Artists (2023 EN) - Kim Wey (Belgium, 1997) Kim Wey is based in Antwerp. Her work mainly focuses on its satirical response to the questionable art market. With the alter ego 'Kim Wey' as her main subject, her art practice mainly focuses on installations and in-situ work to point out the distinctions between what is perceived as 'celebrated' and 'thriving' art versus the position of the unfruitful and unavailing arts-practitioner and thereby experimenting with the boundary between self promotion and self indulgence. 2023 Vogels, group exhibition, Pizza Gallery Antwerp. 2022 A kiss is an imprint, group exhibition, D.E.K.A.M.E.R.E.D Antwerp 2022 It’s not about me, it’s about ART, solo exhibition, Ensemble vzw Gent 2022 1+1+1+1+1=>5, group exhibition, Desserts Gallerie Hasselt 2022 Vitrine #2, duo exhibition, Veduta Brussels 2021 Een goddelijke interventie, duo exhibition, Factor 44 Antwerp https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679579284636-C50JWWD9E4OJ4PVSE21W/image-asset.jpg Invited Artists (2023 EN) - Michel François (Belgium, 1956) Born in 1956 in Sint-Truiden Michel lives and works between Brussels and Paris. François’s interest lies in exploring a variety of media including installation, video, sculpture and photography, often combined and linked to create a larger idea. Through these various techniques and materials, François comments on the relationships and contradictions that we face in our public and private lives. Some are more formal such as convex versus concave forms, the connection between the external and the internal, light versus dark. Others focus on political “truths” versus deception and/or manipulation. Central to the artist’s work is the reconsideration of simple known images, objects or banal iconography. 2023 Contre Nature, Solo exhibition Bozar Brussels, Belgium 2022 Under a Cloud, Group exhibition Prinsenbos Grimbergen , Belgium 2022 Panopticon , Group exhibition Yarat Contemporary Art Center Baku, Azerbaijan 2022 Résister encore, group exhibition Musée cantonal Beaux-Arts Lausanne, Switzerland 2021 Jours Blancs, Group exhibition Gallery Kamel Mennour, Paris, France https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678201761524-4KUMFBMQN1HEMGIVH7FN/image-asset.jpeg Invited Artists (2023 EN) - Han Swolfs (Belgium, 1984) Hantrax is the alias of Antwerp based composer, performer, and pianist Han Swolfs (1984). Renowned for his live electronic performances and imaginative piano stage productions, his shows are kinetic, atmospheric, hypnotic, and cinematic. A multi-faceted musician who is both enigmatic and kind. Hantrax traverses music categories with whimsical ease from classical to jazz to experimental electronic music. As a composer, his music in spirit is experimental, taking seemingly incompatible influences and mixing them into his self-invented musical language. He breaks the rules of genres, cross-pollinating styles at will into his oeuvre of dark ‘undanceable’ dance music. His ingeniously crafted compositions reimagine standard forms. Old and new technology is an integral part of his process, exploring the possibilities of analogue and digital systems, music machines and recording systems. Dubbed the illustrious prince of the Antwerp underground, Hantrax creates transformative music championed by connoisseurs and barbarians alike. His collection, which includes his piano compositions and his electronic work, is available on Palermo Records, Ekster label, Roulette Records, Jack playmobil, and Jheri tracks. Off stage, Hantrax can be found hosting a modernist music program called Klankmeanders with his father, Hendrik Van Geel, on Radio Central and can be heard on his radio show titled Headroom on the Word Radio, that exposes innovative music of all categories. Working at the intersection of the arts, Hantrax has been involved in numerous creative collaborations and productions. Highlights include work with visual artists Anne-mie van Kerckhoven, Pieterjan Ginckels and Arocha – Schraenen, as well as performances for the theater company Abattoir Fermé and for the classical orchestra of Michiel De Malsche as a soloist. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678202090754-6U0HZ28PTD8JIPCP6510/image-asset.gif Invited Artists (2023 EN) - Jordi Colomer (Spain, 1962) Jordi Colomer was born in Barcelona, Spain . He currently lives and works between Barcelona and Paris. His work, marked by a strong sculptural sense, encompasses multiple disciplines, especially photography and video, and their staging in the exhibition space. Often, the creation of situations of a kind of "expanded theater" allows the viewer to evaluate his relationship with the representations and with the role he plays in and in front of them. The most recent works present the multiple facets of utopia, dystopia, and their relationship with fiction. Join Us, the project for the Spanish Pavilion at the 57th Venice Biennale, was a reclamation of nomadism as a collective movement and privileged material applied to urban utopias. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678831706474-7YYGQYB7YRD90SSLOMGO/image-asset.png Invited Artists (2023 EN) - Véronique Bourgoin (France, 1966) Véronique Bourgoin was born in Marseille and lives and works in Montreuil, France. She graduated from the Ecole des Beaux-Arts de Paris in 1991.Véronique’s practice is built on a series of experiments with the photographic medium before extending into a multiplicity of media such as publishing, drawing, painting, ceramics, video and installation. The experimental character of her practice unfolds as much through the manipulation of physical, chemical and psychic elements, highlighting the transformational effects of vision and imagination and in particular the spectacular effects in counter-spectacular contexts where intimacy and simulacra become entangled. Inspired as much by her daily life as by political, technological or historical contingencies, Véronique Bourgoin examines the construction of "contemporary paradises" deployed from a weft of recurring questionings on materiality, the body, the living, identity and its modes of representation in the face of the conflicts of our time. Collaborative experiences are intrinsic to his artistic approach and his relationship to the world. From the end of the 80s, she initiated with Juli Susin a collaborative project around the creation of artists' books. The history of these activities, gathered under the name "Royal Book Lodge", is the subject of a book by historian John C. Welchman, published by Hatje Cantz in March 2023. In 1995, she co-founded with J. Susin, the Atelier Reflexe, an experimental school of photography. In 2005, she created a group of performers, The Hole Garden, a collective identity at the origin of performative actions, films and photographic series. Bourgoin participated in numerous exhibitions in international institutions and festivals such as Fotohof, Salzburg; Performa, New Museum, New-York; Photo Festival Landskrona, Sweden ; Fotomuseum, Rotterdam; Tütün Deposu Ek bina, Istanbul; Caochangdi Photospring Festival, China; LA Art Center, Los Angeles; Museum of Modern Art, Saint Paulo, Brazil; El Laboratorio Arte Alameda, Mexico City; Maison d'Arts Bernard Anthonioz, Paris; Thessaloniki Photography Biennial, Greece; Oscar Niemeyer Museum, Curitiba Biennal, Brazil. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678831484733-PITTBCZGIQ8TKMLHCEBT/image-asset.png Invited Artists (2023 EN) - Juli Susin (DE, ,1966) In 1981 Juli Susin (born 1966) left the Soviet Union with his family to settle in Berlin, then the contingencies of the stateless situation brought him to France where he graduated from the Ecole des Beaux-Arts de Paris in 1991. From the 1980s onwards, he developed with friends an international network of collaborations around the Artist's book, more recently known as the Royal Book Lodge. The history of these collaborative activities, initiated with the French artist Véronique Bourgoin, is written by the historian John C. Welchman, and published under the name "Royal Book Lodge", by Hatje Cantz, in March 2023. Since 2005, he has been working in Albisola (Italy), in the ceramic workshop founded by Ivos Pacetti. Ceramic works made in recent years have been inspired by the artist's numerous stays in Paraguay. Some of the works were presented in 2013, in the Oscar Niemeyer Museum, as part of the Curitiba Biennial, Brazil. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678830917423-JFT5V79OY0ERRMDHAS4U/image-asset.png Invited Artists (2023 EN) - Liv Bugge (Norway, 1974) Liv Bugge studied at the Oslo National Academy of the Arts and the Higher Institute for Fine Arts in Belgium. She completed her PhD, "The Other Wild: Touching Art as Confrontation", at Oslo National Academy of the Arts in 2019. Bugge’s research explores how mechanisms in society are internalized and contribute to the maintaining of normative notions and ethics around, for example, such dichotomies as life and non-life or human and nature. Liv has a practice informed by queer and feminist perspectives and was during the period 2012-2020 running the platform FRANK together with artist Sille Storihle. Bugge has had solo presentations at, among other places: Marabouparken Konsthall in Stockholm, Kunstnernes Hus and Intercultural Museum in Oslo, and Sørlandets Kunstmuseum in Kristiansand. She presented her work at the Gothenburg International Biennial for Contemporary Art. She was part of the Venice Biennale 2022 'The Milk of Dreams' commissioned by Cecilia Alemani invited to participate with her work ‘Play’ https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679578455871-P3QWBKJCVHCYMMR5C8ZS/image-asset.jpeg Invited Artists (2023 EN) - Jack Davey (UK, 1990) Jack Davey Lives and works in London Working primarily as a sculptor engaged with textiles, Davey has explored digital media. sound and collage as part of his larger installations. Through his work, Jack attempts to capture energies and emotions within a solid structure and asks how one might imbue those qualities into an inanimate object. This is investigated through material experimentation, theoretical research and themes such as sexual frustration and desire, anger, behaviour, human anatomy, the subconscious, memory and hidden messages. Fundamentally, Jack aims to dissect, analyse and re-build these elements to create a new sculptural language. A consciousness held within an object. During a month-long residency in Ticino, Switzerland (May 2022), Jack developed a body of work made entirely out of parcel paper. Culminating in two full-sized, interactive installations entitled Dirty Room. The installations were supplemented by drawings, painted collage and video. Expanding on this, Jack recently celebrated the opening of his latest solo exhibition In Bulge at Casstl Antwerp, Belgium (November - December 2022). An exhibition refining the concepts, materiality and questions of impermanence examined during this period. This was fused with Jack’s endeavour to freeze energy and imbue objects with immoveable certainty and consciousness. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679578543718-ONAZO482V7B14XE5QZ3C/image-asset.jpg Invited Artists (2023 EN) - Tamara Beheydt (Belgium, 1991) Tamara Beheydt is an art historian and a freelance art-writer. She is part of the core group of editors of H ART Magazine, and frequently publishes contributions for other written media such as Openbaar Kunstbezit Vlaanderen and De Tijd. She writes exhibition texts or portfolio texts for artists, and occasionally performs as a public speaker during panel conversations, lectures, or artist talks. From an interest for and belief in the value of contemporary art for the human community, she commits to providing a supporting platform to artistic discourses and to maintaining a critical overview of developments in the cultural field. 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Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/37d63139-0881-474a-bc24-40e14f76cd89/IMG_9376.jpg Parade 2023 FR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697539906092-GEIBGX72ZI4HVNN7RZFH/galerieD.JPG Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697538938387-YI8V35FKC6PGABMYHNTG/_DSC1862.jpg Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697484710119-858N8Y37HZIMXUYKO9E7/luc_Proposals.JPG Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697537074165-ZRMCNE6J35470HF1IQTG/Luc+talks.jpeg Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697485324748-8EGHM6O2Q8E46C2QB6H2/_DSC7110-2.jpg Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697484929963-EHFB5X4P6NX7L1Q0ML7K/_DSC6966.jpg Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697540411676-8BK87EHJOVNAWLK6R7JU/IMG_9925.jpg Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697485838176-XWJ5834NICZ2I82GOXJJ/IMG_0041.JPEG Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697538218032-71B9YMG2G48ENNCCNSTT/Corentn_audience.JPG Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697538067475-XBQZETWPIMZOKXXRQATX/Corentin+concert.JPG Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697542828498-4UYQUWDRNVBLUAK92LWP/Reganslam.jpeg Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697542615400-W3AYFX8NFNS7G78VDARX/sihamslam.JPEG Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697542543695-2F3I49BXVL6HRL9LXKPE/madconcert_3.JPG Parade 2023 FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697540162546-1M18ZKY6NCZAUFMPVI4K/madconcert.2.jpg Parade 2023 FR https://www.radicale1924.org/radicale-19242024 daily 0.75 2024-12-30 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679350835035-U0P1KKGLQ9SE2YCTXL0I/whitesquare.png Radicale1924!2024_EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713271201874-GNYCH3FI9ENSVP73OEQ6/Exploding_Radicale2.jpg Radicale1924!2024_EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713271201874-GNYCH3FI9ENSVP73OEQ6/Exploding_Radicale2.jpg Radicale1924!2024_EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679350835035-U0P1KKGLQ9SE2YCTXL0I/whitesquare.png Radicale1924!2024_EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679350835035-U0P1KKGLQ9SE2YCTXL0I/whitesquare.png Radicale1924!2024_EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679350835035-U0P1KKGLQ9SE2YCTXL0I/whitesquare.png Radicale1924!2024_EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713467389543-AYK0JSFFGEROMHFHOO01/DSC02657.jpg Radicale1924!2024_EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713271201874-GNYCH3FI9ENSVP73OEQ6/Exploding_Radicale2.jpg Radicale1924!2024_EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713271201874-GNYCH3FI9ENSVP73OEQ6/Exploding_Radicale2.jpg Radicale1924!2024_EN https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/00aff424-3654-49a2-9a93-6e068745e89d/Screenshot+2024-03-01+at+15.11.24.jpg Radicale1924!2024_EN - Make it stand out ‘The artist is not present’ 2022 Mikes Poppe ©Bram Goots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/846deaf2-ec11-46fc-ae43-aa54f4f3fa23/tempImage7auqIK.jpg Radicale1924!2024_EN - Maisons Daura #⌂mD May 15 – June 2 Samyra Moumouh - Hans Demeulenaere - Nienke Baeckelandt - Jolijn Baeckelandt - Idris Sevenans - Ria Pacquée -Simona Mihaela Stoia Simon Masschelein - Stéphanie Lagarde - Pieter van der Schaaf - Yi Zhang The inaugural act in May revolves around the artists' abode of the Catalan painter Pierre Daura. Thomas Delamarre, director of Maison des Arts Cajarc& Saint-Cirq-Lapopie, opens Maisons Daura as an exhibition space to Radicale1924. photo credits : Maisons Daura at Saint -Cirq-Lapopie ©Luc Assens https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/9dd71a47-cc1e-455e-b342-f213ccb54930/Routier20240211_0014.jpg Radicale1924!2024_EN - Maison Routier #⌂mR June 24 – July 31 AFF/Furkart 1984-2024 - A.L. Steiner - Carlos Aires- Nienke Baeckelandt - Samyra Moumouh- Hans Demeulenaere - Cédric Fargues - Corentin Canesson - Guillaume Bijl - Idris Sevenans - Jack Davey - Agence Future - Mikes Poppe - Pieter Van der Schaaf - Ria Pacquée - Shulea Cheang - Simona Mihaela Stoia - Stéphanie Lagarde - Wim Wauman - Zena Van den Block -Shulea Cheang -Nicolas Bourtoumieux - Laura Lamiel - Daniel Adrien Routier Maison Routier, now the epicenter of the residency project, will open its private spaces during the Radicale1924 exhibition. Works by Radicale 1924 artists will be presented in the house, a unique space highly valued by every artist who has had the opportunity to stay there. photocredits : Maison Routier 1931 by Daniel Adrien Routier https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1dc708d7-3cce-4689-b4c7-7d67adb1905d/RADICALE1924_PIETER-1043.jpeg Radicale1924!2024_EN - Maison André & Elisa Breton #⌂mB Exhibition Date : Sept 28 – October 13 A.L. Steiner - Carlos Aires - Cédric Fargues - Corentin Canesson - Elias Cafmeyer - Georges Adéagbo - Guillaume Bijl - Hantrax Dolls - Hans Demeulenaere - Idris Sevenans - Jack Davey - Jolijn Baekelandt - Juli Susin Luc Deleu - Michel François - Mikes Poppe - Nienke Baeckelandt - Nicolas Bourthoumieux - Pierre Martin Vielcazat - Pieter Van der Schaaf - Ria Pacquée -Regan Elena - Samyra Moumouh - Shulea Cheang - Simona Mihaela Stoia - Stéphanie Lagarde - Agence Future - Thomas Rodriguez/Archive Furkablick Furkart - Véronique Bourgoin - Wim Wauman - Zena Van den Block - Leendert Van Accoleyen -Regan Elena As September unfolds, the grand finale transforms the village square into a banquet hall, constructing a village revelry around the Maison André & Elisa Breton. On the occasion of the centenary celebration of the publication of the Surrealist Manifesto, it seems essential that the Radicale 1924 project continues the village's legacy as an artists' village, demonstrating its commitment to encouraging artistic exploration and collaboration. The 100th anniversary of André Breton’s First Surrealist Manifesto, published in 1924, offers us an exceptional opportunity to revisit surrealism in the light of our times. photocredit : Maisons André Breton -Emile Joseph Rignault September 2024 ©Bram Goots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/40529c6e-ae54-4fcf-a4c3-c08ea80698fd/IMG_4954.jpg Radicale1924!2024_EN - Make it stand out ‘A Good Circle Makes A Good Square’’ 2024 Samyra Moumouh & Hans Demeuelenaere ©ReganElena https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ab481259-f5c9-4a91-8026-6b1a4828b5b6/Daura001.jpg Radicale1924!2024_EN - Make it stand out ‘The silent apparition of a brute confusion’ 2022 Simona Mihaela Stoia & Thomas Delamarre ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/9b054b6e-f7d8-4dc6-aaf4-28f7a8532b63/PHOTO-2024-04-18-15-27-52+9.jpg Radicale1924!2024_EN - Make it stand out ‘Untitled’ 2024 Pieter Van der Schaaf ©Pieter Van der Schaaf https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/596ad322-997e-4fb0-a65e-25bfbe164246/STEPH+2024.jpg Radicale1924!2024_EN - Make it stand out Sylvia ajouta: "Je ne sais pas...évidemment ce qui peut sauver tout ça c'est l'amour." 2024 ©Pieter Van der Schaaf https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/d1c19286-15fb-4f16-b616-ff9348c8d8f2/Daura022.JPG Radicale1924!2024_EN - Make it stand out ‘The weight of a stone’ 2022 Yi Zhang ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/3161a11a-2ce6-4e17-9933-975231b3cd50/Daura016.JPG Radicale1924!2024_EN - Make it stand out ‘The Circle of Marokko’ (2004) courtesy of the artist ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/55ece88e-a7f0-461d-b642-90c33e36054b/tempImageRToPi6.jpg Radicale1924!2024_EN - Make it stand out ‘The Floating Archive’ 2022 ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/8e1e592c-c77e-45f4-bdab-2333f03c76e4/Daura028.JPG Radicale1924!2024_EN - Make it stand out ‘Housewifery’ +‘Recup’ + ‘Metamorphosis’ 2023, Jolijn Baeckelandt ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a1412a41-b7d4-47ea-88e3-4ea819a0e9e1/Daura026.JPG Radicale1924!2024_EN - Make it stand out ‘No title’ 2023 ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/fc0c332f-0b52-42d9-b7b6-bef6a8371c90/Daura021.JPG Radicale1924!2024_EN - Make it stand out ‘Tasteless’ ( still from video) 2023 , Nienke Baeckelandt ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/5b2558d4-67d4-4ca1-af93-106fb9919299/_%E2%80%98Edward+Krasinski%3ABlueLine%3ADisplacement%E2%80%99.png Radicale1924!2024_EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/15b8c9f5-cff4-40bc-818f-595f773b760a/IMG_9369.jpg Radicale1924!2024_EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/e73e09de-2d8c-44dc-8a1e-95759025c12d/Guillaumeb20240419.jpg Radicale1924!2024_EN - Make it stand out ‘Archivist Reflections Notes on ‘A Good Circle Makes a Good Square, Demeulenaere/Moumouh’, Regan Elena, 2024. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1dcc18b4-6d3a-4705-9281-c11622a7ce7a/SimonaReflectionsI.jpg Radicale1924!2024_EN - Make it stand out ‘Initial Archivist Findings’, 2024, Regan Elena https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/2a325ed1-fbdf-4741-916a-1d03db2c4723/SimonaReflectionsII.jpg Radicale1924!2024_EN - Make it stand out ‘Reflections on Comfort II’ 2023 by Simona Mihaela Stoia’, 2024, Regan Elena https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1725963518421-QVEM9NOSF55AYDV1EUOS/Maison+Routier001.JPEG Radicale1924!2024_EN - Make it stand out Beuys & Byars The introduction of the Sages to the Alps, Furkart 1984' in the nightshop of Maison Routier ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/60dc90da-c215-4f90-bf33-3f5bd1cfb860/Sans+Titre+36.png Radicale1924!2024_EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/76fab6e2-d98a-4b34-b84d-d8ab1443c933/Radical+1924+-+Art+on+display15.JPG Radicale1924!2024_EN - Make it stand out ‘Portraits of André Breton’ 2023 Carlos Aires ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a4acd284-4034-440f-b0ce-993e3ee2f70e/Radical+1924+-+Art+on+display14.JPG Radicale1924!2024_EN - Make it stand out ‘Presenting myself to the village in different languages (2021) Ria Pacquée ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1168caaf-e88f-40e3-b50a-bce2714957d0/chaussette+trou%C3%A9e%2C+2022%2C+moulage+en+b%C3%A9ton%2C+nicolas+bourthoumieux.JPG Radicale1924!2024_EN - Make it stand out https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/26afab26-a77e-47cd-8e90-279d1d090747/Radical+1924+-+Event+27-7-2024+-08.JPG Radicale1924!2024_EN - Make it stand out Shulea Cheang & Christine Kirubi presenting ‘Loveme2030’ in front of Maison Breton, July 2024 ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/d89fba2b-8c39-4bf4-b8bf-69d175b9c3bd/Radical+1924+-+Zena+003.JPG Radicale1924!2024_EN - Make it stand out ‘50 over 50 /You are on View’ Zena Van den Block ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/b2b2a4b4-9cea-40b6-9c1b-9b66d919b31c/Radical+1924+-+Art+on+display07.JPG Radicale1924!2024_EN - Make it stand out ‘Sorry’ 2022 Guillaume Bijl ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/825019a8-e379-4054-885e-c80e8a12e4be/SCL_1_Atmosph%C3%A8re_web.jpeg Radicale1924!2024_EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/e977b404-a81a-495c-86da-663f2d2211a6/Radical+1924+-+Art+on+display17.JPG Radicale1924!2024_EN - Make it stand out ‘Saint-Cirq 2023’ Jack Davey & No title (1978) Laura Lamiel ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/37e54549-192a-4a1d-8031-896a064cb238/Radical+1924+-+Event+27-7-2024+-09.JPG Radicale1924!2024_EN - Make it stand out Ciné -Concert TNHCH -Marine Wallon & Corentin Canesson & Damien Le Dévédec , July 2024 ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ed28df49-921d-43a1-9569-12964161ac60/Maison+Routier002.JPEG Radicale1924!2024_EN - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/dce68dd8-f25d-41c3-8cad-5d23d10614d0/Radical+1924+-+Art+on+display11.JPG Radicale1924!2024_EN - Make it stand out ‘Astaffort’ (1917) & ‘Touch my crown’ (2024) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/51e15b51-5e98-4b31-830d-401dc3d1e21a/ita+238+ret+1.jpg Radicale1924!2024_EN - Make it stand out ‘Litoral Oranais’ (1920) Daniel Adrien Routier ©Juan de la Sota https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/200c4686-60ad-4aa7-bdaa-e5255cd45886/NIENKE_08.jpg Radicale1924!2024_EN - Make it stand out ‘Meta-Stones’ (2022) Nienke Baeckelandt ©Cyzermans https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/fa7ec8fb-f564-4703-a12b-ad421465cd45/Maison+Routier017.JPEG Radicale1924!2024_EN - Make it stand out exhibition Radicale1924 at Maison Routier with a the right ‘Kucia’ (2024) by Hans Demeulenaere & Samyra Moumouh ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/df8bbe51-098a-4d75-b1a3-7c436f6b07c2/Radical+1924+-+Art+on+display10.JPG Radicale1924!2024_EN - Make it stand out ‘Untitled’ (2024) Pieter Van der Schaaf ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/306777be-1f30-40c9-a80a-b7127728521b/Radical+1924+-+Art+on+display01.JPG Radicale1924!2024_EN - Make it stand out ‘Tour de Zwanze’ 2021 Idris Sevenans ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/261dbe0b-eb84-4c39-b37b-23fbc5f53f84/RADICALE1924_PIETER-1525.jpeg Radicale1924!2024_EN - Make it stand out ‘Sylvia ajouta: "Je ne sais pas...évidemment ce qui peut sauver tout ça, c'est l’amour” 2024, Stephanie Lagarde ©BramGoots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/aa98407e-82dd-4f1d-81d1-74d025e4d7ff/FL1A2893.jpg Radicale1924!2024_EN - Make it stand out ‘Brevet de Petottier de la Société petotico-maronico-huitrique’ (1834) collection Ronny Van de Velde ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/04220965-3efb-488c-862e-251c4e6eab64/FL1A3330.jpeg Radicale1924!2024_EN - Make it stand out Beuys & Byars The introduction of the Sages to the Alps, Furkart 1984' copyright Furkart 1984 Institut Furkablick image by FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/8009aad2-152d-4c2d-a6ea-b85a10523d1c/IMG_3266.jpg Radicale1924!2024_EN - Make it stand out Major Arcana Redux ( for Leonoara) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/2d18fe12-0046-440e-a371-282121ac7003/FL1A2922.jpg Radicale1924!2024_EN - Make it stand out exhbition image ‘Camping et Stationnement de Véhicules Aménages Interdit dans les villages préférées des Français ou devant les demeures d’André Breton ( et Josephine Baker) (2024) , Elias Cafmeyer ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/8f8cbd9e-ba73-4b1d-bf13-392296f0f86f/SCLP_RADICALE1924_GRANDFINAL-1285.jpg Radicale1924!2024_EN - Make it stand out ‘Ma femme’ 2024 Ria Pacquée ©BramGoots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a2d72507-87c7-4634-94d8-ad5c8b815245/IMG_9872.jpg Radicale1924!2024_EN - Make it stand out exhibition image with ‘Proposition for Saint-Cirq-Lapopie’ 2023 ,Luc Deleu & ‘Ria Pacquée in the Chimney of the André Breton House’ 2024, Ria Pacquée ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733304373895-WOR3XX6ZLR42Y0YVL38H/FL1A3352.jpg Radicale1924!2024_EN ‘Ria Pacquée in the Chimney of the André Breton House’ 2021, Ria Pacquée ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733310646048-C64AW7XPD31LK9N005NR/Screenshot+2024-12-04+at+11.56.07.png Radicale1924!2024_EN - Make it stand out ‘E-mail My Heart’ 2024 & ‘Britney’2021 , Cedric Fargues https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ca6453c5-0393-4205-b9e4-8a3352ff3724/CorentinCanesson.jpg Radicale1924!2024_EN - Make it stand out ‘A Thousand Leaves’ 2024 Corentin Canesson ©FransescoIbba https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/4316fe8a-55d0-40ff-bf60-bcae3b6d8ebd/FL1A2836.jpg Radicale1924!2024_EN - Make it stand out ‘Série φαρμακείο’ 2024 , Véronique Bourgoin ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ea32c67e-fbe0-4899-ae95-d9bc015c71b1/FL1A3086.jpg Radicale1924!2024_EN - Make it stand out ‘Le Rêve (hommage à Annie Le Brun)’ 2009, Juli Susin https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/04e275b8-5c67-481e-a546-d7a5443d54f9/FL1A2522.jpg Radicale1924!2024_EN - Make it stand out ‘Leave me Alone’ 2024, Carlos Aires ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733306138566-ZLHWHQSGZJSXMCQFXAP0/FL1A2601.jpg Radicale1924!2024_EN - Make it stand out ‘Gros Bisous de Saint-Cirq-Lapopie’ 2024 , Zena Van den Block ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ef8428c5-296d-41cf-827d-382e70b195e6/FL1A3313.jpg Radicale1924!2024_EN - Make it stand out ‘Fiction/Non Fiction’ 2023, Jolijn Baeckelandt ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/7c840f52-4035-4f39-9d60-3e989dcc7812/FL1A3371.jpg Radicale1924!2024_EN - Make it stand out ‘Saint-Cirq 2023’ 2023 , Jack Davey ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0c28d273-c4e8-4416-b107-93097640b1b4/FL1A3369.jpg Radicale1924!2024_EN - Make it stand out ‘Untitled’ 1978 , Laura Lamiel https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/6bdb6b88-001b-4f1b-8066-fb1c4d6b0519/RADICALE1924_PIETER-1061+by+Bram.jpg Radicale1924!2024_EN - Make it stand out ‘Untitled (Maison Breton)’ 2024, Pieter Van der Schaaf ©Bram Goots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733308939460-06U2TL3T98PX3YGTJ8C4/IMG_0200+copy.jpg Radicale1924!2024_EN - Make it stand out ‘Portraits of André Breton’ 2023 , Carlos Aires https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/2f2e1ea0-825f-43ce-a299-33040bdfb9fd/FL1A2684.jpg Radicale1924!2024_EN - Make it stand out ‘Flying with a new pair of wings’ 2024 , Simona Mihaela Stoia https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/5420bbcc-a60b-415e-a910-2c9a7db152cf/FL1A2639.jpg Radicale1924!2024_EN - Make it stand out ‘Hantrax Dolls’ 2024, Hantrax ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/67d3abeb-f388-46ef-bed9-1eeaa64efaa2/FL1A3366.jpg Radicale1924!2024_EN - Make it stand out ‘Cardiothoracic Index Tracing Paper’ 1919, Daniel Adrien Routier ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0f7e7ed0-8466-4a6b-b16b-eebc6e5196e0/FL1A3280.jpg Radicale1924!2024_EN - Make it stand out ‘House of André Breton, yet another successful renovation by AARS Construct’, 2023, Idris Sevenans ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0916f29e-4b67-4c0a-9c26-14adfc1b6689/FL1A3811.jpg Radicale1924!2024_EN - Make it stand out ‘Nada’ 2024 , Clodagh Kinsella ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/d96dc826-07ca-467d-a510-64778f9cf291/FL1A1182.jpg Radicale1924!2024_EN - Make it stand out ‘MOI’ 2021 , Ria Pacquée ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a6589b13-99b5-4c7a-a68f-3105fe247a17/_UTTER_ Radicale1924!2024_EN - Make it stand out LOVEME2030 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/3f309f44-564b-450e-8989-e872c4de8c9b/FL1A3668.jpg Radicale1924!2024_EN - Make it stand out exhbition image of ‘SORRY’ 2024, Guillaume Bijl ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/4c132e14-1d13-4089-8b55-043b5723add6/IMG_9869.JPG Radicale1924!2024_EN - Make it stand out Georges Adéagbo installing ‘La Manifestation du Surréalisme’ in Maison André Breton, 2024 ©RiaPacquée https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/f157434a-6bf8-4904-b9e4-ff527f6d0e10/FL1A3460.jpg Radicale1924!2024_EN - Make it stand out ‘Ein guter Künstler ist ein toter Künstler’ 2024, Mikes Poppe ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a378c030-990b-4086-9d9a-5366c9ef506c/Leonora+Carrington.jpg Radicale1924!2024_EN - Make it stand out ‘L’extraterrestre’ 2011 , Leonora Carrington https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0b8a04da-e85a-4d1b-bcf6-c7b3d01e9244/FL1A1960.jpg Radicale1924!2024_EN - Make it stand out ‘TOTEM’ 2024 Pierre Martin Vielcazat ,Samyra Moumouh & Hans Demeulenaere ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ddc0e847-3fd2-490c-96e4-cf4bdb319f86/FL1A3697.jpg Radicale1924!2024_EN - Make it stand out ‘Flux Tendu’ 2024 Michel François ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0dc61f97-0181-4ff1-9318-53a5ce779609/FL1A2122.jpg Radicale1924!2024_EN - Make it stand out ‘A Good Circle Makes A Good Square’ 2024 , Samyra Moumouh & Hans Demeulenaere ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/376509df-b875-4587-9438-e5c951e2fb22/tempImage4lBZzG.jpg Radicale1924!2024_EN - Make it stand out ‘Monnaie de Zwanze ‘ 2024 , Idris Sevenans https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/f8233946-9118-4e36-a96c-fb0a8ebb9387/RADICALE1924_SIMON-1133.jpg Radicale1924!2024_EN - Make it stand out ‘Tail Pieced’ 2024 , Simon Masschelein ©BramGoots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/e0a60156-c537-491f-bb3d-a0e093fb1505/FL1A2004.jpg Radicale1924!2024_EN - Make it stand out ‘In case of Radicale’ 2024, Leendert Van Accoleyen ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/01dc100b-9d79-4f32-a29e-b30ada92586f/tempImageD3Ubih.jpg Radicale1924!2024_EN - Make it stand out ‘Tour de Zwanze’ 2021, Idris Sevenans https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ea899b1d-e090-402b-9ac6-f1e16b54faa3/IMG_9948.jpg Radicale1924!2024_EN - Make it stand out ‘Ellipse’ 2024 , Nicolas Bourthoumieux ©RiaPacquée https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/2459154b-d1d2-49a7-83b4-205de32d2e4b/FL1A1138.jpg Radicale1924!2024_EN - Make it stand out ‘The Pyrenees are Close to Toulouse When You’re Coming from Bruges’ 2024 , Leendert Van Accoleyen ©FinnFons https://www.radicale1924.org/hanssamyra2024 daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733305606682-R8TLAEXMWS2RXM6CLBZH/FL1A1960.jpg Hans&samyra_2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713098767405-1LQLMYC8PS27YYDS6OJQ/image-asset.jpg Hans&samyra_2024 - 'The Artist's Chair' (2023) The Artist’s Chair is presented in the main room on the first floor of Maisons Daura, Résidence Internationale d’Artistes /MAGCP. Inspired by a piece of furniture from André Breton’s collection , they have adopted the design language of this chair : a circle as an armrest and a square as a seat. However, they go beyond mere replication; they have shaped these elements uniquely, resulting in two chairs engaging in a conversation. The result is an analogy in which past and present merge into a contemporary work of art. The ‘plinth’ , a green particleboard, forms the perfect backdrop for these furniture/sculptures, which are now mainly an artistic interpretation with a wink to the design of the ‘chair’. The sculpural element emerges in the dialogue between the two chairs. Its uniqueness lies in the abstraction of the circle and the square. Nevertheless, it remains a harmonious representation of two chairs at its core. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733305606682-R8TLAEXMWS2RXM6CLBZH/FL1A1960.jpg Hans&samyra_2024 https://static1.squarespace.com/static/610ff4c25b34da3b3ed92e3f/661a84e21159cc1c4f23480b/661a854bc6b84a6fcecb20ea/1733305558623/ Hans&samyra_2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713103232880-EVUTOV8JMQU5RZUW0P2Q/IMG_3096.JPG Hans&samyra_2024 - Edward Krasinski/Bleu Line/Displacement' (2022) Demeulenaere and Moumouh get to know Krasinski's work through the intervention in his studio/studio/apartment that he shared with Henryk Stazewski in Warsaw/Warsaw. The “animator of the blue line” what Edward Krasinski most liked to call himself, uses a blue line as his trademark, made of electrical tape placed 1m30 above the ground, travels across windows, walls, curtains, private mementos, a publicity poster for one of his exhibitions, paintings hung or wrapped and leaning against walls, sinks surrounded by cleaning detergents. With the same attitude, Demeulenaere and Moumouh want to move this blue line to the Maison André Breton. By applying the blue tape to the wall in this house, it turns the room into an artistic place, an art space, a stage. They temporarily appropriate the space, after this action where the application of this blue line is filmed simultaneously by the same artists, they roll up the tape again in the opposite direction. https://www.radicale1924.org/simona-mihaela_2024 daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1726039080527-SAYS0E5T0WMIK18V0H9L/SS1.jpg Simona Mihaela_2024 - 'The silent apparition of a brute confusion' The silent apparition of a brute confusion’ 2022 , Simona Mihaela Stoia The subconscious, which was an important source of inspiration for surrealist artists, plays a crucial part in Simona Mihaela Stoia’s artistic process. She combines memory and composition with intuitive gestures. Rather than being inspired by surrealism, however, many of the participating artists respond to the specificity of the village, especially the contrast between the urge to preserve its historical heritage and the contemporary reality of the many second residencies and tourism-oriented character https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1726039080527-SAYS0E5T0WMIK18V0H9L/SS1.jpg Simona Mihaela_2024 - 'The silent apparition of a brute confusion' The silent apparition of a brute confusion’ 2022 , Simona Mihaela Stoia The subconscious, which was an important source of inspiration for surrealist artists, plays a crucial part in Simona Mihaela Stoia’s artistic process. She combines memory and composition with intuitive gestures. Rather than being inspired by surrealism, however, many of the participating artists respond to the specificity of the village, especially the contrast between the urge to preserve its historical heritage and the contemporary reality of the many second residencies and tourism-oriented character https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713113725688-LAV0YEMSC76EECBT50ZU/Simona.JPG Simona Mihaela_2024 - 'Comfort' (2022) In her installation Comfort (2022) Simona Mihaela Stoia represents the inevitable but starkly different forces of man and forces of nature that conquer a space, resulting in continuous reconstruction. Nestled in the quaint village of Saint-Cirq Lapopie, Stoia draws upon not only its rich history but also its transformation. This year, Stoia utilizes both artificial objects and nature found throughout the village in the making of Comfort (2022). Objects such as earplugs portray the significance of the Second World War particularly in reference to the Surrealist movement. Alternatively, the scattering of vibrant m&m’s at the base of the piece reveals a certain absurdity. Stoia sees the texture and the relationships between colors as means of construction. In the artist’s own words, “I built this as a painting in my head. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733300715011-LUDTYGDJVA599OKMEOFG/FL1A2684.jpg Simona Mihaela_2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1726040554613-M6343TUT22YQC3XSBDFF/Screenshot+2024-09-11+at+09.19.27.png Simona Mihaela_2024 - 'Catching a breeze' 2024 Simona Mihaela Stoia For this last edition of Radicale 1924 , Simona Mihaela Stoia made 2 paintings in echo with the village of Saint Cirq Lapopie 'I go outside, I see things they generate something else. I don’t know why. And then I have to go back out in the real world, and search for subject matter, to actually put on the canvas. That’s the challenging part. The idea is so pure, but when you put it out, it starts to diminish. How do I keep it as sharp, as vivid, as it was in my mind? There is a transparency, an abstraction in my work that is connected to the subconscious. The experience in Saint-Cirq-Lapopie made me see this clearer. I didn’t fully grasp this before. For my art practice, and my awareness of what I’m doing, being there has been extremely important.' Simona Mihaela Stoia in conversation with Tamara Beheydt , January 2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713107609578-IZ7PZ8CN0YE0X1LTE9QY/IMG_2692.JPG Simona Mihaela_2024 https://www.radicale1924.org/pieter-van-der-schaaf daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733300436115-3Q6LVLOJWYJHIKKEFKC5/PHOTO-2024_Pizza.jpg Pieter Van der Schaaf https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713176631419-6SP8XC9BF0AKUYCZLFQ5/DSC02227.JPG Pieter Van der Schaaf - 'Untitled' (2021) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733300436115-3Q6LVLOJWYJHIKKEFKC5/PHOTO-2024_Pizza.jpg Pieter Van der Schaaf https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733300370036-7I09Q63QGENXSZ0T7T18/RADICALE1924_PIETER-1068.jpeg Pieter Van der Schaaf https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733300401604-MLQ45AQ0ZJ31T1F6TD55/RADICALE1924_PIETER-1347+copy.jpeg Pieter Van der Schaaf https://www.radicale1924.org/stephanie-lagarde daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733301090164-4ZNPGXXDXQ9F7JR1Z7Q0/Daura023.JPG Stephanie Lagarde https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713252766024-CSRMBRW1OP9PPECNMA72/IMG_9479.jpg Stephanie Lagarde - 'Afternoon Quote #2' (2023) This afternoon quote, present at the second edition of ‘Parade ,the public event’ in the form of a short video, has become the common thread of an ongoing research and creation of the artists Stéphanie Lagarde, for the 2024 event, of which the textile piece here is a reduced-scale sketch experiment. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733301090164-4ZNPGXXDXQ9F7JR1Z7Q0/Daura023.JPG Stephanie Lagarde https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733301162541-ITQ7VPY7B7EAFCJZFKJH/Radical+1924+-+Event+22-7-2024+-08.JPG Stephanie Lagarde https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733302372571-MYETE7YW450S9WH2LO5Y/RADICALE1924_PIETER-1525.jpeg Stephanie Lagarde https://www.radicale1924.org/yi-zhang daily 0.75 2024-04-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/e8b3ba72-9eb9-4d89-973e-2cb1a2f7f5ef/image-asset.jpeg Yi Zhang - 'Through gaze' (2023) What has transformed the view from this window? Curtains act as the veils that carve private and public space. The curtain becomes a palimpsest of stories whispered by hair's delicate threads. An enigma of access—us and others, who treads close, who is allowed to touch our hair ? The curtain was crafted in 2023 in Xuchang, a Chinese city famous for making wigs. Zhang worked for 20 days in a wig factory, herself, alongside 40 female co-workers or ‘sisters’, as they affectionately called one another. Sister Li in particular was instrumental in the fabrication of this curtain which stretches to the machine’s limits. Seen through a patriarchal lens, the length of hair becomes intertwined with binary and rigid beauty standards. Simultaneously, hair, a conduit of mystic traditions across culture. The artist ponders what occurs when her co-workers were putting these magical touches on the hair day in and day out. What kind of spells are in effect ? What witchcraft lingers in each strand ? https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/e8b3ba72-9eb9-4d89-973e-2cb1a2f7f5ef/image-asset.jpeg Yi Zhang - 'Through gaze' (2023) What has transformed the view from this window? Curtains act as the veils that carve private and public space. The curtain becomes a palimpsest of stories whispered by hair's delicate threads. An enigma of access—us and others, who treads close, who is allowed to touch our hair ? The curtain was crafted in 2023 in Xuchang, a Chinese city famous for making wigs. Zhang worked for 20 days in a wig factory, herself, alongside 40 female co-workers or ‘sisters’, as they affectionately called one another. Sister Li in particular was instrumental in the fabrication of this curtain which stretches to the machine’s limits. Seen through a patriarchal lens, the length of hair becomes intertwined with binary and rigid beauty standards. Simultaneously, hair, a conduit of mystic traditions across culture. The artist ponders what occurs when her co-workers were putting these magical touches on the hair day in and day out. What kind of spells are in effect ? What witchcraft lingers in each strand ? https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1665591574058-4OBBGDP0IJD7C1JC44I9/IMG_3130.JPG Yi Zhang - 'The Weight of a Stone' (2022) The performance of Yi Zhang The Weight of a Stone (2022) , presented for the second edition of ‘Parade, the public event’ speaks to The Myth of Sisyphus by Albert Camus. In this absurdist text, Camus states that, “The struggle itself ... is enough to fill a man's heart. One must imagine Sisyphus happy". The village of Saint-Cirq Lapopie is built of stone whilst natural elements such as wind and rain put people in a similar predicament to Sisyphus. Through her ephemeral performance, Zhang lifts the stones, lets them fall and then crack, before picking them up again until they are too broken and too small to break further. In doing so, she demonstrates that the process of chasing the stone down the hill serves as an opportunity for Sisyphus to take a break from the process and make decisions again; Sisyphus chooses to keep pushing the stone each time. https://www.radicale1924.org/nienke-baeckelandt daily 0.75 2024-12-05 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733305418296-O160VE6N1XWR38V5DIT3/20240515_175933.jpg Nienke Baeckelandt https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713443882476-3WQB7P018V63KOBBJEKS/nienke%26install_01.jpg Nienke Baeckelandt - 'Tasteless III' (2023) Nienke Baeckelandt For the third edition of ‘Parade, the public event’ Nienke Baekelandt created ‘Tasteless III’ . An installation exploring the boundary between the solid and liquid state of objects. To do so, she uses glass, ice and epoxy, among other materials. The transparency creates an alienating image: objects are stripped of their meaning and become invisible in space and time. By ‘melting and solidifying’ banal objects such as plates, forks, knives but also luxury products, she questions both our society and our place as individuals in it. The installation was created and presented on the table of Maison’s Routier garden. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733305418296-O160VE6N1XWR38V5DIT3/20240515_175933.jpg Nienke Baeckelandt https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733305342960-560UGO1XDT6J6TNO8GNW/Daura020.JPG Nienke Baeckelandt https://www.radicale1924.org/ria-pacque daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713432087827-5FU18S2354LXH8PGYTH1/Ria+Pacqu%C3%A9e_01.jpg Ria Pacquée - 'BRRRRton' (2023) For the third edition of ‘Parade, the public event’ the artist told a story about Breton in her performance. Pacquée’s words draw from the life and writing relative to Breton while her voice attributes new meaning through unique cadence and anaphora. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713432087827-5FU18S2354LXH8PGYTH1/Ria+Pacqu%C3%A9e_01.jpg Ria Pacquée - 'BRRRRton' (2023) For the third edition of ‘Parade, the public event’ the artist told a story about Breton in her performance. Pacquée’s words draw from the life and writing relative to Breton while her voice attributes new meaning through unique cadence and anaphora. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733304373895-WOR3XX6ZLR42Y0YVL38H/FL1A3352.jpg Ria Pacquée https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733304426613-V6JKGL7J2FONF5NR9GAP/FL1A2182.jpg Ria Pacquée https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733304445149-4CFU6TXPS223DZQA40P2/FL1A2896.jpg Ria Pacquée https://www.radicale1924.org/jolijn-baeckelandt daily 0.75 2024-04-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697483056179-29OOEUIIYHMGPRG4IC15/glasses+jolijn.jpg jolijn Baeckelandt - 'Fiction/Non-Fiction' (2023) For the 'Parade, Public event,’ Baeckelandt presents a multiple that is composed of a self-made cardboard pair of glasses, with tape serving as a binding agent between the individual parts. The lenses are made of red and green plexiglass onto which "fiction/ non-fiction" has been silk screened. In this work, the sunglasses are used as a metaphor. When the sun shines, everything becomes vague ,flattened and blurry because it disrupts our vision. The sunglasses ensure that sunlight is filtered, providing us with a clear view of things. In this multiple, the viewer receives false promises, the assurance of perceiving the world clearly, of providing an answer. What's right or wrong, what's real or unreal... in contrast to the original purpose of this object, the multiple becomes completely devoid of utility. It no longer holds any purposes. Instead it brings a kind of confusion. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697483056179-29OOEUIIYHMGPRG4IC15/glasses+jolijn.jpg jolijn Baeckelandt - 'Fiction/Non-Fiction' (2023) For the 'Parade, Public event,’ Baeckelandt presents a multiple that is composed of a self-made cardboard pair of glasses, with tape serving as a binding agent between the individual parts. The lenses are made of red and green plexiglass onto which "fiction/ non-fiction" has been silk screened. In this work, the sunglasses are used as a metaphor. When the sun shines, everything becomes vague ,flattened and blurry because it disrupts our vision. The sunglasses ensure that sunlight is filtered, providing us with a clear view of things. In this multiple, the viewer receives false promises, the assurance of perceiving the world clearly, of providing an answer. What's right or wrong, what's real or unreal... in contrast to the original purpose of this object, the multiple becomes completely devoid of utility. It no longer holds any purposes. Instead it brings a kind of confusion. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713441385454-58DLMJPMWGXMYGF6O2DP/IMG_9358.jpg jolijn Baeckelandt - 'Fiction/Non-Fiction (2023) In addition to this multiple, 120 postcard-sized paintings are presented, composed of collages made from collected postcards from Saint-Cirq-Lapopie, combined with her own polaroid pictures. The process of creating these postcards is layered, involving an intermediate phase of repeated scanning and printing, followed by her artistic response. Layer after layer, the memory and the clear view fades and these artistic responses take over. The gaze becomes blurred. For Baeckelandt, value lies precisely in the tension field in between. Where reality and the marvelous, wrong and right, conscious and unconscious,... come together. The place where the two opposites meet. ‘Just as love brings us confusion, painting and creating art generate a similar confusion that cannot be seen clear.’ https://www.radicale1924.org/nienke-baeckelandt-1 daily 0.75 2024-04-18 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713442199925-3LC4MLYLVVLGOY0NPFYJ/nienke%26install_01.jpg Nienke Baeckelandt - Tasteless III (2023) Baekelandt explores the boundary between the solid and liquid state of objects. To do so, she uses glass, ice and epoxy, among other materials. The transparency creates an alienating image: objects are stripped of their meaning and become invisible in space and time. By ‘melting and solidifying’ banal objects such as plates, forks, knives but also luxury products, she questions both our society and our place as individuals in it. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713442199925-3LC4MLYLVVLGOY0NPFYJ/nienke%26install_01.jpg Nienke Baeckelandt - Tasteless III (2023) Baekelandt explores the boundary between the solid and liquid state of objects. To do so, she uses glass, ice and epoxy, among other materials. The transparency creates an alienating image: objects are stripped of their meaning and become invisible in space and time. By ‘melting and solidifying’ banal objects such as plates, forks, knives but also luxury products, she questions both our society and our place as individuals in it. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713443013025-W3QS24B5L7M8YQGOHI8V/NIENKE_13.jpg Nienke Baeckelandt - 'Meta Stones' (2022) Nienke Baeckelandt created ‘Meta Stones’ for the second edition of ‘Parade ,the public event’ in the last orginal woodturning shop of Saint Cirq Lapopie. Meta stones are questioning the value of heritage in this specific environment. A time ensnared in time. Stones trying to preserve stones. https://www.radicale1924.org/simona-archive-gallery daily 0.75 2024-09-09 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713465002712-MGWOJYDH3QISRQZ3MIYO/Routier20240211_0014+%281%29-2.jpg Simona Archive Gallery 'St. Cirq-Lapopie' 1907 by Daniel Routier https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713464843953-DR5UH3G5D1L9FMT68QO1/image-asset.jpeg Simona Archive Gallery https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713465002712-MGWOJYDH3QISRQZ3MIYO/Routier20240211_0014+%281%29-2.jpg Simona Archive Gallery 'St. Cirq-Lapopie' 1907 by Daniel Routier https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713465559953-LQL7XW51YJ32Q5OMY9J4/DSC02656.jpg Simona Archive Gallery 'St. Cirq-Lapopie' 1907 by Daniel Routier https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713465610034-H3QN4E63OAYOY6H7XGKM/ITALIA%2B3%2B027%2Bret%2B1%2BENF%2B1.jpg Simona Archive Gallery ‘Saint Cirq Lapopie’ 1930 by Daniel Adrien Routier https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713465380186-D39UPVV5AVTKAHO0G0SV/Routier20240211_0002.jpg Simona Archive Gallery 'Verharen les villes tentaculaires' by Daniel Routier https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713465516868-440IXAGY0UAS3OFQO4UV/IMG_2760.JPG Simona Archive Gallery 2022, pc: Gert De Clercq https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713515255333-6Q68QEDE54D6L1UJY05B/IMG_3085.JPG Simona Archive Gallery Comfort, 2022 by Simona Mihaela Stoia, pc: Gert De Clercq https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713521594081-Z1O68TCR1T66SS1C0QBK/Screenshot+2024-04-19+at+12.11.05.png Simona Archive Gallery Saint-Cirq-Lapopie, 2023, pc: Chantal Yzermans https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713521698633-P07YNQWYMYAGSMM6TUCV/Routier20240211_0007.jpg Simona Archive Gallery Le Lot, April 1947 by Daniel Routier https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713521764587-V41LMC7A5H20YGT9R5LZ/Routier20240211_0006.jpg Simona Archive Gallery Le Lot, April 1947 by Daniel Routier https://static1.squarespace.com/static/610ff4c25b34da3b3ed92e3f/6621643856597e3c07c6ba5e/66ded663fd87df14b262c53d/1725881973881/ Simona Archive Gallery - 'Archive de Zwanze' 2024 'Archive de Zwanze' 2024 Idris Sevenans Video An associative and disruptive play where artistic seriousness blends with popular jest and parody, resonating with the historical document 'Brevet de Petottier' (1834) , Société petotico-maronico-huitrique by René Chalon @ Gallery Ronny Van De Velde - Antwerpen. on view from September 28 to October 13 'RADICALE 1924 in Maisons André Breton - Émile Joseph Rignault' Maison André Breton - Émile Joseph Rignault Place du Carol 46330 Saint Cirq Lapopie https://www.radicale1924.org/hans-samyra-archive-gallery daily 0.75 2024-04-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713465844949-GHNYFQ9NZ3V8MF98WH8T/Copy+of+IMG_3099.JPG Hans & Samyra Archive Gallery 'Edward Krasinski/Bleu Line/Displacement', 2022 by Hans Demeulenaere & Samyra Moumouh , pc: Gert De Clercq https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713465844949-GHNYFQ9NZ3V8MF98WH8T/Copy+of+IMG_3099.JPG Hans & Samyra Archive Gallery 'Edward Krasinski/Bleu Line/Displacement', 2022 by Hans Demeulenaere & Samyra Moumouh , pc: Gert De Clercq https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713466485853-3KM6JLET8SE8SAGWV07N/image-asset.jpeg Hans & Samyra Archive Gallery 'A Good Circle Makes a Good Square' 2024, Hans Demeulenaere & Samyra Moumouh, pc: Regan Elena https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713466021528-XIIXDHELEJ77IATKPYP3/DSC02626.jpg Hans & Samyra Archive Gallery The Making of 'A Good Circle Makes a Good Square' 2024, Hans Demeulenaere & Samyra Moumouh, pc: Regan Elena https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713515651493-Y1Z2UVZVP0BA4HBJVVXX/Hans20240211.jpg Hans & Samyra Archive Gallery Postcard sent to Chantal Yzermans & Sylvia Zade Routier from Hans Demeulenaere & Caroline https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713515682372-QI7GJHQWTUSR2ITJ6BHF/Hans20240211_0001.jpg Hans & Samyra Archive Gallery Postcard sent to Chantal Yzermans & Sylvia Zade Routier from Hans Demeulenaere & Caroline https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713519585658-54X8SVG9N5H1RC82SCKN/image-asset.jpeg Hans & Samyra Archive Gallery Samyra Moumouh by Chantal Yzermans, 2023 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713519802116-5MUBGOLOWBXNO87M2ZMS/Screenshot%2B2024-04-19%2Bat%2B11.41.39.jpg Hans & Samyra Archive Gallery Antwerp, pc: Chantal Yzermans https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713520221841-LXO7VAB3Y7FYN12QPZI0/DSC02717.jpg Hans & Samyra Archive Gallery 'A Good Circle Makes a Good Square' 2024, Hans Demeulenaere & Samyra Moumouh, pc: Regan Elena https://www.radicale1924.org/artists-2024 daily 0.75 2024-04-19 https://static1.squarespace.com/static/610ff4c25b34da3b3ed92e3f/t/6622b4b81b3a441ba244b281/1713545124573/ Artists 2024 https://static1.squarespace.com/static/610ff4c25b34da3b3ed92e3f/66229f8172c6950a95e54aad/66229fa43b8fa1339733abd0/1713545124573/ Artists 2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713546171968-36NMPO5RHVW74QSEY3U0/image-asset.gif Artists 2024 - Regan Elena in Maisons Daura Archivist Regan Elena’s epistemological approach reflects upon the essence of an archive — digital and physical — in the anticipation of the culmination of the project, Radicale1924. The archive of Radicale1924 goes beyond that of cultural conservation in its attempt to draw from the eternal and elusive artistic essence that has permeated the medieval village of Saint-Cirq Lapopie for over a century. How best to archive such a mystery? The collection will not be merely retrospective, possessive, nor chronological. As such, the archive that unfolds is one that is reactive, oriented towards the future and suffused with the imagination (and the people) that made the project possible in the first place. It may be considered among other “liberatory archives”, spanning multiple temporalities and realising the power of shared cultural heritage. Elena chose not to negate all that is “transient and un-archivable” (Ernest, 2004 and 2010), particularly through automatic prose ‘Archivist Reflections’ inspired by exchanges between the artists involved and art writer and historian, Tamara Beheydt.These interventions; in turn, become part of the ever mutable selection. Sent from my iPhone https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713546752112-P8ZLT341CCXOB24TSSAO/Screenshot+2024-04-19+at+19.09.34.png Artists 2024 - Shu Lea Cheang image courtesy of Tapei Fine Arts Museum American artist Shu Lea Cheang (b. 1954) is regarded as a pioneering figure in internet based art, Cheang's multimedia approach is at the interface between film, video, internet-based installation, software interaction and durational performance. Employing multidisciplinary techniques, Cheang's works explore issues that are in a state of constant flux, including racial relations, the ecological impact of humans, the ethics of biotechnology, and sexual politics. Cheang seeks to challenge the positions taken by the popular media, institutions and the government. Cheang's networked assemblages and multi-player performances are either choreographed or delivered in impromptu set-ups. Drawing on imaginary science-fiction narratives and transgressive subplots, to invite if not coerce public participation. Cheang concluded her 20 years spent in New York with BRANDON (1998-1999), the first Guggenheim Museum web art commission/collection. Cheang relocated to Europe in 2000, where she has since initiated several collectives to pursue large scale collaborative performative works, while still focusing on her own cross-gender-genre approach to art. Proclaiming the Net has crashed, Cheang moves on to invent BioNet where she finds viral love and hacks the ‘bio-tech’ in her current cycle of work. Shu Lea Cheang lives and works in Paris, France. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713549228254-3WEIEKAJOJH2PGP3VN3R/Thomas+R+.jpg Artists 2024 - Thomas Rodriguez presenting Archive Furkablick Furkart Le 24 juin 1984 à 12h, Joseph Beuys et James Lee Byars présentèrent devant un public attentif The Introduction of the Sages to the Alps, un évènement organisé par Marc Hostettler qui inaugure la première saison de Furkart. 40 ans après, nous vous invitons à (re)découvrir cette journée particulière avec une présentation dans la Maison Routier de Saint-Cirq-Lapopie d'une exposition documentaire proposée par Thomas Rodriguez et Archive Furkablick Furkart.* https://www.radicale1924.org/archivist-reflections-intro-pix daily 0.75 2024-04-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713551409360-FUE2N9KTMEQEOWW2OPFY/Guillaumeb20240419_0001.jpg Archivist Reflections Intro Pix Initial Archivism Notes ( i.e approach for La Maison Routier) in conversation with the director of the Collections Roger-Viollet, Delphine Desveaux, Paris, 2024. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713551409360-FUE2N9KTMEQEOWW2OPFY/Guillaumeb20240419_0001.jpg Archivist Reflections Intro Pix Initial Archivism Notes ( i.e approach for La Maison Routier) in conversation with the director of the Collections Roger-Viollet, Delphine Desveaux, Paris, 2024. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713550222696-RI2Z8BGGXM0K5KQIGHRY/Guillaumeb20240419_0002.jpg Archivist Reflections Intro Pix Initial Archivism Notes in conversation with Delphine Desveaux, Paris, 2024. https://www.radicale1924.org/radicale19242024_fr daily 0.75 2025-01-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713271201874-GNYCH3FI9ENSVP73OEQ6/Exploding_Radicale2.jpg Radicale1924!2024_FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679350835035-U0P1KKGLQ9SE2YCTXL0I/whitesquare.png Radicale1924!2024_FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713522414386-HLOFS27MYI39ZISWDV4V/20231228161602_001.jpg Radicale1924!2024_FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679350835035-U0P1KKGLQ9SE2YCTXL0I/whitesquare.png Radicale1924!2024_FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713271201874-GNYCH3FI9ENSVP73OEQ6/Exploding_Radicale2.jpg Radicale1924!2024_FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713271201874-GNYCH3FI9ENSVP73OEQ6/Exploding_Radicale2.jpg Radicale1924!2024_FR https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/00aff424-3654-49a2-9a93-6e068745e89d/Screenshot+2024-03-01+at+15.11.24.jpg Radicale1924!2024_FR - Make it stand out ‘The artist is not present’ 2022 Mikes Poppe https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/846deaf2-ec11-46fc-ae43-aa54f4f3fa23/tempImage7auqIK.jpg Radicale1924!2024_FR ‘Maisons Daura’ ©Luc Assens https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/85fca1a2-6eb2-4eaf-b322-0f7a5654e38a/Daniel+Adrien+Routier.jpg Radicale1924!2024_FR ‘Saint Cirq Lapopie’ 1930 by Daniel Adrien Routier https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/dc36d0ed-0340-4062-aabb-a827e2170094/banner+radicale+50x200+met+logo+radicale+en+aars+2+copy.jpg Radicale1924!2024_FR ‘Radicale 1924 aux Maisons Breton/Rigault’ 2024 ©Idris SevenanslRadicale 1924 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/40529c6e-ae54-4fcf-a4c3-c08ea80698fd/IMG_4954.jpg Radicale1924!2024_FR - Make it stand out ‘A Good Circle Makes A Good Square’’ 2024 Samyra Moumouh & Hans Demeuelenaere ©ReganElena https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ab481259-f5c9-4a91-8026-6b1a4828b5b6/Daura001.jpg Radicale1924!2024_FR - Make it stand out ‘The silent apparition of a brute confusion’ 2022 Simona Mihaela Stoia & Thomas Delamarre ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/9b054b6e-f7d8-4dc6-aaf4-28f7a8532b63/PHOTO-2024-04-18-15-27-52+9.jpg Radicale1924!2024_FR - Make it stand out ‘Untitled’ 2024 Pieter Van der Schaaf ©Pieter Van der Schaaf https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/596ad322-997e-4fb0-a65e-25bfbe164246/STEPH+2024.jpg Radicale1924!2024_FR - Make it stand out Sylvia ajouta: "Je ne sais pas...évidemment ce qui peut sauver tout ça c'est l'amour." 2024 ©Pieter Van der Schaaf https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/d1c19286-15fb-4f16-b616-ff9348c8d8f2/Daura022.JPG Radicale1924!2024_FR - Make it stand out ‘The weight of a stone’ 2022 Yi Zhang ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/3161a11a-2ce6-4e17-9933-975231b3cd50/Daura016.JPG Radicale1924!2024_FR - Make it stand out ‘The Circle of Marokko’ (2004) courtesy of the artist ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/55ece88e-a7f0-461d-b642-90c33e36054b/tempImageRToPi6.jpg Radicale1924!2024_FR - Make it stand out ‘The Floating Archive’ 2022 ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/8e1e592c-c77e-45f4-bdab-2333f03c76e4/Daura028.JPG Radicale1924!2024_FR - Make it stand out ‘Housewifery’ +‘Recup’ + ‘Metamorphosis’ 2023, Jolijn Baeckelandt ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a1412a41-b7d4-47ea-88e3-4ea819a0e9e1/Daura026.JPG Radicale1924!2024_FR - Make it stand out ‘No title’ 2023 ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/fc0c332f-0b52-42d9-b7b6-bef6a8371c90/Daura021.JPG Radicale1924!2024_FR - Make it stand out ‘Tasteless’ ( still from video) 2023 , Nienke Baeckelandt ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1725963518421-QVEM9NOSF55AYDV1EUOS/Maison+Routier001.JPEG Radicale1924!2024_FR - Make it stand out Beuys & Byars The introduction of the Sages to the Alps, Furkart 1984' in the nightshop of Maison Routier ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/60dc90da-c215-4f90-bf33-3f5bd1cfb860/Sans+Titre+36.png Radicale1924!2024_FR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/76fab6e2-d98a-4b34-b84d-d8ab1443c933/Radical+1924+-+Art+on+display15.JPG Radicale1924!2024_FR - Make it stand out ‘Portraits of André Breton’ 2023 Carlos Aires ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a4acd284-4034-440f-b0ce-993e3ee2f70e/Radical+1924+-+Art+on+display14.JPG Radicale1924!2024_FR - Make it stand out ‘Presenting myself to the village in different languages (2021) Ria Pacquée ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1168caaf-e88f-40e3-b50a-bce2714957d0/chaussette+trou%C3%A9e%2C+2022%2C+moulage+en+b%C3%A9ton%2C+nicolas+bourthoumieux.JPG Radicale1924!2024_FR - Make it stand out https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/26afab26-a77e-47cd-8e90-279d1d090747/Radical+1924+-+Event+27-7-2024+-08.JPG Radicale1924!2024_FR - Make it stand out Shulea Cheang & Christine Kirubi presenting ‘Loveme2030’ in front of Maison Breton, July 2024 ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/d89fba2b-8c39-4bf4-b8bf-69d175b9c3bd/Radical+1924+-+Zena+003.JPG Radicale1924!2024_FR - Make it stand out ‘50 over 50 /You are on View’ Zena Van den Block ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/b2b2a4b4-9cea-40b6-9c1b-9b66d919b31c/Radical+1924+-+Art+on+display07.JPG Radicale1924!2024_FR - Make it stand out ‘Sorry’ 2022 Guillaume Bijl ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/825019a8-e379-4054-885e-c80e8a12e4be/SCL_1_Atmosph%C3%A8re_web.jpeg Radicale1924!2024_FR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/e977b404-a81a-495c-86da-663f2d2211a6/Radical+1924+-+Art+on+display17.JPG Radicale1924!2024_FR - Make it stand out ‘Saint-Cirq 2023’ Jack Davey & No title (1978) Laura Lamiel ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/37e54549-192a-4a1d-8031-896a064cb238/Radical+1924+-+Event+27-7-2024+-09.JPG Radicale1924!2024_FR - Make it stand out Ciné -Concert TNHCH -Marine Wallon & Corentin Canesson & Damien Le Dévédec , July 2024 ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ed28df49-921d-43a1-9569-12964161ac60/Maison+Routier002.JPEG Radicale1924!2024_FR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/dce68dd8-f25d-41c3-8cad-5d23d10614d0/Radical+1924+-+Art+on+display11.JPG Radicale1924!2024_FR - Make it stand out ‘Astaffort’ (1917) & ‘Touch my crown’ (2024) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/51e15b51-5e98-4b31-830d-401dc3d1e21a/ita+238+ret+1.jpg Radicale1924!2024_FR - Make it stand out ‘Litoral Oranais’ (1920) Daniel Adrien Routier ©Juan de la Sota https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/200c4686-60ad-4aa7-bdaa-e5255cd45886/NIENKE_08.jpg Radicale1924!2024_FR - Make it stand out ‘Meta-Stones’ (2022) Nienke Baeckelandt ©Cyzermans https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/fa7ec8fb-f564-4703-a12b-ad421465cd45/Maison+Routier017.JPEG Radicale1924!2024_FR - Make it stand out exhibition Radicale1924 at Maison Routier with a the right ‘Kucia’ (2024) by Hans Demeulenaere & Samyra Moumouh ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/df8bbe51-098a-4d75-b1a3-7c436f6b07c2/Radical+1924+-+Art+on+display10.JPG Radicale1924!2024_FR - Make it stand out ‘Untitled’ (2024) Pieter Van der Schaaf ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/306777be-1f30-40c9-a80a-b7127728521b/Radical+1924+-+Art+on+display01.JPG Radicale1924!2024_FR - Make it stand out ‘Tour de Zwanze’ 2021 Idris Sevenans ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/261dbe0b-eb84-4c39-b37b-23fbc5f53f84/RADICALE1924_PIETER-1525.jpeg Radicale1924!2024_FR - Make it stand out ‘Sylvia ajouta: "Je ne sais pas...évidemment ce qui peut sauver tout ça, c'est l’amour” 2024, Stephanie Lagarde ©BramGoots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/aa98407e-82dd-4f1d-81d1-74d025e4d7ff/FL1A2893.jpg Radicale1924!2024_FR - Make it stand out ‘Brevet de Petottier de la Société petotico-maronico-huitrique’ (1834) collection Ronny Van de Velde ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/04220965-3efb-488c-862e-251c4e6eab64/FL1A3330.jpeg Radicale1924!2024_FR - Make it stand out Beuys & Byars The introduction of the Sages to the Alps, Furkart 1984' copyright Furkart 1984 Institut Furkablick image by FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/8009aad2-152d-4c2d-a6ea-b85a10523d1c/IMG_3266.jpg Radicale1924!2024_FR - Make it stand out Major Arcana Redux ( for Leonoara) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/2d18fe12-0046-440e-a371-282121ac7003/FL1A2922.jpg Radicale1924!2024_FR - Make it stand out exhbition image ‘Camping et Stationnement de Véhicules Aménages Interdit dans les villages préférées des Français ou devant les demeures d’André Breton ( et Josephine Baker) (2024) , Elias Cafmeyer ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/8f8cbd9e-ba73-4b1d-bf13-392296f0f86f/SCLP_RADICALE1924_GRANDFINAL-1285.jpg Radicale1924!2024_FR - Make it stand out ‘Ma femme’ 2024 Ria Pacquée ©BramGoots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a2d72507-87c7-4634-94d8-ad5c8b815245/IMG_9872.jpg Radicale1924!2024_FR - Make it stand out exhibition image with ‘Proposition for Saint-Cirq-Lapopie’ 2023 ,Luc Deleu & ‘Ria Pacquée in the Chimney of the André Breton House’ 2024, Ria Pacquée ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733304373895-WOR3XX6ZLR42Y0YVL38H/FL1A3352.jpg Radicale1924!2024_FR ‘Ria Pacquée in the Chimney of the André Breton House’ 2021, Ria Pacquée ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733310646048-C64AW7XPD31LK9N005NR/Screenshot+2024-12-04+at+11.56.07.png Radicale1924!2024_FR - Make it stand out ‘E-mail My Heart’ 2024 & ‘Britney’2021 , Cedric Fargues https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ca6453c5-0393-4205-b9e4-8a3352ff3724/CorentinCanesson.jpg Radicale1924!2024_FR - Make it stand out ‘A Thousand Leaves’ 2024 Corentin Canesson ©FransescoIbba https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/4316fe8a-55d0-40ff-bf60-bcae3b6d8ebd/FL1A2836.jpg Radicale1924!2024_FR - Make it stand out ‘Série φαρμακείο’ 2024 , Véronique Bourgoin ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ea32c67e-fbe0-4899-ae95-d9bc015c71b1/FL1A3086.jpg Radicale1924!2024_FR - Make it stand out ‘Le Rêve (hommage à Annie Le Brun)’ 2009, Juli Susin https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/04e275b8-5c67-481e-a546-d7a5443d54f9/FL1A2522.jpg Radicale1924!2024_FR - Make it stand out ‘Leave me Alone’ 2024, Carlos Aires ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733306138566-ZLHWHQSGZJSXMCQFXAP0/FL1A2601.jpg Radicale1924!2024_FR - Make it stand out ‘Gros Bisous de Saint-Cirq-Lapopie’ 2024 , Zena Van den Block ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ef8428c5-296d-41cf-827d-382e70b195e6/FL1A3313.jpg Radicale1924!2024_FR - Make it stand out ‘Fiction/Non Fiction’ 2023, Jolijn Baeckelandt ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/7c840f52-4035-4f39-9d60-3e989dcc7812/FL1A3371.jpg Radicale1924!2024_FR - Make it stand out ‘Saint-Cirq 2023’ 2023 , Jack Davey ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0c28d273-c4e8-4416-b107-93097640b1b4/FL1A3369.jpg Radicale1924!2024_FR - Make it stand out ‘Untitled’ 1978 , Laura Lamiel https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/6bdb6b88-001b-4f1b-8066-fb1c4d6b0519/RADICALE1924_PIETER-1061+by+Bram.jpg Radicale1924!2024_FR - Make it stand out ‘Untitled (Maison Breton)’ 2024, Pieter Van der Schaaf ©Bram Goots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733308939460-06U2TL3T98PX3YGTJ8C4/IMG_0200+copy.jpg Radicale1924!2024_FR - Make it stand out ‘Portraits of André Breton’ 2023 , Carlos Aires https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/2f2e1ea0-825f-43ce-a299-33040bdfb9fd/FL1A2684.jpg Radicale1924!2024_FR - Make it stand out ‘Flying with a new pair of wings’ 2024 , Simona Mihaela Stoia https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/5420bbcc-a60b-415e-a910-2c9a7db152cf/FL1A2639.jpg Radicale1924!2024_FR - Make it stand out ‘Hantrax Dolls’ 2024, Hantrax ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/67d3abeb-f388-46ef-bed9-1eeaa64efaa2/FL1A3366.jpg Radicale1924!2024_FR - Make it stand out ‘Cardiothoracic Index Tracing Paper’ 1919, Daniel Adrien Routier ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0f7e7ed0-8466-4a6b-b16b-eebc6e5196e0/FL1A3280.jpg Radicale1924!2024_FR - Make it stand out ‘House of André Breton, yet another successful renovation by AARS Construct’, 2023, Idris Sevenans ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0916f29e-4b67-4c0a-9c26-14adfc1b6689/FL1A3811.jpg Radicale1924!2024_FR - Make it stand out ‘Nada’ 2024 , Clodagh Kinsella ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/d96dc826-07ca-467d-a510-64778f9cf291/FL1A1182.jpg Radicale1924!2024_FR - Make it stand out ‘MOI’ 2021 , Ria Pacquée ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a6589b13-99b5-4c7a-a68f-3105fe247a17/_UTTER_ Radicale1924!2024_FR - Make it stand out LOVEME2030 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/3f309f44-564b-450e-8989-e872c4de8c9b/FL1A3668.jpg Radicale1924!2024_FR - Make it stand out exhbition image of ‘SORRY’ 2024, Guillaume Bijl ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/4c132e14-1d13-4089-8b55-043b5723add6/IMG_9869.JPG Radicale1924!2024_FR - Make it stand out Georges Adéagbo installing ‘La Manifestation du Surréalisme’ in Maison André Breton, 2024 ©RiaPacquée https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/f157434a-6bf8-4904-b9e4-ff527f6d0e10/FL1A3460.jpg Radicale1924!2024_FR - Make it stand out ‘Ein guter Künstler ist ein toter Künstler’ 2024, Mikes Poppe ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a378c030-990b-4086-9d9a-5366c9ef506c/Leonora+Carrington.jpg Radicale1924!2024_FR - Make it stand out ‘L’extraterrestre’ 2011 , Leonora Carrington https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0b8a04da-e85a-4d1b-bcf6-c7b3d01e9244/FL1A1960.jpg Radicale1924!2024_FR - Make it stand out ‘TOTEM’ 2024 Pierre Martin Vielcazat ,Samyra Moumouh & Hans Demeulenaere ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ddc0e847-3fd2-490c-96e4-cf4bdb319f86/FL1A3697.jpg Radicale1924!2024_FR - Make it stand out ‘Flux Tendu’ 2024 Michel François ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0dc61f97-0181-4ff1-9318-53a5ce779609/FL1A2122.jpg Radicale1924!2024_FR - Make it stand out ‘A Good Circle Makes A Good Square’ 2024 , Samyra Moumouh & Hans Demeulenaere ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/376509df-b875-4587-9438-e5c951e2fb22/tempImage4lBZzG.jpg Radicale1924!2024_FR - Make it stand out ‘Monnaie de Zwanze ‘ 2024 , Idris Sevenans https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/f8233946-9118-4e36-a96c-fb0a8ebb9387/RADICALE1924_SIMON-1133.jpg Radicale1924!2024_FR - Make it stand out ‘Tail Pieced’ 2024 , Simon Masschelein ©BramGoots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/e0a60156-c537-491f-bb3d-a0e093fb1505/FL1A2004.jpg Radicale1924!2024_FR - Make it stand out ‘In case of Radicale’ 2024, Leendert Van Accoleyen ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/01dc100b-9d79-4f32-a29e-b30ada92586f/tempImageD3Ubih.jpg Radicale1924!2024_FR - Make it stand out ‘Tour de Zwanze’ 2021, Idris Sevenans https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/ea899b1d-e090-402b-9ac6-f1e16b54faa3/IMG_9948.jpg Radicale1924!2024_FR - Make it stand out ‘Ellipse’ 2024 , Nicolas Bourthoumieux ©RiaPacquée https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/2459154b-d1d2-49a7-83b4-205de32d2e4b/FL1A1138.jpg Radicale1924!2024_FR - Make it stand out ‘The Pyrenees are Close to Toulouse When You’re Coming from Bruges’ 2024 , Leendert Van Accoleyen ©FinnFons https://www.radicale1924.org/invited-2024 daily 0.75 2024-09-15 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713946631342-YI8TWIUFDMGZJTGXEK9J/loveme-agents-grandchoix.jpg INVITED 2024 - SHU LEA CHEANG (TW/USA) American artist Shu Lea Cheang (b. 1954) is regarded as a pioneering figure in internet based art, Cheang's multimedia approach is at the interface between film, video, internet-based installation, software interaction and durational performance. Employing multidisciplinary techniques, Cheang's works explore issues that are in a state of constant flux, including racial relations, the ecological impact of humans, the ethics of biotechnology, and sexual politics. Cheang seeks to challenge the positions taken by the popular media, institutions and the government. Cheang's networked assemblages and multi-player performances are either choreographed or delivered in impromptu set-ups. Drawing on imaginary science-fiction narratives and transgressive subplots, to invite if not coerce public participation. Cheang concluded her 20 years spent in New York with BRANDON (1998-1999), the first Guggenheim Museum web art commission/collection. Cheang relocated to Europe in 2000, where she has since initiated several collectives to pursue large scale collaborative performative works, while still focusing on her own cross-gender-genre approach to art. Proclaiming the Net has crashed, Cheang moves on to invent BioNet where she finds viral love and hacks the ‘bio-tech’ in her current cycle of work. Shu Lea Cheang lives and works in Paris, France. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713946631342-YI8TWIUFDMGZJTGXEK9J/loveme-agents-grandchoix.jpg INVITED 2024 - SHU LEA CHEANG (TW/USA) American artist Shu Lea Cheang (b. 1954) is regarded as a pioneering figure in internet based art, Cheang's multimedia approach is at the interface between film, video, internet-based installation, software interaction and durational performance. Employing multidisciplinary techniques, Cheang's works explore issues that are in a state of constant flux, including racial relations, the ecological impact of humans, the ethics of biotechnology, and sexual politics. Cheang seeks to challenge the positions taken by the popular media, institutions and the government. Cheang's networked assemblages and multi-player performances are either choreographed or delivered in impromptu set-ups. Drawing on imaginary science-fiction narratives and transgressive subplots, to invite if not coerce public participation. Cheang concluded her 20 years spent in New York with BRANDON (1998-1999), the first Guggenheim Museum web art commission/collection. Cheang relocated to Europe in 2000, where she has since initiated several collectives to pursue large scale collaborative performative works, while still focusing on her own cross-gender-genre approach to art. Proclaiming the Net has crashed, Cheang moves on to invent BioNet where she finds viral love and hacks the ‘bio-tech’ in her current cycle of work. Shu Lea Cheang lives and works in Paris, France. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713945598514-8OV2KZ6PI4S8ZTA5GXBH/image-asset.jpeg INVITED 2024 - Thomas Rodriguez (FR) Thomas Rodriguez founded AFF, Archive Furkablick Furkart, in 2014. Primarily comprised of communication documents and ephemera, this archive was used in the creation of the book "Furkart ephemera," released in 2019. The archive has been exhibited since 2019 in various locations across Europe, including Greylight in Brussels and Heerlen in the Netherlands, as well as at Muhka in Antwerp, Château d'Oiron in France, and SIS123 in La Chaux-de-Fonds, Switzerland. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713865998623-TU3RPTDYUW243572OGOL/image-asset.png INVITED 2024 - Regan Elena (USA/FR) Regan Elena is a visual researcher and writer whose practice namely explores the intersection of the photographic arts and literature. She considers the latter to be a transformative medium of cultural memory. At the heart of her work, Elena reimagines the bounds and breadth of visual narratives. Her lens of preference is that of language. Currently contributing as archivist for Radicale1924, Elena’s epistemological approach reflects upon the essence of an archive — digital and physical — in anticipation of the culmination of the project. 
 She currently lives and works in Paris. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713695796460-74GCUPQD8KG55KBA6T82/DENNIS+VANMOL+image.jpg INVITED 2024 - Dennis Van Mol (BE) Dennis Van Mol is an author, gallery owner, and magician with isms. After his dissertation on the difficult breakthrough of modern isms in Flanders (1906-1933), he co-founded Walden Art Stories in 2017, a gallery and expertise center for interbellum art. In 2022, he launched the contrarian gallery project Arrière-garde. Since 2023, he has been involved with the Paul van Ostaijen Society for a series of exhibitions about this art critic and poet who wanted to change the world. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1726402596007-CECPLWSYGN4H56D4DZBT/Leendert%2BVan%2BAccoleyen.jpg INVITED 2024 - LEENDERT VAN ACCOLEYEN ( Belgium, 1991) Born in Aalst (BE), lives in Antwerp (BE). Leendert van Accoleyen: Building for Freedom The Belgian visual artist Leendert van Accoleyen is an intriguing outsider within contemporary art because he finds unconventional and sometimes acrobatic ways to engage with spatial sites, nature, and social imperfections. He studied both sculpture and fine arts at Sint-Lukas in Ghent, percussion at the Conservatory in Antwerp, and later obtained his BA and MA at the Royal Academy of Fine Arts in Antwerp. Although he graduated with great distinction as a visual artist, he shows a remarkable humility in his contemporary art practice. He expresses himself in fields, meadows, and urban sites, where he performs utopian interventions as a bricklayer, construction worker, tent builder, or tree-mover. A fresh breeze through the artistic landscape. In his work, Leendert Van Accoleyen always reaches for the impossible. He defies gravity with constructions that force beams, planks, and other large and heavy objects into the air. For instance, he placed a military tent atop a fifteen-meter-high structure of iron rods. He consistently uses only human power; no cranes or lifts are involved. In another project, the artist attempts to give a fallen tree—found lying from root to crown—a new and free life. Although the fallen giant evokes ideas of decline and the end of life, the artist does the (almost) impossible to raise the tree again and even equips it with wheels. All of this is done in a loving attempt to give this tree a second life, in which it can do even more than ever before: move, heading towards adventure and freedom. excerpt text : H.W. for M_hka image ©Isabelle Pateer https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1726386641912-OAKJE32RJWWYRO0I3L9G/%C2%A9CharlotteVanNoten_bw.jpg INVITED 2024 - TAMARA BEHEYDT ( Belgium, 1991) Tamara Beheydt is an art historian and a freelance art-writer. She is part of the core group of editors of Glean Magazine, and frequently publishes contributions for other written media such as Openbaar Kunstbezit Vlaanderen and De Tijd. She writes exhibition texts or portfolio texts for artists, and occasionally performs as a public speaker during panel conversations, lectures, or artist talks. From an interest for and belief in the value of contemporary art for the human community, she commits to providing a supporting platform to artistic discourses and to maintaining a critical overview of developments in the cultural field. image : Charlotte Van Noten https://www.radicale1924.org/invits-2024 daily 0.75 2024-09-15 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713946481859-T1G5SMKCAAUL3GOI2B92/loveme-agents-grandchoix.jpg INVITÉS 2024 - SHU LEA CHEANG (TW/USA) L'artiste américaine Shu Lea Cheang (née en 1954) est considérée comme une figure pionnière de l'art basé sur Internet. Son approche multimédia se situe à l'interface entre le cinéma, la vidéo, l'installation basée sur Internet, l'interaction logicielle et la performance de longue durée. En utilisant des techniques multidisciplinaires, les œuvres de Cheang explorent des questions en constante évolution, notamment les relations raciales, l'impact écologique des humains, l'éthique de la biotechnologie et la politique sexuelle. Cheang cherche à remettre en question les positions adoptées par les médias populaires, les institutions et le gouvernement. Les assemblages en réseau et les performances multijoueurs de Cheang sont soit chorégraphiés, soit réalisés dans des mises en place improvisées. S'inspirant de récits de science-fiction imaginaires et de sous-intrigues transgressives, elle invite, voire contraint, la participation du public. Cheang a conclu ses 20 années passées à New York avec BRANDON (1998-1999), la première commission/collection d'art web du Musée Guggenheim. En 2000, Cheang s'est installée en Europe, où elle a depuis initié plusieurs collectifs pour poursuivre des œuvres performatives collaboratives à grande échelle, tout en continuant à se concentrer sur son propre approche transgenre et transgenre de l'art. Proclamant que le Net a planté, Cheang passe à l'invention de BioNet, où elle trouve l'amour viral et pirate la « biotechnologie » dans son cycle de travail actuel. Shu Lea Cheang vit et travaille à Paris, en France https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713946481859-T1G5SMKCAAUL3GOI2B92/loveme-agents-grandchoix.jpg INVITÉS 2024 - SHU LEA CHEANG (TW/USA) L'artiste américaine Shu Lea Cheang (née en 1954) est considérée comme une figure pionnière de l'art basé sur Internet. Son approche multimédia se situe à l'interface entre le cinéma, la vidéo, l'installation basée sur Internet, l'interaction logicielle et la performance de longue durée. En utilisant des techniques multidisciplinaires, les œuvres de Cheang explorent des questions en constante évolution, notamment les relations raciales, l'impact écologique des humains, l'éthique de la biotechnologie et la politique sexuelle. Cheang cherche à remettre en question les positions adoptées par les médias populaires, les institutions et le gouvernement. Les assemblages en réseau et les performances multijoueurs de Cheang sont soit chorégraphiés, soit réalisés dans des mises en place improvisées. S'inspirant de récits de science-fiction imaginaires et de sous-intrigues transgressives, elle invite, voire contraint, la participation du public. Cheang a conclu ses 20 années passées à New York avec BRANDON (1998-1999), la première commission/collection d'art web du Musée Guggenheim. En 2000, Cheang s'est installée en Europe, où elle a depuis initié plusieurs collectifs pour poursuivre des œuvres performatives collaboratives à grande échelle, tout en continuant à se concentrer sur son propre approche transgenre et transgenre de l'art. Proclamant que le Net a planté, Cheang passe à l'invention de BioNet, où elle trouve l'amour viral et pirate la « biotechnologie » dans son cycle de travail actuel. Shu Lea Cheang vit et travaille à Paris, en France https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713945598514-8OV2KZ6PI4S8ZTA5GXBH/Thomas+R+.jpg INVITÉS 2024 - Thomas Rodriguez (France) Thomas Rodriguez crée en 2014 AFF, Archive Furkablick Furkart. Principalement composé de documents de communication, des ephemera, cette archive servira à la conception du livre Furkart ephemera ** sorti en 2019. Cette archive sera montrée à partir de 2019 dans différents lieux en Europe, Chez Greylight à Bruxelles et Heerlen aux Pays-Bas. Au Muhka à Anvers, au château d'Oiron en France et SIS123 à la Chaux-de-Fonds en Suisse. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713866362458-TJ8H7DLTT3OWB4MVY47N/Elena_Profile_Pic.png INVITÉS 2024 - Regan Elena (USA/FR) Regan Elena est une chercheuse visuelle et écrivaine dont la pratique explore notamment l'intersection des arts photographiques et de la littérature. Elle considère cette dernière comme un moyen de transformation de la mémoire culturelle. Au cœur de son travail, Elena réimagine les limites et l'étendue des récits visuels. Son objectif de prédilection reste celui du langage. Actuellement archiviste pour Radicale1924, l'approche épistémologique d'Elena réfléchit à l'essence d'une archive - numérique et physique - en prévision de l'aboutissement du projet. Elle vit et travaille à Paris. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713698716578-TYI94UY08A76PNV8Q22R/DENNIS+VANMOL+image.jpg INVITÉS 2024 - Dennis Van Mol (BE) Dennis Van Mol est auteur, galeriste et magicien des 'ismes'. Après sa thèse sur la difficile percée des 'ismes' modernes en Flandre (1906-1933), il a cofondé Walden Art Stories en 2017, une galerie et un centre d'expertise pour l'art de l'entre-deux-guerres. En 2022, il a lancé le projet de galerie Arrière-garde, allant à contre-courant. Depuis 2023, il s'engage avec la Société Paul van Ostaijen pour une série d'expositions sur ce critique d'art et poète qui voulait changer le monde. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1726402498854-XJ72PETZL59RCJHC8REK/Leendert+Van+Accoleyen.png INVITÉS 2024 - LEENDERT VAN ACCOLEYEN ( BELGIQUE, 1991) Né à Alost , Belgique et vit à Anvers . L’artiste visuel belge Leendert van Accoleyen est un outsider intrigant dans l’art contemporain car il trouve des moyens inhabituels et parfois acrobatiques d’interagir avec des sites spatiaux, la nature et les imperfections sociales. Il a étudié la sculpture et les beaux-arts à Sint-Lukas à Gand, la percussion au Conservatoire d’Anvers, puis a obtenu son baccalauréat et son master à l’Académie Royale des Beaux-Arts d’Anvers. Bien qu’il ait obtenu son diplôme avec grande distinction en tant qu’artiste visuel, il fait preuve d’une humilité remarquable dans sa pratique artistique contemporaine. Il s’exprime dans les champs, les prairies et les sites urbains, où il réalise des interventions utopiques en tant que maçon, ouvrier, monteur de tentes ou déménageur d’arbres. Un vent frais dans le paysage artistique. ©Isabelle Pateer https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1726386764177-NOF4QOEJV5JC8JJ9MPF3/%C2%A9CharlotteVanNoten_bw.jpg INVITÉS 2024 - TAMARA BEHEYDT ( Belgique, 1991) Voici la traduction en français : --- Tamara Beheydt est historienne de l'art et rédactrice artistique indépendante. Elle fait partie du groupe central des rédacteurs du magazine H ART et publie régulièrement des contributions dans d'autres médias écrits tels que Openbaar Kunstbezit Vlaanderen et De Tijd. Elle rédige des textes d'exposition ou des textes de portfolio pour des artistes et intervient occasionnellement en tant qu'oratrice lors de tables rondes, conférences ou discussions avec des artistes. Animée par un intérêt et une conviction dans la valeur de l'art contemporain pour la communauté humaine, elle s'engage à offrir une plateforme de soutien aux discours artistiques et à maintenir une vision critique des évolutions dans le domaine culturel. image : Charlotte Van Noten https://www.radicale1924.org/simon-mascchelein daily 0.75 2024-12-02 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713700514711-XAPUABLU559EKINCGSE6/IMG_9422.jpg SIMON MASCCHELEIN - Spring Branch Lathe (2023) For the third edition of ‘Parade, the public event’ Simon has fashioned a lathe that he personally manipulated during the occasion. This symbolic gesture draws a poignant parallel to the vanishing craftsmanship within the village of Saint-Cirq-Lapopie. Masschelein’s work melds material and mechanism, granting vivacity to objects, inviting them to breathe within spaces —an homage to mechanics' unspoken eloquence. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713700514711-XAPUABLU559EKINCGSE6/IMG_9422.jpg SIMON MASCCHELEIN - Spring Branch Lathe (2023) For the third edition of ‘Parade, the public event’ Simon has fashioned a lathe that he personally manipulated during the occasion. This symbolic gesture draws a poignant parallel to the vanishing craftsmanship within the village of Saint-Cirq-Lapopie. Masschelein’s work melds material and mechanism, granting vivacity to objects, inviting them to breathe within spaces —an homage to mechanics' unspoken eloquence. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/854aec89-8a8f-4e8b-a0ea-7a70a1c44354/IMG_9510.jpg SIMON MASCCHELEIN From medieval echoes springs innovation: a spring-pull lathe, mirroring the tension of a bow, conjuring perfection from wood. Nature's touch manifests as a local tree near the Maison André Breton, a bent branch’s tension woven into his craft—a kinetic collaboration of nature and the machine’s very essence. A nut from the tree is shaken to the ground and further enriches the tale. Masschelein's artistry, a fusion of memory and innovation, nature and craft, resonates with whispers of a village's heritage. (image Regan Elena) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713702093250-98GEX1GCYLNVOPH3RG3F/SIMONbyREGAN.jpg SIMON MASCCHELEIN - 2021 During his residency in Saint-Cirq Lapopie in December 2021 , Simon Masschelein created a sculpture using materials found at the restoration site of Maison André Breton. ( image by Regan Elena) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733144119893-0T6F69RON8WXS3R689NB/FL1A1597.jpg SIMON MASCCHELEIN - Tail pieced ( 2024) Typically for his oeuvre, Masschelein creates components from various materials, such as wood and stone, that also serve as elements to support the structure, resembling a kind of scaffold. In this work, the artist uses his own body to become a hinge or part of the sculpture. He climbs towards his own creation on the rock in Saint-Cirq, carving out a form that represents his own evolution over time. ©FinnFons - Radicale1924 https://www.radicale1924.org/cedric-fargues daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733310646048-C64AW7XPD31LK9N005NR/Screenshot+2024-12-04+at+11.56.07.png Cedric Fargues https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1697461924130-ZYM50OWR5WBJRXYRQXYD/Britney.jpg Cedric Fargues 'Poop Philosophy ' 2023 For the last Parade edition , Cédric Fargues participated with a collage presented in the garage of Radicale 1924 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733310646048-C64AW7XPD31LK9N005NR/Screenshot+2024-12-04+at+11.56.07.png Cedric Fargues https://www.radicale1924.org/carlos-aires daily 0.75 2025-12-16 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733308894530-5U63CDO3C79TOYD6S8PQ/FL1A2522.jpg Carlos Aires https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1716821279662-PVKEJGBGFHO9NX8DWVFV/maskandrebretonmanray.jpg Carlos Aires 'Portraits of André Breton' 2023 50 masks in paper & carton Carlos Aires ingeniously recreated the renowned 'Portrait of André Breton' masks, as captured by Man Ray in 1930. During the last Parade, Carlos shared his creation with the audience by exhibiting 50 unique, self-made masks. This intervention was documented in photographs taken by both the artist himself and members of the 'masked' audience. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733308894530-5U63CDO3C79TOYD6S8PQ/FL1A2522.jpg Carlos Aires https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733308939460-06U2TL3T98PX3YGTJ8C4/IMG_0200+copy.jpg Carlos Aires https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1716819462291-ULPG5035UNWQ9AUQOKNQ/image-asset.jpeg Carlos Aires - Portrait of André Breton (2023) In a playful intervention , Aires ingeniously recreated the renowned 'Portrait of André Breton' masks, as captured by Man Ray in 1930. During the last edition of 'Parade, the public event' Aires shared 50 unique self made masks with the audience . https://www.radicale1924.org/nicolas-bourtoumieux daily 0.75 2024-12-05 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1665525678722-719XJFPPXIMDVI7FCN5V/image-asset.jpeg Nicolas Bourtoumieux 'Un autoportrait à la chaussette trouée' 2022 In 2022, Nicolas Bourthoumieux is invited to conceive a project for the residency and events of Radicales 1924. Saint-Cirq Lapopie is a dead village by virtue of being preserved; it is the opposite of a ruin. Despite the death of the main subject of his research project, Michael Collins, this invitation to join Radicale 1924 is once again relevant: "Try again. Fail again. Fail better," said Samuel Beckett. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1665525678722-719XJFPPXIMDVI7FCN5V/image-asset.jpeg Nicolas Bourtoumieux 'Un autoportrait à la chaussette trouée' 2022 In 2022, Nicolas Bourthoumieux is invited to conceive a project for the residency and events of Radicales 1924. Saint-Cirq Lapopie is a dead village by virtue of being preserved; it is the opposite of a ruin. Despite the death of the main subject of his research project, Michael Collins, this invitation to join Radicale 1924 is once again relevant: "Try again. Fail again. Fail better," said Samuel Beckett. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717060699114-QISDR46S94D5MY26LNRO/IMG_2779.jpg Nicolas Bourtoumieux - 'Un autoportrait à la chausette trouée' 2022 In the garden of Radicale 1924 residency, Bourthoumieux digging his work 'Un autoportrait à la chaussette trouée' for an indeterminate period. 'Parade, the public event' in September 2022, Saint-Cirq-Lapopie. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733408280019-6NN36ATRYZPKVDOQED7O/IMG_2785.JPG Nicolas Bourtoumieux 'Un autoportrait à la chaussette trouée' 2022 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717063334316-TVKXD123SICNI9P86TZG/IMG_9217.jpg Nicolas Bourtoumieux 'Untitled' 2023 This sculpture stands adjacent to the former work of Nicolas Bourthoumieux titled 'Un autoportrait à la chaussette trouée' . A sculpture crafted from a crystal found in one of the caves within the vicinity of Saint Cirq Lapopie. It was presented during 'Parade, the public event' August 2023, Saint-Cirq-Lapopie https://www.radicale1924.org/zena-van-den-block daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717070800306-V3AHRBII9F4H1D6BZCTL/Grosbisous4.jpg Zena Van Den Block - 'Gros Bisous de Saint-Cirq-Lapopie' 2022 'Gros Bisous de Saint-Cirq-Lapopie' 2022 Zena delves into the intricate tapestry of tourism and popular culture. Using images from popular culture as her creative fuel and exploring universal habits and small human signs. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717070800306-V3AHRBII9F4H1D6BZCTL/Grosbisous4.jpg Zena Van Den Block - 'Gros Bisous de Saint-Cirq-Lapopie' 2022 'Gros Bisous de Saint-Cirq-Lapopie' 2022 Zena delves into the intricate tapestry of tourism and popular culture. Using images from popular culture as her creative fuel and exploring universal habits and small human signs. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733306002799-AWCPV658JEO7UNK8482Z/FL1A2600.jpg Zena Van Den Block https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733306170951-S5T2KKNNE1JPP6IHE94K/FL1A3364.jpg Zena Van Den Block https://www.radicale1924.org/guillaume-bijl daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733308769850-W3URT2O7VR64N1T7YGQC/FL1A3668.jpg Guillaume Bijl https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717484786499-1ZAPRXUYIT67FW23GP27/image-asset.jpeg Guillaume Bijl 'Sorry '2021 For the first and second edition of 'Parade, the public event' Guillaume Bijl contributed with one of his signature works called Sorry . A 'Sorry' belongs to one of the five categories into which Bijl organizes his oeuvre. Each 'Sorry' is a mildly surrealistic, humorous assemblage of found objects, blending the ordinary with the absurd in a way that challenges traditional notions of art and reality. Sorry 2021 was shown in the Nightshop of Radicale 1924. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733308769850-W3URT2O7VR64N1T7YGQC/FL1A3668.jpg Guillaume Bijl https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733308799945-ERR52KYFVMVDY10KF2NG/FL1A3582.jpg Guillaume Bijl https://www.radicale1924.org/wim-wauman daily 0.75 2024-06-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717495060339-66YDG64EL386978FWIS4/image-asset.jpeg Wim Wauman - Live intervention by Wim Wauman with Kubb Game & Sculpture (2023) During the last edition of 'Parade, the public event' Wauman presented a live intervention in the garden of Roger Dérieux Gallery . With Kubb Game, Drawings and Sculpture, Wim Wauman practices the 'Flying craft of Aircrafts', creating , writing, telling and playing in collaboration with artist friends and designers. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717495060339-66YDG64EL386978FWIS4/image-asset.jpeg Wim Wauman - Live intervention by Wim Wauman with Kubb Game & Sculpture (2023) During the last edition of 'Parade, the public event' Wauman presented a live intervention in the garden of Roger Dérieux Gallery . With Kubb Game, Drawings and Sculpture, Wim Wauman practices the 'Flying craft of Aircrafts', creating , writing, telling and playing in collaboration with artist friends and designers. https://www.radicale1924.org/jack-davey daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733310746534-3SIXY2QENM5I8G3HM6D0/FL1A3371.jpg Jack Davey https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/84abefc3-c553-483d-8627-a4e636085f20/image-asset.jpeg Jack Davey Jack Davey and Tamara Beheydt sharing work and reflections with audience during 'Parade, the public event' 2023 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733310746534-3SIXY2QENM5I8G3HM6D0/FL1A3371.jpg Jack Davey https://www.radicale1924.org/thomas-rodriguez-aff daily 0.75 2024-09-10 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717580252551-FLUG7WLTB2PWOOTWZ6UU/introduction1984.jpg Thomas Rodriguez AFF 'Introduction Furkart 1984' Furk'Art, an event organized by Marc Hostettler. Between 1984 and 1996, during the summer season, he invited around sixty artists to the Furka Pass in Switzerland, in an old hotel called Furkablick, to engage with the nature of the location. Opening on Monday, June 24 at 12 p.m. : Joseph Beuys and James Lee Byars presented to an attentive audience 'The Introduction of the Sages to the Alps,' an event organized by Marc Hostettler that inaugurated the first season of Furkart. Forty years later, we invite you to (re)discover this special day with a presentation at the Maison Routier in Saint-Cirq-Lapopie of a documentary exhibition proposed by Thomas Rodriguez and Archive Furkablick Furkart. image copyright : Thomas Rodriguez/AFF https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717580252551-FLUG7WLTB2PWOOTWZ6UU/introduction1984.jpg Thomas Rodriguez AFF 'Introduction Furkart 1984' Furk'Art, an event organized by Marc Hostettler. Between 1984 and 1996, during the summer season, he invited around sixty artists to the Furka Pass in Switzerland, in an old hotel called Furkablick, to engage with the nature of the location. Opening on Monday, June 24 at 12 p.m. : Joseph Beuys and James Lee Byars presented to an attentive audience 'The Introduction of the Sages to the Alps,' an event organized by Marc Hostettler that inaugurated the first season of Furkart. Forty years later, we invite you to (re)discover this special day with a presentation at the Maison Routier in Saint-Cirq-Lapopie of a documentary exhibition proposed by Thomas Rodriguez and Archive Furkablick Furkart. image copyright : Thomas Rodriguez/AFF https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1725963518421-QVEM9NOSF55AYDV1EUOS/Maison+Routier001.JPEG Thomas Rodriguez AFF - ‘The Introduction of the Sages to the Alps’ ‘The Introduction of the Sages to the Alps’ 1984, Joseph Beuys & James Lee Byars On June 24, 1984, at 12 p.m., Joseph Beuys and James Lee Byars presented to an attentive audience 'The Introduction of the Sages to the Alps,' an event organized by Marc Hostettler that inaugurated the first season of Furkart. Forty years later, Radicale 1924 invites you to (re)discover this special day, June 28 th 2024 - the presentation in the Nightshop of Maison Routier in Saint-Cirq-Lapopie of a documentary exhibition, proposed by Thomas Rodriguez and Archive Furkablick Furkart. https://www.radicale1924.org/corentin-canesson daily 0.75 2024-06-05 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717585060182-U2XA1ME5F8HQZPFCZVJ5/IMG_0510.jpeg Corentin Canesson Exhbition 'L amour Fou' by Corentin Canesson organised by Maison des arts Cajarc/Saint-Cirq-Lapopie Summer 2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717585060182-U2XA1ME5F8HQZPFCZVJ5/IMG_0510.jpeg Corentin Canesson Exhbition 'L amour Fou' by Corentin Canesson organised by Maison des arts Cajarc/Saint-Cirq-Lapopie Summer 2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717584948145-U0VLQWOUZ5B17UK877RP/image-asset.gif Corentin Canesson - Corentin Canesson Jolijn Baeckelandt & Tamara Beheydt at Maisons Daura (MAGCP) Corentin Canesson, a French visual artist from Brest, was artist in residence at Maisons Daura, invited by Maison des Arts Cajarc/Saint-Cirq-Lapopie, for the summer of 2023 to present his exhbition 'L amour Fou'. Radicale 1924 invited Corentin to join the 'Parade, Public Event' in 2023. During this exhibition Corentin met the Belgian painter Jolijn Baeckelandt and invited her to join his show . Since then, a mutual collaboration and exchange have developed between Corentin Canesson and Radicale 1924. This summer, Thomas Delamarre, director of Maison des Arts Georges et Claude Pompidou in Cajarc, invited Canesson back to collaborate on jointly organized events in the village. Corentin and his music group TNHCH will record an album during their residency at Maisons Daura. https://www.radicale1924.org/mikes-poppe daily 0.75 2024-12-02 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717617571596-IRUBD13J17K4WYN0UZZX/image-asset.jpeg Mikes Poppe - 'Ceci n’est pas un pomodoro' (2021) For the first edition of Parade, the public event in September 2021, Mikes Poppe performed Ceci n’est pas un pomodoro. Placed in front of La Maison Breton, Mikes Poppe performed Ceci n’est pas un pomodoro. An action that bridges different traditions of surrealism with an intended durational and body performance. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717617571596-IRUBD13J17K4WYN0UZZX/image-asset.jpeg Mikes Poppe - 'Ceci n’est pas un pomodoro' (2021) For the first edition of Parade, the public event in September 2021, Mikes Poppe performed Ceci n’est pas un pomodoro. Placed in front of La Maison Breton, Mikes Poppe performed Ceci n’est pas un pomodoro. An action that bridges different traditions of surrealism with an intended durational and body performance. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717617599553-LWC3EF3GY9Y5NA8AW4MT/%27The+artist+is+not+present%27+2022+by+Mikes+Poppe+%2C+Radicale+1924+in+Saint+Cirq+Lapopie.jpeg Mikes Poppe The artist is not present , 2022 a performance by Mikes Poppe for the second edition of 'Parade, the public event' Saint Cirq Lapopie The artist is not present L’artiste n’est pas présent Der künstler ist nicht anwesend https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1717618929607-HGL5IZXNL28SJS6GD5QR/mikes3.jpg Mikes Poppe Wash your dirty money here. Lavez vorte argent sale ici. Waschen Sie Ihr Schwarzgeld hier performance by Mikes Poppe , Saint Cirq Lapopie 2023 This action is repeated for an undetermined period of time. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733148489495-ACA0VG58EZVS16CYYLHY/FL1A1240.jpg Mikes Poppe https://www.radicale1924.org/archive-de-zwanze daily 0.75 2024-09-09 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1725882809056-BDYN6RU4DW493I90UNQ0/image-asset.jpeg Archive de Zwanze - 'Archive de Zwanze' 'Archive de Zwanze' 2024 Idris Sevenans & Thomas Beaujean It is within this long tradition of Zwanze and surrealism that the unconventional installations and interventions of Idris Sevenans find their fullest expression. It is within this long tradition of Zwanze and surrealism that the unconventional installations and interventions of Idris Sevenans find their fullest expression. This 'Archive de Zwanze' is an associative and disruptive play where artistic seriousness blends with popular jest and parody, resonating with the historical document 'Brevet de Petottier' from the Société petotico-maronico-huitrique and René Chalon (1834), originating from the collection of Gallery Ronny Van De Velde, Antwerp. ©Idris Sevenans for the exhibition RADICALE 1924 at Maisons André Breton -Émile Joseph Rignault Saint Cirq Lapopie France www.radicale1924.org https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1725882809056-BDYN6RU4DW493I90UNQ0/image-asset.jpeg Archive de Zwanze - 'Archive de Zwanze' 'Archive de Zwanze' 2024 Idris Sevenans & Thomas Beaujean It is within this long tradition of Zwanze and surrealism that the unconventional installations and interventions of Idris Sevenans find their fullest expression. It is within this long tradition of Zwanze and surrealism that the unconventional installations and interventions of Idris Sevenans find their fullest expression. This 'Archive de Zwanze' is an associative and disruptive play where artistic seriousness blends with popular jest and parody, resonating with the historical document 'Brevet de Petottier' from the Société petotico-maronico-huitrique and René Chalon (1834), originating from the collection of Gallery Ronny Van De Velde, Antwerp. ©Idris Sevenans for the exhibition RADICALE 1924 at Maisons André Breton -Émile Joseph Rignault Saint Cirq Lapopie France www.radicale1924.org https://www.radicale1924.org/michel-franois daily 0.75 2024-12-02 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1725951590574-ZTUBB8FWK0012I0PF4ER/1998CimaisePortique-08.jpg Michel François - Flux Tendu (1998) 'Flux Tendu' Michel François Michel François is deeply engaged with the dynamic tension between two states, a theme that runs through all his works. His creations can be seen as a "formal master key," exploring the transition between the density of matter and its potential to disperse or vanish. His work often unfolds as "escape plans" within the space, much like a ball of string shifting between a finished object and the materialization of an ongoing process. This duality mirrors the tension between capturing an instantaneous moment and marking the passage of time, as well as the contrast between a physical act and a metaphysical reflection. Flux Tendu was first installed in 1998 at the Moulins Albigeois, Cimaise et Portiques, in Albi. For Radicale 1924, the work will be presented in a linear view extending from Maison André Breton to Maison Routier, creating a visual connection from Breton's window to Routier's. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1725951590574-ZTUBB8FWK0012I0PF4ER/1998CimaisePortique-08.jpg Michel François - Flux Tendu (1998) 'Flux Tendu' Michel François Michel François is deeply engaged with the dynamic tension between two states, a theme that runs through all his works. His creations can be seen as a "formal master key," exploring the transition between the density of matter and its potential to disperse or vanish. His work often unfolds as "escape plans" within the space, much like a ball of string shifting between a finished object and the materialization of an ongoing process. This duality mirrors the tension between capturing an instantaneous moment and marking the passage of time, as well as the contrast between a physical act and a metaphysical reflection. Flux Tendu was first installed in 1998 at the Moulins Albigeois, Cimaise et Portiques, in Albi. For Radicale 1924, the work will be presented in a linear view extending from Maison André Breton to Maison Routier, creating a visual connection from Breton's window to Routier's. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733147777775-VPUYJW5SP14FHTP1JXLH/FL1A3591.jpg Michel François - Flux Tendu ( 1998/2024) Michel François’s work often unfolds as ‘escape plans’ within the space, much like a ball of string shifting between a finished object and the materialization of an ongoing process. This duality mirrors the tension between capturing an instantaneous moment and marking the passage of time, as well as the contrast between a physical act and a metaphysical reflection. ‘Flux Tendu’ was first installed in 1998 at the Moulins Albigeois, Cimaise et Portiques, in Albi. For Radicale 1924, the work connects Maison Breton to Maison Routier, creating a visual connection from Breton's window to Routier's house. ©FinnFons-Radicale1924 https://www.radicale1924.org/alsteiner daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733306232449-BB57LM45X50SBAUZY0W4/FL1A2908.jpg A.L.Steiner https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733306232449-BB57LM45X50SBAUZY0W4/FL1A2908.jpg A.L.Steiner https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733306496036-M5JPF9ISFQ5T7NAWK4QG/L%2527etoile_Steiner_Berks_2.jpg A.L.Steiner https://www.radicale1924.org/luc-deleu daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1726065038901-HILTVCMN9AYMHDF72Z9H/image-asset.png Luc Deleu - 'Zwischenland' (2018) Luc Deleu Zwischenland is a proposal of Luc Deleu for re-organising the borders of Europe in light of the refugee's crisis, a work that focusses on land redistribution as a response to the reticence of fortress Europe to welcome outsiders. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1726065038901-HILTVCMN9AYMHDF72Z9H/image-asset.png Luc Deleu - 'Zwischenland' (2018) Luc Deleu Zwischenland is a proposal of Luc Deleu for re-organising the borders of Europe in light of the refugee's crisis, a work that focusses on land redistribution as a response to the reticence of fortress Europe to welcome outsiders. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733305894497-547YFRMKIUE8N54B3FEQ/IMG_9872.jpg Luc Deleu https://www.radicale1924.org/logoupdate2024 daily 0.75 2024-12-04 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733340858840-TSEFYFVG7VSOJMISVD22/image-asset.jpg LogoUpdate2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1733339319587-Q2FG3EUGZUF51F3R6O8X/image-asset.jpg LogoUpdate2024 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2024 A.L.Steiner & Rachel Berks portrait https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/59f3cbd2-31ec-44a5-9da1-b0a7ec0db08e/BRITNEY_KANAL_MOUNTAINCUTTERS.jpg Archives 2024 ‘Britney’ Cedric Fargues with Claire Contamine & Mountaincutters https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/772a4393-c1f3-460f-aca3-a32196270e47/CHRISTINE-LOT.jpg Archives 2024 Christine Kirubi at the Lot river https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/50b81b31-dadc-4021-934f-c213044d5592/BOOKBINDING+ROUTIER.jpg Archives 2024 Binding by Daniel Adrien Routier‘ 1921 of the book Le Rail, La peine des hommes’ Pierre Hamp https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a84ffbb2-5934-4c49-8fbf-a68275b07d98/Radical+1924+-+Event+22-7-2024+-18.JPG Archives 2024 - Make it stand out ‘Tour de Zwanze’ 2021 Idris Sevenans 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pas ….evidemment ce qui peut sauver tout ca, c’est l’amour’ ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/4e730761-7b56-4067-9850-e40cbb6ac1f1/Radicale+1924+-+Zena+015.JPG Archives 2024 - Make it stand out Zena Van den Block presenting ‘ 50 OVER 50/You are on view’ ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/e273eed0-e803-4cda-ac59-4759f1d40b9c/Radical+1924+-+Event+22-7-2024+-21.JPG Archives 2024 - Make it stand out Agence Future 2024 ©FInnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/f2d15fad-5f17-471d-bd55-b4c1b917b980/Radical+1924+-+Event+22-7-2024+-14.JPG Archives 2024 Agence Future on Radicale1924 Futures©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/0cbcf5a6-74da-4b1a-8dc6-600ed985aa39/Radical+1924+-+Art+on+display21.JPG Archives 2024 - Make it stand out ‘Territoire intime’ 1984 Laura Lamiel 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Yzermans ©BramGoots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/776a72ae-d34e-4d14-86c1-0b573627f528/tempImage0iAxDc.jpg Archives 2024 - Make it stand out Indonesian meal by Marion Mol and Ron Hosogi https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/dac6afe5-9d4d-4603-a324-493c8f951018/tempImageAVHzs9.jpg Archives 2024 - Make it stand out Jim Towne, Ron Hosogi, Bonnie Towne & Marla Beck https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1f2b94d1-bb57-4f92-8592-7e37491a2b8d/tempImageDqcb0m.jpg Archives 2024 - Make it stand out preparations of performance ‘Ein guter Künstler ist ein toter Künstler’ by Mikes Poppe at Maison Breton with Mark Geurden & Finn Fons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/9b0eb19f-25e8-41d6-83e3-64eb709912e2/image0000011.JPG Archives 2024 - Make it stand out Chantal Yzermans & Thomas Delamarre presenting ‘A Thousand Leaves’ by Corentin Cannesson https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/49585635-fe11-4025-990c-e9167f22aa5f/SCLP_RADICALE1924_GRANDFINAL-1100.jpg Archives 2024 Samyra Moumoih, Ria Pacquée, Mikes Poppe, Finn Fons & Mark Geurden ©BramGoots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/d2d47530-7ff7-488f-a3b3-55e17ce56408/tempImageLyJXM0.jpg Archives 2024 - Make it stand out Marion Mol & Ron Hosogi in Maison Routier https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/a0ed5281-0c24-4c96-9a29-7b00452370af/02_Marion_Samyra.JPG Archives 2024 - Make it stand out Samyra Moumouh & Marion Mol at Maison Andre Breton-Emile Joseph Rignault https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/8728ef08-6aaa-4a3c-b4f6-e3aab2e7f619/tempImage05lhlW.jpg Archives 2024 ‘Sylvia ajouta …’ installation by Stephanie Lagarde at facade of Maison AndréBreton Emile Joseph Rignault ©BramGoots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/41260136-7473-41fb-b751-cd4a037884ac/tempImagemtK4Fp.jpg Archives 2024 Thomas Rodriguez & Stephan Kohler & Ria Pacquée https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1a28a2cc-ef96-47f0-8365-7cbff5570d3e/tempImage87lwLu.jpg Archives 2024 - Make it stand out main room of maison Andre breton with works of Mikes Poppe, Guillaume Bijl & Georges Adéagbo https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/598ed23f-0bf7-4647-ac3b-ea9871c7ea42/tempImageffhbLc.jpg Archives 2024 Mikes Poppe & Mark Geurden at Maison André Breton https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/aa7c6d9b-dc5f-46f2-84ce-1a782d1ec9fc/tempImageP4Uktl.jpg Archives 2024 exhbition image ‘Major Arcana Redux' (for Leonora) A.L.Steiner & Berks - Elias Cafmeyer installation ‘Camping et Stationnement de Véhicules Aménagés Interdits dans les villages préférés des Francais ou devant les demeures d’André Breton -et Josephine Baker’ ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/bddfe60f-1dca-45c2-8346-683857ce6252/IMG_9945.jpg Archives 2024 - Make it stand out Karim Al-Asswad ©RiaPacquée https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/f49358ad-b235-4163-ad02-3381843f5d86/IMG_9924+2.JPG Archives 2024 Pieter Van der Schaaf & Marion Mol installing Stephanie Lagarde ‘Sylvia ajouta:’Je ne sais pas …évidemment ce qui peut sauver tout ca, c’est l’amour’ ©BramGoots https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/563d9a4d-a234-4c77-b79d-2cc65fe3aa58/IMG_6177.JPG Archives 2024 Tamara Beheydt & Thomas Rodriquez at Opening in Café Maison Breton watching Agence Future documentary https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1d1b1c23-b645-4800-b061-a68b10faa182/FL1A2011A.jpg Archives 2024 Georges Adéagbo ©FinnFons 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2024 Fiction /Non Fiction 2023 Jolijn Baeckelandt ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/c9c702f6-36e5-40e2-a7dc-55930f1b9cce/IMG_0039.jpg Archives 2024 ‘Moi’ Ria Pacquée ©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/f5a02f1f-4a1e-43e9-a433-7b4155cdd651/tempImageq9IPcF.jpg Archives 2024 ‘Camping et Stationnement de Véhicules Aménagés Interdits dans les villages préférés des Francais ou devant les demeures d’André Breton -et Josephine Baker’ 2024 , Elias Cafmeyer©FinnFons https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/29558803-0af4-46d1-934c-c71bd200b71d/FL1A2929.jpg Archives 2024 - Make it stand out ‘Camping et Stationnement de Véhicules Aménagés Interdits dans les villages préférés des Francais ou devant les demeures d’André Breton -et Josephine Baker’ ©FinnFons 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PREPARATIONS RADICALE MAISON DAURA MAY 2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1734619012536-V22YCFGNFGV2ISF9JDHN/TRACE%26PIETER.jpg PREPARATIONS RADICALE MAISON DAURA MAY 2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1734615767210-8T3NBEIYXCRZJIEDFL2X/IMG_2632+4+copy.jpg PREPARATIONS RADICALE MAISON DAURA MAY 2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1734617883164-QRJJ42S24RWAUFMH5BFZ/DENIS_MAISON+ROUTIER.jpg PREPARATIONS RADICALE MAISON DAURA MAY 2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1734612056154-XXKZ5JKZROTLV5OTF8V9/opening_2.jpg PREPARATIONS RADICALE MAISON DAURA MAY 2024 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1734618981258-Y4XMBE4CNS8TO2A00CWN/STEPH.LAGARDE.jpg PREPARATIONS RADICALE MAISON DAURA MAY 2024 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Make it stand out RADICALE 1924 est une INITIATIVE ARTISTIQUE nouvellement créée à SAINT CIRQ LAPOPIE, FRANCE. Créée pour célébrer le 100e anniversaire de la publication du PREMIER MANIFESTE SURRÉALISTE d’André Breton. Photographie d'André Breton à Saint-Cirq-Lapopie. © ADAGP. https://www.radicale1924.org/image-radicale-explosion-2-1 daily 0.75 2022-06-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629222976208-F7ZG03OBOWBPLAYOQZHK/Exploding_Radicale.png Image Radicale Explosion DS (Copy) https://www.radicale1924.org/program-2-3-1 daily 0.75 2022-07-11 https://www.radicale1924.org/into-2-4 daily 0.75 2022-06-29 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654785811258-8I01XEXFWISCGGCSFG8Z/whiteSQSP.png Introduction DS (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628974366283-U6V4SN9VENGQZQM3TFNX/1490287557_saint-cirq-lapopie.jpeg Introduction DS (Copy) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.radicale1924.org/table-of-contents-1-3-1 daily 0.75 2022-07-11 https://www.radicale1924.org/new-page-48-2-4-1 daily 0.75 2022-06-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1655369648542-3JMWQZ97ZEB97R7KCOCT/Residency_image.jpg Photo: People at the Table (Copy) (Copy) (Copy) https://www.radicale1924.org/residency-page-1 daily 0.75 2022-06-29 https://www.radicale1924.org/parade-additional-info-3-1 daily 0.75 2022-06-30 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654787042925-WDPFCHZT4UCFFXTCAAHP/whiteSQSP.png Residency Info DS (Copy) https://www.radicale1924.org/man-ray-2-1-1-1-1 daily 0.75 2022-06-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630690747008-V92E5UMSD11X2LZXTEBX/B+%281%29.jpg Man Ray (Copy) (Copy) (Copy) (Copy) (Copy) https://www.radicale1924.org/photo-parade-bw-digsub-1 daily 0.75 2022-06-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631457210699-EQT3Y0E2V2HU2K32XAT3/Screen%2BShot%2B2021-09-03%2Bat%2B11.29.15%2BAM.jpeg Photo: Parade B&W (DIG.SUB) (Copy) - Make it stand out Costume design by Pablo Picasso for the performance of Parade des Ballets Russes by Serge Diaghilev at the Théâtre du Châtelet in Paris on May 18, 1917. Characters in the parade: French manager, horse and American manager. https://www.radicale1924.org/parade-2022-2 daily 0.75 2022-06-30 https://www.radicale1924.org/parade-ds-1 daily 0.75 2022-06-30 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654786855008-NZE1TCHN412D4LFGR1QS/whiteSQSP.png Parade (DS) (Copy) https://www.radicale1924.org/parade-criteria-1-1-1 daily 0.75 2022-06-29 https://www.radicale1924.org/parade-additional-info-1 daily 0.75 2022-06-30 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654787042925-WDPFCHZT4UCFFXTCAAHP/whiteSQSP.png Parade Additional Info DS (Copy) https://www.radicale1924.org/new-page-2-1-1-2-1 daily 0.75 2022-06-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628840170525-TL5W0N27HC2CN5F2SLIR/157648.jpeg Photo: Lunch (Copy) (Copy) (Copy) DS (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630684721170-ZEPN967GIUSM5X7BGUPC/HR_56600100053740_1_watermarked.jpeg Photo: Lunch (Copy) (Copy) (Copy) DS (Copy) - Make it stand out Charles Estienne (en tricot rayé) en compagnie d'André Breton, Jean-Claude Silbermann, Meret Oppenheim, Elisa Breton, Robert Benayoum, Marie-Jo Silbermann, Georges Goldfayne, Aube et Yves Elléouët, à Saint-Cirq Lapopie vers 1958. Photo TFV. https://www.radicale1924.org/artists-public-1-1 daily 0.75 2022-08-10 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1636743930602-DNKZCOJIS1DEOTN6GTXX/Untitled+design+%2839%29.jpg Invited Artists (2021) DS (Copy) (FR) https://www.radicale1924.org/new-page-4-3-1-2 daily 0.75 2022-06-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628927444025-WY0B31VOZHF2HI2EW8M8/Untitled+design+%2818%29.jpg Photo Breton DS (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628831582469-NU60B6WA14O4TF3JALVW/image8.png Photo Breton DS (Copy) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.radicale1924.org/new-page-48-3-1 daily 0.75 2022-06-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630683966681-L282F4XMQO6TSXD5JV5F/breton.jpg Photo: People at the Table (Copy) DS (Copy) https://www.radicale1924.org/into-2-3-1-2 daily 0.75 2022-06-30 https://www.radicale1924.org/new-page-4-3-1-1-1 daily 0.75 2022-06-19 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628927444025-WY0B31VOZHF2HI2EW8M8/Untitled+design+%2818%29.jpg Strategy photo DS (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/e68087bc-08a2-4229-8b84-6c4ab958a963/Screen+Shot+2022-06-17+at+11.27.59.png Strategy photo DS (Copy) - 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La Maison André Breton (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629117742831-SGIT1RHHS79KXVKHEAMZ/Screen+Shot+2021-08-16+at+2.41.56+PM.png Organization (Copy) (Copy) (Copy) - La Maison Rignault (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630514927557-TWK2O2NWLCNP1O2GODYF/Screen+Shot+2021-09-01+at+6.46.03+PM.png Organization (Copy) (Copy) (Copy) - René Magritte Museum, Jette, Belgium (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631458342473-1UJETXMM5ITO0F3K0RS9/1490287557_saint-cirq-lapopie+%281%29.jpeg Organization (Copy) (Copy) (Copy) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.radicale1924.org/artists-2021-fr daily 0.75 2024-03-02 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637837348443-Z4DCS6SA4N1X035E3IH6/Teaching+%287%29.jpg Artists 2021 FR https://www.radicale1924.org/team-copy-copy daily 0.75 2024-05-27 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1673269382222-ENN1YRDLUQ2C5YI6IQGC/whitesquare.png Team (Copy) (Copy) https://www.radicale1924.org/image-radicale-explosion-copy-copy daily 0.75 2022-12-11 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629222976208-F7ZG03OBOWBPLAYOQZHK/Exploding_Radicale.png Image Radicale Explosion (Copy) (Copy) https://www.radicale1924.org/organization-ds-copy daily 0.75 2024-03-13 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629117345839-SZ2KXHJ166ZZ0MW8GDFJ/SAINT_CIRQ_LAPOPIE-46-02%2B%25281%2529.jpg Organization DS (Copy) - Commune De Saint-Cirq-Lapopie (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629116778882-98INO4FUEZ0MLKSO0VCH/Logo-La-rose-impossible+%281%29.jpeg Organization DS (Copy) - L’association La Rose Impossible (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629116779199-FYMHZH7S3MOWYOQQAYK5/logo.png Organization DS (Copy) - La Maison André Breton (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1629117742831-SGIT1RHHS79KXVKHEAMZ/Screen+Shot+2021-08-16+at+2.41.56+PM.png Organization DS (Copy) - La Maison Rignault (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1630514863206-ZDZTBVET7MDR76E1BD83/Screen+Shot+2021-09-01+at+6.46.03+PM.png Organization DS (Copy) - René Magritte Museum, Jette, Belgium (Copy) (Copy) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1631457972412-4DQV2OEN7E8X7V3WO6T0/1490287557_saint-cirq-lapopie+%281%29.jpeg Organization DS (Copy) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.radicale1924.org/artists-2022-fr daily 0.75 2024-03-02 https://www.radicale1924.org/artists-2021-en daily 0.75 2024-03-02 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784058015-XHG3VVTQIXQHSFVN6XJL/image34.png Artists 2021 EN - CARLOS AIRES (Spain, 1974) He obtained a bachelor’s in fine arts at the University of Granada in Spain. Upon graduating in 1997, he moved to the Netherlands and completed his postgraduate studies at Fontys Academy (Tilburg, Netherlands), HISK (Antwerp, Belgium) and Ohio State University (Ohio, USA). He has participated in numerous exhibitions in national and international institutions, such as: CAC (Malaga, Spain), MACBA (Barcelona, Spain), Boulder Museum of Contemporary Art (USA), Imperial Belvedere Palace (Vienna, Austria), ARTIUM (Vitoria, Spain), Maison Particulière Art Center (Brussels, Belgium), MUSAC (Leon, Spain), BB6 Bucharest International Biennale for Contemporary Art (Bucharest, Romania), B.P.S. 22 (Charleroi, Belgium), 5th Thessaloniki Biennale of Contemporary Art (Thessaloniki , Greece). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1655361986051-WHGPF6EQADM7560FEYSC/image6.jpeg Artists 2021 EN - GUILLAUME BIJL (Belgium, 1946) Guillaume Bijl is known for his large-scale installations and visual realism. Since the late 70s, Bijl created realistic decors using found objects. In doing this, he had a pioneering role in the resurgence of the ready-made. Bijl shows the audience various aspects of our western ‘civilisation’ and consumer society. Using extreme stereotypes, he creates a sort of ‘archeology of our time’ in a tragi-comedic, alienating way. His participation will be a great opportunity to reflect on his practice in light of a Surrealist strand that continues to reverberate into today’s art practices. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1632838000581-8NPVCW9ZIAQVIXLL8AF2/WhatsApp+Image+2018-09-09+at+14.22.10+%281%29.jpg Artists 2021 EN - VINICIUS COUTO (Brazil, 1988) Vinicius Couto, artvist and creative director, researches gender, race, class, sexuality, LGBT movements and their intersections, with the intention of awakening new formats of reflection. At the center of his work, the artist questions the imaginary constructed by non-normative corpses. In the visual arts, cinema, theatre and fashion, he seeks to combat the daily reproductions of violence to which his (our) body is subjected. In 2016, after contracting HIV, Vinicius was self-provoked to openly perform his HIV status, aware of the possibilities that his body promotes itself. Planning his coming out of the AIDS closet, he created "Libertar-ser"in 2017. On the following year, he created "I=I or "Undetectable = Untransmissible". It premiered at the Cairo Biennale - EG in 2018, and was exhibited at MAM-SP and CMA Hélio Oiticica - RJ in 2019. Throughout his research as an artist, he uses experience as a definition for the theory of (his) existence. And in 2021, he was selected to be one of the residents of Kovent.zer0. His provocation comes, above all, in the use of desire as a form of deconstruction, in (re)existing in the face of decolonial processes, of anti-heroism in the representations of power and induced consumption as a gay, Latin American, of peripheral origin. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784061421-1H1HGPYAEEZGCXUIB1Z9/image9.png Artists 2021 EN - LUC DELEU (Belgium, 1944) After they settled in house “Les Nénuphars”, in the prestigious Cogels Osylei in Antwerp, Belgium in May 1968, Luc Deleu and his wife Laurette Gillemot founded T.O.P. office, a studio for urbanism and architecture in 1970. The starting point, motivation and goal of the studio was questioning architecture and urban design, their position and duty in a global society. This generated the necessity to think about why and how to run an architect studio and how to direct it towards a truly independent and autonomous development with the use of a large set of media. So, T.O.P. office was set up with the very conviction that it would be better to reduce the spatial impact of building and to build less. Convinced that future developments in communication media would enable a reborn nomadic life, the first ideas were to come with work that emphasizes mobility versus the immobilism of real estate and to contradict the exclusive privilege of the building as living and job accommodation. On many occasions - apart from being an independent research team developing an autonomous format for urban research by design – T.O.P office participated in the debate on urban planning and architecture, and therefore maybe ended up in a certain niche. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1632157612428-0UN6ZH4XW82AILKT3LI4/Hans-Demeulenaere.jpg Artists 2021 EN - HANS DEMEULENAERE (Ostend, 1974) Hans Demeulenaere (Ostend, 1974) lives and works in Bruges. He graduated in Visual Arts at the LUCA School of Arts in Ghent and has been a resident artist at the Masereelcentrum in Kasterlee (2019) and the Workspacebrussels in Brussels (2015). Central to his artistic research are his reflections on exhibition spaces and the transformation of architectural elements into sculptures and installations. His most recent solo and group exhibitions include: Doppelganger, De Garage, Mechelen (2021); Soft Fold, with Dimitri Vangrunderbeek, Fred& Ferry Gallery, Antwerp (2021); There is Nothing Connected, Nothing Distinct, with Esther Venrooy, Onomatopee, Eindhoven (2018); You make a better door than you do a window, with Emi Kodama, Beursschouwburg, Brussels (2016); Politics of Installation, with Bas van den Hurk, P/////AKT, Amsterdam (2015); Be ALL AND END ALL, with Herman Van Ingelgem and Marc Nagtzaam, Millington Marriott, London (2015); Some Objects, Eight Sculptures, Several Frames. One Video and a Book, Mu.ZEE, Ostend (2014); The Gathering Of Characters And Forms (Chapter I), Dash, Kortrijk, (2014); A Never Ending Story, Extra City Kunsthal, Antwerp (2013). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784058296-GZBU7PUU27LSHIRXI6KI/image15.png Artists 2021 EN - CEDRIC FARGUES (France, 1988) His work has been featured in several exhibitions at galleries and museums, including the New Galerie and the Queer Thoughts. The artist's first artwork to be offered at auction was Two works: Bébéfleurs 9; Bébéfleurs 16 at FauveParis in 2020. Cédric continues his relaxed infiltration into the world of contemporary art. The Figeacois artist of Lotoise and Aveyron origins based in Figeac, megaphone of the movement henceforth called "cabécoucore", caught the internets with his nonchalance, easily rocking from his sleigh bed to lava lamps with Faurissonian influences, all crossed by post-internet farts far removed from the “sadness-no-future-it's-the-end-of-the-world” posture that has afflicted Figeac for years. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784063253-628KLVVPJJPYG3Y5QWK0/image30.png Artists 2021 EN - STEPHANIE LAGARDE (France, 1982) Based in Paris, her work focuses on the occupation of space and memory, researching strategies performed to maintain and challenge control over actual and virtual territories. Echoing ancient mnemonic techniques, Lagarde assembles conflictual narratives out of sound, image and text from real and virtual, old and new, historical and fictional sources. She exhibited in venues such as Plato Ostrava, Czech Republic; Kunstmuseum Bonn, Germany; Frei_raum Q21 MuseumsQuartier Vienna, Austria; Tallinn Art Hall, Estonia; Ludwig Forum für Internationale Kunst, Aachen, Germany; Centre for Contemporary Photography, Melbourne, Australia; Palais de Tokyo, Paris, France. Her videos have been shown in festivals such as IFFR (Rotterdam), BISFF (Beijing), Berlin Atonal, Videonale (Bonn), Transmediale (Berlin), EMAF (Osnabrück), DOKLeipzig, Kasseler Dokfest, KFFK (Koln), November Festival (London). She won the Grand Prize at BIEFF 2019 (Bucharest) and the International competition award of Short Waves Festival 2019 (Poznan, Poland). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1637943846008-X2Z9FNM4NFNIWOXGUFPB/unnamed+%282%29.jpeg Artists 2021 EN - SIHAM MEHAIMZI (France, 1988) Siham Mehaimzi was born in 1988 in Agen to Moroccan immigrant parents descended from a Sahrawi tribe. Siham grew up in the south of France where she began writing at the age of 10. After graduating in psychoanalytic clinical psychology, it was at the university during the "temporary art projects" that she met the poet Serge Pey who discovered her work and the program at the poetry cellar in Toulouse. Beside him, she takes part in the poetry march in homage to Antonio Machado who appears in the documentary film "the letterbox of the cemetery". Formed by the “Theater 2 Act” company, Siham aspires to the orality of poetry through which vibrates her ancestral memory, her mother’s exile and feminist issues. Siham was published in an anthology of poets in the journal Mange Monde, edited by Rafael de Surtis, then in the Revue A, transcultural review, literature action, published by Marsa and in the journal Méninge. And in the GLAD magazine! on gender, language and sexuality. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679650865286-754DGIFFSIKJXGP75209/image12.png Artists 2021 EN - SAMYRA MOUMOUH (Belgium, 1983) Formally trained as filmmaker and architectural designer, mainly works in the field of contemporary art. Her practice consists of designing exhibitions; developing a design concept and foresee the technical assistance for the realization of art. She was (2011-2018) the (inter)national assistant of Anne-Mie Van Kerckhoven [AMVK] and also works irregularly for and with other artists such as Hans Demeulenaere and Chantal Yzermans. Samyra creates scenography for dance and theatre, designs site specific furniture for artist studio's events, as well as the interior of commercial and private spaces. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784074401-7XX9LQVQ7SXU3F8XB5H1/image17.png Artists 2021 EN - RIA PACQUEE (Belgium, 1954) Ria had her international breakthrough in the 1980s with her performance series featuring characters she created – ‘Madame’ and ‘It’. Infiltrating reality by means of these two personae, she carried out an artistic investigation of the thin dividing line between the fictional and the actual. In more recent work she has tended to concentrate on photographic and video productions, in which the experiences gained as a performance artist still play an important role. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628787056114-3J3BH6R56ZXWAD2Q5KB5/image19.png Artists 2021 EN - MIKES POPPE (Belgium, 1983) Since 2007, while focusing on his academic research on “Performance Art”, Mikes Poppe quoted a number of live performances in the form of re-enactments (‘Archive-projects’). He specialized in meticulously reconstructing canonical/historical performances (from the 1960ies & 70ies), confronting them with so-called ‘Inspired-by projects’: i.e. semi-autonomous performances inspired by the historical antecedents, creating a personal interpretation/transformation of the original material. Poppe re-enacted work of Marina Abramovic, Danny Devos, Vito Acconci, Chris Burden just to name a few. Nowadays he regularly presents autonomous art performances, drawings and installations. His visual artwork has strong performative elements and can be seen as complementary to his live art projects. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628784032910-9I1QZPL6JEWJZL8631TR/image31.png Artists 2021 EN - PIETER VAN DER SCHAAF (The Netherlands, 1984) Working mainly with installation and sculpture. He graduated from Academie Minerva in Groningen (NL) in 2010 and studied at the California College of the Arts in San Francisco/Oakland (USA) in 2009. In 2016 and 2017 Pieter was a resident at the Jan van Eyck Academie in Maastricht (NL). His work has been shown at the Fondation Ricard in Paris, the 63rd Salon de Montrouge, at Occidental Temporary in Villejuif, Nest in Den Haag and the Jan van Eyck Academie in Maastricht. He had solo shows at Espace d’art Contemporain du Théâtre de Privas, and Glassbox and Galerie Jeune Création in Paris. Forthcoming, he will show new work for the occasion of his solo show at B32 in Maastricht (NL) end 2021. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628787009247-OFZRGGKHS75D2LIBCM5I/image35.png Artists 2021 EN - IDRIS SEVENANS (Belgium, 1991) Working on sculptures, films, exhibitions, unwanted advertising and books (including 'Stoppen met Lezen' and 'De Computer', about Marcel van Maele), Idris runs a shop of remarkable products (the unrealistic initiative Troebel Neyntje) and founded his own school: AARS (Antwerp Artist Run School). The twentieth-century philosopher Hans Theys (Bangladesh, 1936) described the ubiquitous centipede Sevenans as "a flawless bullshit detector" and also as "something already done in the 1960s, only fresher". He himself got stuck in the 1960s, so he should know. Living in a world where we are incessantly bombarded with patronizing precepts, ugly images and ludicrous gossip that should lead us to consume senseless, useless, tasteless, colorless and ambiguous things that we do not need, so in that world, we greet with joy the aikido-like way in which Sevenans floors this ineradicable nonsense with a spiral movement. ― Carla Van Campenhout, February 2020 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1628930557637-E83SY9WPJQP2F6W14T40/image13.png Artists 2021 EN - A.L. STEINER (USA, 1967) Based in Los Angeles and Brooklyn, A.L. Steiner serves on the MFA Faculty in Visual Arts at Bard College, Yale University, and the School of the Art Institute in Chicago. She works in photography, video, installation, collage, and performance, often in collaboration; she also lectures, writes, and curates. A self-described “skeptical queer eco-feminist androgyne,” Steiner is co-curator of Ridykeulous, a member of the musical collective Chicks on Speed, and co-founder of Working Artists and the Greater Economy (WAGE), which advocates for the payment of fees for artists exhibiting in nonprofit art institutions. Steiner’s artworks are irreverent, humorous, personal, perverse, and political. Most evident in her large-scale installations of collaged digital photographs is Steiner’s expansive network of queer friends and lovers. Her installation in the 2014 Whitney Biennial, More Real than Reality Itself/Cost-benefit analysis, for example, investigates sociocultural, biopolitical, and familial constructions through the lived practices of activists and artists Rita “Bo” Brown, Carla Cloer, Ericka Huggins, Miya Masaoka, and Laurie Weeks. https://www.radicale1924.org/artists-2022-en daily 0.75 2024-03-02 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1708888464904-KMWEWUBKUWJU56SMPHOC/image.jpg Artists 2022 EN - Georges Adéagbo (1942 Benin) A conceptual artist who has developed his own style of using found objects since the early 1970s in Cotonou, Benin. During his walks, he collects lost or discarded objects that tell something about the society he visits and incorporates them into his installations. Adéagbo enriches his palette with sculptures and traditional masks from Benin to present the culture of his country wherever he is invited to exhibit. For each installation, he commissions paintings and wood panels from Beninese artisans, thus linking the local and the global. As a result, episodes from his personal past intersect with unusual interpretations of supposedly objective historical studies, mainstream pop culture is juxtaposed with canonized high culture, and the mundane is confronted with the profound in his work. Adéagbo avoids overly obvious interpretations of his work: ambiguity and entrapment are integral to his strategy of provocation. Adéagbo's works can be found in important collections such as: Centre Pompidou-Paris, Museum Ludwig Cologne, Philadelphia Museum of Art, The Whitworth Art Gallery, Manchester, Toyota City Museum, KIASMA Helsinki, Moderna Museum Stockholm and the Contemporary Art Collection of the Federal Republic of Germany. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675926748-2SOTJYFCCW8ACVR0X386/Screen+Shot+2022-06-08+at+10.09.47.png Artists 2022 EN - Nienke Baeckelandt (Belgium, 1989) The work of Nienke Baeckelandt derives from a persistent urge to experiment with different materials and media. Hereby she always seeks out the tension between intuition and control. Her images are often the result of “concentrations or intensities” of a certain moment. In her most recent work, she explores the boundaries of what the viewer notices or, on the contrary, what (s)he passes by. Seeing, appearing, disappearing. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675928171-LARAKHWVJQR9QVPAPVRB/Screen+Shot+2022-06-08+at+10.10.12.png Artists 2022 EN - Pierre Bismuth ( France, 1963) Pierre Bismuth is a French artist and filmmaker based in Brussels. His practice can be placed in the tradition of conceptual art and appropriation art. His work uses a variety of media and materials, including painting, sculpture, collage, video, architecture, performance, music, and film. Pierre Bismuth goes back to the basic principles of film and photography as a reaction against mass culture and its avalanche of images, sounds and information. In his installations, photos, collages, videos and scenarios, he destabilises the established codes dictated by mass culture. In this way he compels us to distance ourselves critically from our ingrained perceptions. With a certain irony, he has claimed that he is ‘not really into film’. He sees the use of cinematographic codes merely as a means of opening our eyes to the perceptions that he himself has pre-programmed. His most striking joint project took place in 2004, when, at the request of the director Michel Gondry, he wrote the scenario for the cult classic ‘Eternal Sunshine of the Spotless Mind’. For this film, as someone whose purpose was to constantly upset mainstream cinema, Bismuth actually won an Oscar for the ‘best scenario’! Self-portrait after Andreas Feininger (2008) by Pierre Bismuth https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1655126190178-8YOPO6TZFYQOBYNL2AI8/Screen+Shot+2022-06-08+at+10.10.22.png Artists 2022 EN - Nicolas Bourthoumieux (1985, France) Originally from Toulouse, Nicolas Bourthoumieux has lived and worked in Brussels since his studies at La Cambre. A multidisciplinary artist whose work includes sculptures, installations, paintings, videos and photographs. In his practice, Nicolas Bourthoumieux subtly materializes his astonishment of the world, nourished by essential serendipity. His poetic gestures occupy the space, refusing a negotiation with the architecture. His ensemble of works commonly reveals the strange, invisible transformation time may confer on things. Often recycling his own artworks, he sees objects as carrying a temporal charge from which ghosts may (re)appear. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675931144-MI21Y0HY6I2S57NN4W8X/Screen+Shot+2022-06-08+at+10.10.33.png Artists 2022 EN - ELIAS CAFMEYER ( Belgium, 1990) Mainly working with sculptures and video installations, Elias Cafmeyer creates site-specific installations often in public space or inspired by the use of public space in the context of the city. He sees the city landscape as a metaphor for social construction and focusses on traces of urban development and forms of signage orchestrating mobility. His interventions deal with strategies such as inversion, juxtaposition and contrast, creating a sense of alienation. Apart from his video installations, Cafmeyer often uses raw, industrial material such as metal, untreated wood and concrete. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675931482-MQCD0LT9MCFWWNNY3XQD/Screen+Shot+2022-06-08+at+10.10.50.png Artists 2022 EN - Hans Demeulenaere (Belgium , 1974) Hans Demeulenaere lives and works in Bruges. He graduated in Visual Arts at the LUCA School of Arts in Ghent and has been a resident artist at the Masereelcentrum in Kasterlee (2019) and the Workspacebrussels in Brussels (2015). Central to his artistic research are his reflections on exhibition spaces and the transformation of architectural elements into sculptures and installations.His most recent solo and group exhibitions include: Doppelganger, De Garage, Mechelen (2021); Soft Fold, with Dimitri Vangrunderbeek, Fred& Ferry Gallery, Antwerp (2021); There is Nothing Connected, Nothing Distinct, with Esther Venrooy, Onomatopee, Eindhoven (2018); You make a better door than you do a window, with Emi Kodama, Beursschouwburg, Brussels (2016); Politics of Installation, with Bas van den Hurk, P/////AKT, Amsterdam (2015); Be ALL AND END ALL, with Herman Van Ingelgem and Marc Nagtzaam, Millington Marriott, London (2015); Some Objects, Eight Sculptures, Several Frames. One Video and a Book, Mu.ZEE, Ostend (2014); The Gathering Of Characters And Forms (Chapter I), Dash, Kortrijk, (2014); A Never Ending Story, Extra City Kunsthal, Antwerp (2013). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675933205-WSAMSDU0F0T0HCYCAB6W/Screen+Shot+2022-06-08+at+10.11.03.png Artists 2022 EN - Olga Fedorova (Russia, 1980) Olga works at the intersection of photography, painting, digital imaging and installations. Using three-dimensional software Fedorova creates forms that resemble ready-made models and inserts them into spaces and landscapes typified by their aseptic, clinical sterility and detached, impersonal ambience. The images of Fedorova, with their surreal, dystopian presentation, evoke uneasy, dreamlike states that feel both familiar and alien, comforting and disturbing. Quarantine Diary project is the first visual art project created by Fedorova, where she merged real and surreal to reflect 2020 pandemic time. 2020 Joachim Coucke & Olga Fedorova: Road To Know Where, Gent Belgium 2019Clusterfuck, Future Gallery Berlin Germany 2018 Artificial Paradise? Immersion in Space and Time, Graz Austria 2018Olga Fedorova: She lives in you, Gallerie Charlot, Paris 2018Future Love. Desire and Kinship in Hypernature, Basel Switzerland 2017Olga Fedorova: Generic Jungle, Annka Kultys , London UK https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1654675935382-X6VF4R5H7Y5WKUKN4X67/Screen+Shot+2022-06-08+at+10.11.21.png Artists 2022 EN - Simona Mihaela Stoia ( Romania, 1982) Simona Mihaela Stoia is a contemporary Romanian-Belgian painter, who lives and works in Belgium Her paintings are characterised by a threefold application of the paint: in the thinly applied, sometimes atmospheric, here and there released background, in the modeling of volumes that evoke the image of body parts, animals or plants, and in the moments where the paintings become more abstract and finally become mere paint and paint strip. Playing with these three approaches, she weaves and kneads paintings that are simultaneously sensual, mysterious, compact, open, complex and bold. Here too we encounter, thematically speaking, darkness and playfulness, here too we meet an artist who thinks visibly with paint and painting techniques. The most specific thing about Stoias paintings, however, is something else, namely her ability to create paintings that take place in completely different color registers. Her paintings often have a dominant color sphere (e.g. emerald, carmine, yellow or pink) that on a closer look breaks up into countless harmonious colors that are not different values of the same tone, but individually touched, autonomous tones, which she can 'see' beforehand . Hans Theys, 2020 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1655103930306-56SV03GXS46LSQOUK7KX/Screen+Shot+2022-06-08+at+10.11.36.png Artists 2022 EN - Yi Zhang ((Republic of China, 1996) Yi Zhang is born in Wuhan and studied painting in Guangzhou. In 2016, an Erasmus exchange brought her to Antwerp for six months. In 2019 she returned to Belgium to continue her practice in visual art. In 2019 she returned to Belgium for a master's degree in visual arts. That same year she won the Stockman's Art Book Prize and showed drawings in Inbox, M HKA. Today she lives in Amsterdam,where she was offered a six-month residency. In China, Zhang worked with different media: video, photography, drawing, sculptural installations and oil paintings on canvas. In one canvas we recognize the shape of a saucer and glued volumes that were given an extra shadow by means of paint. Her current works are about love and sharing love. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1660037960303-9Z93HIJLUCGQYZN0CPWJ/unnamed.jpg Artists 2022 EN - Zena Van den Block (Belgium, 1995) Zena Van den Block works mainly with images from popular culture, around recurring habits and starting from a passion for collecting and an urge for patterns. She searches for translations of discovered patterns in behavior or use of materials and communication by creating context or reversing it. This is often done through play and chance. Publications and multiples are a recurring form of work given the flexibility and divisibility of the medium Zena Van den Block studied photography and sculpture at Royal Academy of Fine Arts in Antwerp. She participated in various solo shows and group exhibition : SECONDroom -Antwerpen, FRED& FERRY -Antwerpen, Mu.Zee -Ostend, Kunstenfestival Aardenburg- the Netherlands among other places. As an artist in residency, Van den Block was invited at Ponte d’Arte ( PT), Artwell Residencies (NL) and Radicale 1924 (FR) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1660038203278-J2GEPIN0OXFNSUQ3SRM0/Agence_Futur.jpg Artists 2022 EN - Agence Future (AF) Agence Future (AF) is a long-term collaboration between photographer Bram Goots and futures researcher Maya Van Leemput. With a unique blend of conversation and image-based approaches they collect, study, co-create, try-out and share images of the futures. This practice started over 20 years ago with a 30-month field journey in 28 countries on five continents and hundreds of interviews. Agence Future’s films, print publications and installations highlight the diversity of images of the futures and the value of inclusive exchanges of various scale and scope (polylogues) about how we design, develop and transform all our futures as well as what those futures might become. https://www.radicale1924.org/artists-2023-en daily 0.75 2024-03-02 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678200457224-RIL2GB822JNPOZ3T9702/image-asset.png Artists 2023 EN - Wim Wauman (Belgium, 1976) Wim Wauman plays and experiments with photography, language, materials, objects and narration. He is known for his quirky compositions featuring ‘inspirational objects’ photographed in elaborate wooden settings. Around 2015, he started to compose figurative and abstract work with fine wood veneer and gradually formed an exclusive collection of personalized tables, cabinets, stools, and distinct props functioning as ‘infrastructural’ or ‘conversation’ pieces (including vintage blankets and found artefacts). In December 2019 Wauman obtained a ‘PhD in the arts’ degree at the University of Antwerp (ARIA) with a poetic and artistic exploration on notions of craftsmanship, making and thinking. His conclusion involved the temporary transformation of a ‘neglected provincial castle’ into a semi-pastoral research centre designed to collaborate with fellow artists and to induce an artistic state of flow (Blauwhaus, Waasmunster, 2019). There he gained interest in re-imagining local histories and singularities to ‘enchant’ and ‘heal’ his surroundings through a strategic combination of visual (and experiential) stimuli, multidisciplinary interventions, discursive gatherings, and public events ‘powered by #AirCrafts’: an imaginative '(witch)craft' involving ritual, seduction, fabulation, narration and wordplay. Nowadays Wauman amusingly combines aspects of conceptual and visual arts with marquetry techniques, decorative and illustrative design, scenography, visionary writing, and storytelling. He regularly publishes booklets on his research, idiosyncratic fabulations and artistic ‘Blauwhaus’ collaborations. His work has been acquired by museums such as FotoMuseum (Antwerp) and Victoria and Albert Museum (London) or by the Flemish Community (M HKA, Antwerp). https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713100595089-6EG4LLMQ3BKCHCOHVSSZ/image-asset.jpg Artists 2023 EN - Jolijn Baeckelandt (Belgium, 1993) Jolijn Baeckelandt (Ostend,1993) is a contemporary painter who lives and works in Antwerp. In her paintings Baeckelandt’s tries to point out the duality between the expected and the unexpected, chaos and order, and other. The complex relations and the movement between these. A perpetual game of ping pong where each element relies on the other's presence. Her paintings are the results of the space and time between these contradictions where she tries to react on and capture this moment. According to her; contradictions through thinking and contemplating is essential to a human being. It arises not only in thought but also in the process of creation. These contradictions provide conflict, tension and friction. This tension field creates an openness and through these we gain motion. Always open to the next paradox. “ The imposed one-sided thinking and behavior blocks the (mind from) ejaculation”. Baeckelandt often employs everyday, recognizable materials (and symbols) as a foundation. materials that provoke tension between them and the paint.- a continuous push and pull. With her work, she doesn't aim to provide answers or draw conclusions. Instead, she consistently ends with a question mark, keeping the process in motion. Constantly encountering new confrontations in form and content. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678200973465-1ACOT6DYFJ8UW27J6YKQ/image-asset.jpeg Artists 2023 EN - Simon Masschelein (Belgium, 1994) Simon Masschelein’s sculptural thinking starts from the joint. He fabricates hinged sculptures. How did he come to this? At a time, he was surrounded by pieces of wood, never longer than one and a half meter, nicely shaped, and this was a starting point to envision higher sculptures, resembling ramshackle stacked totem poles. So he started looking for ways to connect these elements, initially similar to ways protheses are connected to the body, then morphing them into hinges. One sculpture has been conceptualized from a knee, another from the way a femur fits the pelvis. One sculpture, made out of forty kilos of sculpted alabaster, is held upright by a tensioned cable self-riveted to an iron ball which is clamped in a bracket. A strange, two-piece figure on two wobbly feet giving shape to a modest contrapposto, sometimes folds forward. A tree trunk is chiseled into a spiral column, then hollowed out, halved and reconnected by a wooden link. For me, the beauty of Masschelein’s art is the way he adapts wood, stone and metal and combines these elements into new shapes. No assemblages, no old stuff, but powerful new work with a hardly hidden tenderness. ( text Hans Theys) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679579140086-XBQ1D296CN0YBXVRN0ZL/image-asset.jpeg Artists 2023 EN - Fran Van Coppenolle (Belgium, 1998) Fran is a sculptor who graduated from the Antwerp Academy of Fine Arts in 2020. She grew up in the agricultural world, surrounded by ancestral objects that-her grandfather and father- and later she collected, forklifts and various agricultural machines that she handles with grace, ease and lightness. Her studio is located on her family's -retired-farm in -the west Flanders-, a large estate with meadows, fields, a pond, -trees, animals- and stables. Welcome to Ludwigshaven, the place where Fran, harvests her own living world. Fran Van Coppenolle creates sculptures based on shapes and objects that she observes. She welds metal, carves wood, welds, bends and creates surprising volumes with found pieces of textile. Her sculptures evoke flowers, butterflies, birds and flying machines, not by intention, but as a result of a work of duplication to arrive at sculptural forms. At the same time, she seeks subtle asymmetries that seem to bring these delicate sculptural apparitions to life. Fran's works take on an extra dimension because they are figurative and unrecognizable. They allow for a multitude of possible interpretations. Surprisingly fresh materials are put under tension, tightened, braided, harnessed, tied together until they begin to form intangible, incomprehensible and captivating objects. Beautiful creations that throw breathing spaces into the world without asking anyone's permission. (text Sabrina Brachot) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679579658489-VQXBF5EYLPPXE8T2UQNU/image-asset.jpg Artists 2023 EN - Kim Wey (Belgium, 1997) Kim Wey is based in Antwerp. Her work mainly focuses on its satirical response to the questionable art market. With the alter ego 'Kim Wey' as her main subject, her art practice mainly focuses on installations and in-situ work to point out the distinctions between what is perceived as 'celebrated' and 'thriving' art versus the position of the unfruitful and unavailing arts-practitioner and thereby experimenting with the boundary between self promotion and self indulgence. 2023 Vogels, group exhibition, Pizza Gallery Antwerp. 2022 A kiss is an imprint, group exhibition, D.E.K.A.M.E.R.E.D Antwerp 2022 It’s not about me, it’s about ART, solo exhibition, Ensemble vzw Gent 2022 1+1+1+1+1=>5, group exhibition, Desserts Gallerie Hasselt 2022 Vitrine #2, duo exhibition, Veduta Brussels 2021 Een goddelijke interventie, duo exhibition, Factor 44 Antwerp https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679579284636-C50JWWD9E4OJ4PVSE21W/image-asset.jpg Artists 2023 EN - Michel François (Belgium, 1956) Born in 1956 in Sint-Truiden Michel lives and works between Brussels and Paris. François’s interest lies in exploring a variety of media including installation, video, sculpture and photography, often combined and linked to create a larger idea. Through these various techniques and materials, François comments on the relationships and contradictions that we face in our public and private lives. Some are more formal such as convex versus concave forms, the connection between the external and the internal, light versus dark. Others focus on political “truths” versus deception and/or manipulation. Central to the artist’s work is the reconsideration of simple known images, objects or banal iconography. 2023 Contre Nature, Solo exhibition Bozar Brussels, Belgium 2022 Under a Cloud, Group exhibition Prinsenbos Grimbergen , Belgium 2022 Panopticon , Group exhibition Yarat Contemporary Art Center Baku, Azerbaijan 2022 Résister encore, group exhibition Musée cantonal Beaux-Arts Lausanne, Switzerland 2021 Jours Blancs, Group exhibition Gallery Kamel Mennour, Paris, France https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678201761524-4KUMFBMQN1HEMGIVH7FN/image-asset.jpeg Artists 2023 EN - Han Swolfs (Belgium, 1984) Hantrax is the alias of Antwerp based composer, performer, and pianist Han Swolfs (1984). Renowned for his live electronic performances and imaginative piano stage productions, his shows are kinetic, atmospheric, hypnotic, and cinematic. A multi-faceted musician who is both enigmatic and kind. Hantrax traverses music categories with whimsical ease from classical to jazz to experimental electronic music. As a composer, his music in spirit is experimental, taking seemingly incompatible influences and mixing them into his self-invented musical language. He breaks the rules of genres, cross-pollinating styles at will into his oeuvre of dark ‘undanceable’ dance music. His ingeniously crafted compositions reimagine standard forms. Old and new technology is an integral part of his process, exploring the possibilities of analogue and digital systems, music machines and recording systems. Dubbed the illustrious prince of the Antwerp underground, Hantrax creates transformative music championed by connoisseurs and barbarians alike. His collection, which includes his piano compositions and his electronic work, is available on Palermo Records, Ekster label, Roulette Records, Jack playmobil, and Jheri tracks. Off stage, Hantrax can be found hosting a modernist music program called Klankmeanders with his father, Hendrik Van Geel, on Radio Central and can be heard on his radio show titled Headroom on the Word Radio, that exposes innovative music of all categories. Working at the intersection of the arts, Hantrax has been involved in numerous creative collaborations and productions. Highlights include work with visual artists Anne-mie van Kerckhoven, Pieterjan Ginckels and Arocha – Schraenen, as well as performances for the theater company Abattoir Fermé and for the classical orchestra of Michiel De Malsche as a soloist. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678202090754-6U0HZ28PTD8JIPCP6510/image-asset.gif Artists 2023 EN - Jordi Colomer (Spain, 1962) Jordi Colomer was born in Barcelona, Spain . He currently lives and works between Barcelona and Paris. His work, marked by a strong sculptural sense, encompasses multiple disciplines, especially photography and video, and their staging in the exhibition space. Often, the creation of situations of a kind of "expanded theater" allows the viewer to evaluate his relationship with the representations and with the role he plays in and in front of them. The most recent works present the multiple facets of utopia, dystopia, and their relationship with fiction. Join Us, the project for the Spanish Pavilion at the 57th Venice Biennale, was a reclamation of nomadism as a collective movement and privileged material applied to urban utopias. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678831706474-7YYGQYB7YRD90SSLOMGO/image-asset.png Artists 2023 EN - Véronique Bourgoin (France, 1966) Véronique Bourgoin was born in Marseille and lives and works in Montreuil, France. She graduated from the Ecole des Beaux-Arts de Paris in 1991.Véronique’s practice is built on a series of experiments with the photographic medium before extending into a multiplicity of media such as publishing, drawing, painting, ceramics, video and installation. The experimental character of her practice unfolds as much through the manipulation of physical, chemical and psychic elements, highlighting the transformational effects of vision and imagination and in particular the spectacular effects in counter-spectacular contexts where intimacy and simulacra become entangled. Inspired as much by her daily life as by political, technological or historical contingencies, Véronique Bourgoin examines the construction of "contemporary paradises" deployed from a weft of recurring questionings on materiality, the body, the living, identity and its modes of representation in the face of the conflicts of our time. Collaborative experiences are intrinsic to his artistic approach and his relationship to the world. From the end of the 80s, she initiated with Juli Susin a collaborative project around the creation of artists' books. The history of these activities, gathered under the name "Royal Book Lodge", is the subject of a book by historian John C. Welchman, published by Hatje Cantz in March 2023. In 1995, she co-founded with J. Susin, the Atelier Reflexe, an experimental school of photography. In 2005, she created a group of performers, The Hole Garden, a collective identity at the origin of performative actions, films and photographic series. Bourgoin participated in numerous exhibitions in international institutions and festivals such as Fotohof, Salzburg; Performa, New Museum, New-York; Photo Festival Landskrona, Sweden ; Fotomuseum, Rotterdam; Tütün Deposu Ek bina, Istanbul; Caochangdi Photospring Festival, China; LA Art Center, Los Angeles; Museum of Modern Art, Saint Paulo, Brazil; El Laboratorio Arte Alameda, Mexico City; Maison d'Arts Bernard Anthonioz, Paris; Thessaloniki Photography Biennial, Greece; Oscar Niemeyer Museum, Curitiba Biennal, Brazil. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678831484733-PITTBCZGIQ8TKMLHCEBT/image-asset.png Artists 2023 EN - Juli Susin (DE, ,1966) In 1981 Juli Susin (born 1966) left the Soviet Union with his family to settle in Berlin, then the contingencies of the stateless situation brought him to France where he graduated from the Ecole des Beaux-Arts de Paris in 1991. From the 1980s onwards, he developed with friends an international network of collaborations around the Artist's book, more recently known as the Royal Book Lodge. The history of these collaborative activities, initiated with the French artist Véronique Bourgoin, is written by the historian John C. Welchman, and published under the name "Royal Book Lodge", by Hatje Cantz, in March 2023. Since 2005, he has been working in Albisola (Italy), in the ceramic workshop founded by Ivos Pacetti. Ceramic works made in recent years have been inspired by the artist's numerous stays in Paraguay. Some of the works were presented in 2013, in the Oscar Niemeyer Museum, as part of the Curitiba Biennial, Brazil. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678830917423-JFT5V79OY0ERRMDHAS4U/image-asset.png Artists 2023 EN - Liv Bugge (Norway, 1974) Liv Bugge studied at the Oslo National Academy of the Arts and the Higher Institute for Fine Arts in Belgium. She completed her PhD, "The Other Wild: Touching Art as Confrontation", at Oslo National Academy of the Arts in 2019. Bugge’s research explores how mechanisms in society are internalized and contribute to the maintaining of normative notions and ethics around, for example, such dichotomies as life and non-life or human and nature. Liv has a practice informed by queer and feminist perspectives and was during the period 2012-2020 running the platform FRANK together with artist Sille Storihle. Bugge has had solo presentations at, among other places: Marabouparken Konsthall in Stockholm, Kunstnernes Hus and Intercultural Museum in Oslo, and Sørlandets Kunstmuseum in Kristiansand. She presented her work at the Gothenburg International Biennial for Contemporary Art. She was part of the Venice Biennale 2022 'The Milk of Dreams' commissioned by Cecilia Alemani invited to participate with her work ‘Play’ https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679578455871-P3QWBKJCVHCYMMR5C8ZS/image-asset.jpeg Artists 2023 EN - Jack Davey (UK, 1990) Jack Davey Lives and works in London Working primarily as a sculptor engaged with textiles, Davey has explored digital media. sound and collage as part of his larger installations. Through his work, Jack attempts to capture energies and emotions within a solid structure and asks how one might imbue those qualities into an inanimate object. This is investigated through material experimentation, theoretical research and themes such as sexual frustration and desire, anger, behaviour, human anatomy, the subconscious, memory and hidden messages. Fundamentally, Jack aims to dissect, analyse and re-build these elements to create a new sculptural language. A consciousness held within an object. During a month-long residency in Ticino, Switzerland (May 2022), Jack developed a body of work made entirely out of parcel paper. Culminating in two full-sized, interactive installations entitled Dirty Room. The installations were supplemented by drawings, painted collage and video. Expanding on this, Jack recently celebrated the opening of his latest solo exhibition In Bulge at Casstl Antwerp, Belgium (November - December 2022). An exhibition refining the concepts, materiality and questions of impermanence examined during this period. This was fused with Jack’s endeavour to freeze energy and imbue objects with immoveable certainty and consciousness. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679578543718-ONAZO482V7B14XE5QZ3C/image-asset.jpg Artists 2023 EN - Tamara Beheydt (Belgium, 1991) Tamara Beheydt is an art historian and a freelance art-writer. She is part of the core group of editors of H ART Magazine, and frequently publishes contributions for other written media such as Openbaar Kunstbezit Vlaanderen and De Tijd. She writes exhibition texts or portfolio texts for artists, and occasionally performs as a public speaker during panel conversations, lectures, or artist talks. From an interest for and belief in the value of contemporary art for the human community, she commits to providing a supporting platform to artistic discourses and to maintaining a critical overview of developments in the cultural field. (photo by Charlotte Van Noten) https://www.radicale1924.org/artists-2023-fr daily 0.75 2024-03-02 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678203931298-ZGS7V0SSRHI0KLF40WV9/image-asset.png Artistes 2023 FR - Wim Wauman (Belgium, 1976) Wim Wauman est un artiste visuel aux multiples facettes, un éducateur artistique et un auteur. Il a étudié la photographie à l'Académie royale des beaux-arts d'Anvers et à l'Institut supérieur des beaux-arts (HISK), et expose ses œuvres depuis 2000. En décembre 2019, il a conclu son projet de recherche Making Waves : A Play with Arts and Crafts sur les notions d'" arts " et d'" artisanat " (et l'opposition apparente entre " faire " et " penser "), et s'est vu décerner un diplôme de " PhD in arts " par l'Université d'Anvers. Ses recherches artistiques l'ont amené à développer un concept expérimental et complexe, baptisé "Blauwhaus". À première vue, il s'agit d'une installation/exposition conçue pour accueillir, "connecter" et collaborer avec d'autres artistes, fabricants et penseurs, mais aussi d'une "zone crépusculaire" fantasmagorique créée pour induire un état de "flux" (créatif) accru et stimuler les forces imaginatives. L'aventure a déclenché un flux de pensées associatives exprimées par de longs textes et des vers hermétiques et codés, ainsi que par l'expérimentation du principe jungien de "l'imagination active". https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678204162513-EXU2YFNUYDZRK44K4PLO/image-asset.png Artistes 2023 FR - Jolijn Baeckelandt (Belgium, 1993) Jolijn Baeckelandt est née à Ostende, travaille et vit à Anvers. Jolijn est un artiste visuel qui travaille avec le dessin, la peinture et des situations spécifiques au site. Jolijn Baeckelandt génère une simulation avec des figures, des objets et une imagerie communs liés à notre vie quotidienne, ceux-ci sont dépouillés de leur chasteté. Les figures et les objets représentés semblent épuisés et épuisants. Ils semblent déséquilibrés, indécis, mal à l'aise et donnent l'impression d'être constamment sur le point de faire quelque chose. Prendre ce qu'ils peuvent obtenir dans un état de folie. Soumis à la répétition, ils se manifestent sur la toile. Grâce à l'utilisation d'informations communes et quotidiennes, nous collectons, à travers nos routines partagées, un système de caractères et de symboles développé comme une iconographie et un lexique. Des éléments dérivés de la haute et de la basse culture sont accumulés avec des éléments de son expérience personnelle et de ses perspectives. Les influences du street art, de la culture pop, des phénomènes sous-culturels et des dessins animés sont fusionnées en les abordant de manière égale et humoristique. Avec une conscience sensible, un univers est construit dans lequel la sphère personnelle, la sphère ordinaire et la sphère fictionnelle se réunissent pour danser. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678204273047-B4QY8Q9FXXAJM5VFLHJT/image-asset.jpeg Artistes 2023 FR - Simon Masschelein (Belgium,1994) La réflexion sculpturale de Simon Masschelein part de l'articulation. Il fabrique des sculptures articulées. Comment en est-il arrivé là ? À une époque, il était entouré de pièces de bois, qui ne dépassaient jamais un mètre et demi de long, joliment façonnées, et c'est à partir de là qu'il a commencé à envisager des sculptures plus hautes, ressemblant à des totems empilés et délabrés. Il a donc commencé à chercher des moyens de relier ces éléments, d'abord de la même manière que les prothèses sont reliées au corps, puis en les transformant en charnières. Une sculpture a été conceptualisée à partir d'un genou, une autre à partir de la façon dont un fémur s'adapte au bassin. Une sculpture, faite de quarante kilos d'albâtre sculpté, est maintenue en position verticale par un câble tendu auto-riveté à une boule de fer qui est fixée dans un support. Une étrange figure en deux parties, sur deux pieds bancals donnant forme à un modeste contrapposto, se plie parfois en avant. Un tronc d'arbre est ciselé en une colonne en spirale, puis évidé, coupé en deux et reconnecté par un lien en bois. Pour moi, la beauté de l'art de Masschelein réside dans la façon dont il adapte le bois, la pierre et le métal et combine ces éléments en de nouvelles formes. Pas d'assemblages, pas de vieux trucs, mais de nouvelles œuvres puissantes avec une tendresse à peine cachée. ( texte Hans Theys ) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679579742551-RU3WRHP72Q3G1EYQAK7Y/image-asset.jpeg Artistes 2023 FR - Fran Van Coppenolle (Belgium, 1998) Fran est une sculptrice diplômée de l'Académie des Beaux-Arts d'Anvers en 2020. Elle a grandi dans le monde agricole, entourée d'objets ancestraux que -son grand-père et son père- et plus tard elle ont collectionnés, de chariots élévateurs et de diverses machines agricoles qu'elle manipule avec grâce, aisance et légèreté. Son atelier est situé dans la ferme familiale à la retraite en Flandre occidentale, un grand domaine avec des prairies, des champs, un étang, des arbres, des animaux et des écuries. Bienvenue à Ludwigshaven, l'endroit où Fran récolte son propre monde vivant. Fran Van Coppenolle crée des sculptures à partir de formes et d'objets qu'elle observe. Elle soude du métal, sculpte du bois, soude, plie et crée des volumes surprenants avec des morceaux de textile trouvés. Ses sculptures évoquent des fleurs, des papillons, des oiseaux et des machines volantes, non pas par intention, mais à la suite d'un travail de duplication pour arriver à des formes sculpturales. En même temps, elle recherche de subtiles asymétries qui semblent donner vie à ces délicates apparitions sculpturales. Les œuvres de Fran prennent une dimension supplémentaire car elles sont figuratives et méconnaissables. Elles permettent une multitude d'interprétations possibles. Des matériaux étonnamment frais sont mis sous tension, tendus, tressés, harnachés, attachés ensemble jusqu'à ce qu'ils commencent à former des objets intangibles, incompréhensibles et captivants. De belles créations qui jettent des espaces de respiration dans le monde sans demander la permission à personne. (texte Sabrina Brachot) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679579805490-5WEUUR9JXQL5ARWJ1PBI/image.jpg Artistes 2023 FR - Kim Wey (Belgium, 1997) Kim Wey vit et travaille à Anvers. Son travail se concentre principalement sur la recherche de sa propre identité, qui ose entrer en conflit avec l'image idéale du monde du spectacle et de l'élite artistique qu'elle veut également satisfaire. Enfant de l'Internet pendant la décennie Kardashian, elle est farouchement inspirée par la culture pop occidentale. Ses installations et ses performances sont donc un jeu entre le canon classique et la scène contemporaine d'auto-identification autour de l'humeur et du style de la culture des médias sociaux. 2023 Vogels, group exhibition, Pizza Gallery Antwerp. 2022 A kiss is an imprint, group exhibition, D.E.K.A.M.E.R.E.D Antwerp 2022 It’s not about me, it’s about ART, solo exhibition, Ensemble vzw Gent 2022 1+1+1+1+1=>5, group exhibition, Desserts Gallerie Hasselt 2022 Vitrine #2, duo exhibition, Veduta Brussels 2021 Een goddelijke interventie, duo exhibition, Factor 44 Antwerp https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678205024916-OQZ2NXG5YIH6HJTGFSVT/image-asset.jpeg Artistes 2023 FR - Han Swolfs (Belgium, 1984) Hantrax est le pseudonyme du compositeur, interprète et pianiste anversois Han Swolfs (1984). Réputé pour ses performances électroniques en direct et ses productions scéniques imaginatives au piano, ses spectacles sont cinétiques, atmosphériques, hypnotiques et cinématographiques. Un musicien aux multiples facettes, à la fois énigmatique et aimable. Hantrax traverse les catégories musicales avec une facilité déconcertante, du classique au jazz en passant par la musique électronique expérimentale. En tant que compositeur, sa musique est expérimentale dans son esprit, prenant des influences apparemment incompatibles et les mélangeant dans un langage musical qu'il a lui-même inventé. Il brise les règles des genres, croisant les styles à volonté dans son œuvre de musique de danse sombre et "non dansante". Ses compositions ingénieuses réimaginent les formes standard. Les technologies anciennes et nouvelles font partie intégrante de son processus, explorant les possibilités des systèmes analogiques et numériques, des machines à musique et des systèmes d'enregistrement. musiques innovantes de toutes catégories. Travaillant à l'intersection des arts, Hantrax a été impliqué dans de nombreuses collaborations et productions créatives. Il a notamment travaillé avec les artistes visuels Anne-mie van Kerckhoven, Pieterjan Ginckels et Arocha - Schraenen, et s'est produit en tant que soliste pour la compagnie théâtrale Abattoir Fermé et pour l'orchestre classique de Michiel De Malsche. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678205073886-9XGHP4CTRIP4O0XDMA38/jordi-Colomer-.gif Artistes 2023 FR - Jordi Colomer (Spain, 1962) Jordi Colomer est né à Barcelone, en Espagne. Il vit et travaille actuellement entre Barcelone et Paris. Son travail, marqué par un fort sens de la sculpture, englobe de multiples disciplines, notamment la photographie et la vidéo, et leur mise en scène dans l'espace d'exposition. Souvent, la création de situations d'une sorte de "théâtre élargi" permet au spectateur d'évaluer sa relation avec les représentations et avec le rôle qu'il joue dans et devant celles-ci. Les œuvres les plus récentes présentent les multiples facettes de l'utopie, de la dystopie et de leur relation avec la fiction. Join Us, le projet pour le pavillon espagnol à la 57e Biennale de Venise, était une récupération du nomadisme comme mouvement collectif et matériau privilégié appliqué aux utopies urbaines. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678832632099-8HLPE42FQVSTQWUL1KEF/Screen+Shot+2023-03-14+at+22.51.39.png Artistes 2023 FR - Juli Susin (DE, 1966) En 1981 Juli Susin (né en 1966) quitte l'Union Soviétique avec sa famille pour s'installer à Berlin, puis les contingences de la situation d’apatride l'amènent en France où il sera diplômé de l’Ecole des Beaux-Arts de Paris en 1991. A partir des années 1980, il développe avec des ami(e)s un réseau international de collaborations autour du livre d'Artiste, plus récemment connu sous le nom de Royal Book Lodge. L'histoire de ces activités collaboratives, initiées avec l'artiste française Véronique Bourgoin, est écrite par l'historien John C. Welchman, et publiée sous le nom de « Royal Book Lodge », aux éditions Hatje Cantz, en mars 2023. Depuis 2005, il travaille à Albisola (Italie), dans l'atelier de céramique fondé par Ivos Pacetti. Des œuvres de céramique réalisées ces dernières années ont été inspirées par les nombreux séjours de l'artiste au Paraguay. Une partie des œuvres a été présentée en 2013, dans le musée Oscar Niemeyer, dans le cadre de la biennale de Curitiba, Brésil. Photo credits : Juli Susin, New-York, Hotel Larchmont 2019 (Photo: Véronique Bourgoin) https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1699189151508-35PLIMXLD26I1H2N4FYD/Screen+Shot+2023-03-14+at+22.51.56.png Artistes 2023 FR - Véronique Bourgoin (France, 1966) Véronique Bourgoin née à Marseille vit et travaille à Montreuil , France. Elle est diplômée de l’école des Beaux-Arts de Paris en 1991. La pratique de Véronique Bourgoin se construit à partir d’une série d’expérimentations du support photographique avant de se prolonger dans une multiplicité de medium tels que l’édition, le dessin, la peinture, la céramique ou encore la vidéo et l’installation. Le caractère expérimental de sa pratique se déploie autant par la manipulation d’éléments physiques, chimiques que psychiques, mettant en lumière les effets transformationnels de la vision et de l’imagination et en particulier les effets spectaculaires dans des contextes contre spectaculaires où s’enchevêtrent intime et simulacre. Inspirée autant par son quotidien, que par des contingences politiques, technologiques ou historiques, Véronique Bourgoin examine la construction de « paradis contemporains » déployée à partir d’une trame de questionnements récurrents sur la matérialité, le corps, le vivant, l’identité et ses modes de représentations face au conflits de notre époque.Les expériences collaboratives sont intrinsèques à sa démarche artistique et sa relation au monde. A partir de la fin des années 80, elle initie avec Juli Susin un projet collaboratif autour de la création de livres d’artistes. L'histoire de ces activités réunies sous le nom « Royal Book Lodge », fait l’objet d’un livre de l'historien John C. Welchman, publiée aux éditions Hatje Cantz, en mars 2023. En 1995, elle co-fonde avec J. Susin, l’Atelier Reflexe, école expérimentale de photographie (1995-2016). Elle crée en 2005, un groupe de performeuses The Hole Garden, une identité collective à l’origine d’actions performatives, de films et séries de photographies. Véronique Bourgoin à participé à de nombreuses expositions dans des institutions et festivals internationaux tels que Fotohof, Salzbourg ,Performa, New Museum, New-York ; Photo Festival Landskrona, Suède ; Fotomuseum, Rotterdam ; Tütün Deposu Ek bina, Istanbul ; Caochangdi Photospring Festival, Chine; LA Art Center, Los Angeles ; Musée d’Art Moderne de Saint Paulo, Bresil ; El Laboratorio Arte Alameda de Mexico ; Maison d’Arts Bernard Anthonioz, Paris ; Biennale de la photographie de Thessalonique, Grèce ; Oscar Niemeyer Museum, Curitiba Biennial, Brésil. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1678832556703-OZHDF3XXSERWH2UUUJSI/liv_bugge_Q7A4532.jpg Artistes 2023 FR - Liv Bugge (Norway, 1974) Liv Bugge a étudié à l'Académie nationale des arts d'Oslo et à l'Institut supérieur des beaux-arts de Belgique. Elle a terminé son doctorat, "The Other Wild : Touching Art as Confrontation", à l'Académie nationale des arts d'Oslo en 2019. La recherche de Bugge explore comment les mécanismes de la société sont intériorisés et contribuent au maintien de notions normatives et d'éthique autour, par exemple, de dichotomies telles que la vie et la non-vie ou l'humain et la nature. Liv a une pratique informée par des perspectives queer et féministes et a dirigé la plateforme FRANK avec l'artiste Sille Storihle pendant la période 2012-2020. Bugge a eu des présentations solos, entre autres, dans les lieux suivants : Marabouparken Konsthall à Stockholm, Kunstnernes Hus et Musée interculturel à Oslo, et Sørlandets Kunstmuseum à Kristiansand. Elle a présenté son travail à la Biennale internationale d'art contemporain de Göteborg. Elle a participé à la Biennale de Venise 2022 "The Milk of Dreams", commandée par Cecilia Alemani, invitée à participer avec son œuvre « Play". https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679578208471-SDL6EZ79BWT56FMCLCH9/image-asset.jpeg Artistes 2023 FR - Jack Davey (UK, 1990) Jack Davey vit et travaille à Londres Travaillant principalement comme sculpteur sur des textiles, Davey a exploré les médias numériques, le son et le collage dans le cadre de ses installations plus importantes. Dans son travail, Jack tente de capturer les énergies et les émotions au sein d'une structure solide et s'interroge sur la manière dont on peut insuffler ces qualités à un objet inanimé. L'expérimentation matérielle, la recherche théorique et des thèmes tels que la frustration et le désir sexuels, la colère, le comportement, l'anatomie humaine, le subconscient, la mémoire et les messages cachés sont autant de moyens d'investigation. Fondamentalement, Jack vise à disséquer, analyser et reconstruire ces éléments pour créer un nouveau langage sculptural. Une conscience contenue dans un objet. Au cours d'une résidence d'un mois au Tessin, en Suisse (mai 2022), Jack a développé un corpus d'œuvres entièrement réalisées en papier parcellaire. Il a abouti à deux installations interactives de taille réelle intitulées Dirty Room. Ces installations ont été complétées par des dessins, des collages peints et des vidéos. Dans la foulée, Jack a récemment célébré l'ouverture de sa dernière exposition solo In Bulge au Casstl d'Anvers, en Belgique (novembre - décembre 2022). Une exposition qui affine les concepts, la matérialité et les questions d'impermanence examinés durant cette période. Cela a été fusionné avec l'effort de Jack pour geler l'énergie et imprégner les objets de certitude et de conscience immobiles. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1679578096835-QRRR3QS7HTA3QPKJ6CHE/Screen%252BShot%252B2023-03-14%252Bat%252B22.52.49.jpg Artistes 2023 FR - Tamara Beheydt (Belgique, 1991) Tamara Beheydt est historienne de l'art et rédactrice indépendante. Elle fait partie du groupe principal de rédacteurs du magazine H ART et publie fréquemment des contributions pour d'autres médias écrits tels que Openbaar Kunstbezit Vlaanderen et De Tijd. Elle rédige des textes d'exposition ou des textes de portfolio pour des artistes et intervient occasionnellement en tant qu'oratrice lors de tables rondes, de conférences ou d'exposés d'artistes. Convaincue de la valeur de l'art contemporain pour la communauté humaine, elle s'engage à fournir une plate-forme de soutien aux discours artistiques et à maintenir une vue d'ensemble critique des développements dans le domaine culturel. https://www.radicale1924.org/banner-copy-copy-2 daily 0.75 2024-04-18 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713271201874-GNYCH3FI9ENSVP73OEQ6/Exploding_Radicale2.jpg Banner (Copy) (Copy) https://www.radicale1924.org/invites-2024 daily 0.75 2024-09-15 https://www.radicale1924.org/invited-2024-1 daily 0.75 2024-09-15 https://www.radicale1924.org/banner-copy-copy-copy daily 0.75 2025-01-03 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/1713271201874-GNYCH3FI9ENSVP73OEQ6/Exploding_Radicale2.jpg Banner (Copy) (Copy) (Copy) https://www.radicale1924.org/buy-radicale24-book daily 0.75 2025-12-30 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/453c95cc-6492-4561-97d5-c1ab4db2b161/RADICALE_1924_FRONT+copy.jpg RADICALE24 Book - RADICALE24 RADICALE24 Publisher MER.BOOKS Distribution Les presses du réel From 2021 to 2024, the historic Maison Routier in Saint-Cirq-Lapopie became a hub for bold ideas, artistic exchange, and radical imagination. Founded by Belgian choreographer Chantal Yzermans, Radicale1924 welcomed visionary artists, researchers, and creators, carrying forward a village tradition once home to André and Elisa Breton. Now, this journey is captured in a new publication featuring contributions from the residency’s artists and writers, with an introduction by art historian John C.Welchman. A celebration of collaboration, history, and the enduring spirit of this small medieval French town. Radicale24 ARTISTS A.L. Steiner , Georges Adéagbo, Agence Future, Carlos Aires, Jolijn Baeckelandt, Nienke Baeckelandt, Guillaume Bijl, Véronique Bourgoin , Nicolas Bourthoumieux, Elias Cafmeyer, Corentin Canesson, Shu Lea Cheang, Jack Davey, Luc Deleu & T.O.P. office, Hans Demeulenaere, Regan Elena, Cédric Fargues, Michel François, Hantraxdolls, dove / Christine Kirubi, Clodagh Kinsella, Stéphanie Lagarde, Simon Masschelein, Siham Mehaimzi, Samyra Moumouh, Ria Pacquée, Mikes Poppe, Thomas Rodriguez / Archive Furkablick Furkart, Idris Sevenans, Simona Mihaela Stoia, Leendert Van Accoleyen, Zena Van den Block, Pieter van der Schaaf, Ronny Van de Velde, Pierre Martin Vielcazat, Wim Wauman, and Yi Zhang INTRODUCTORY ESSAY John C. Welchman CONTRIBUTIONS Tamara Beheydt Thomas Delamarre Clément Gaesler Béatrice Pereyt-Vignals Maya Van Leemput Dennis Van Mol Stefan Wouters https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/453c95cc-6492-4561-97d5-c1ab4db2b161/RADICALE_1924_FRONT+copy.jpg RADICALE24 Book - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.radicale1924.org/andre-breton-et-ses-amis-saint-cirq-lapopie daily 0.75 2026-03-23 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/4147db3c-1a8b-46b5-85c8-19872b0dc82d/G_BIJL_BRETON+06.jpg André Breton et ses amis à Saint Cirq Lapopie by Guillaume Bijl - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/453c95cc-6492-4561-97d5-c1ab4db2b161/RADICALE_1924_FRONT+copy.jpg André Breton et ses amis à Saint Cirq Lapopie by Guillaume Bijl - Radicale1924 – la publication Une publication qui retrace et célèbre un projet de résidence artistique autogéré, mené pendant quatre années à Saint-Cirq-Lapopie, dans la vallée du Lot. Conçu en 2021 par la chorégraphe belge Chantal Yzermans et la cinéaste française Sylvia Zade Routier dans la Maison Routier, le programme a réuni 36 artistes et écrivains contemporains à travers des séjours, des événements publics et des expositions. L’atmosphère singulière de ce village emblématique a nourri une réflexion sur le patrimoine, la mémoire et les épistémologies rurales, offrant un terrain fertile pour l’expérimentation artistique. Un final marquant à la Maison André Breton, ancienne résidence d’été de l’écrivain surréaliste, a commémoré le centenaire du Manifeste du surréalisme (1924). Porté par un essai introductif de l’historien de l’art John C. Welchman, le livre rassemble les contributions originales des participants : A.L Steiner, AgenceFuture, Georges Adéagbo, Carlos Aires, Jolijn Baeckelandt, Nienke Baeckelandt, Rachel C.Berks, Guillaume Bijl, Pierre Bismuth, Nicolas Bourthoumieux, Véronique Bourgoin, Elias Cafmeyer, Corentin Canesson, Vinicius Couto, Shulea Cheang, John C.Welchman, Thomas Delamarre, Jack Davey, Luc Deleu, Hans Demeulenaere, Regan Elena, Cédric Fargues, Denis Van Mol, Clément Gaesler, Michel François, Mark Geurden, Hantraxdolls, Michael Hart, Clodagh Kinsella, Stéphanie Lagarde, Madmoizel, Siham Mehaimzi, Samyra Moumouh, Ria Pacquée, Mikes Poppe, Thomas Rodriguez , Archivefurkablickfurkart, Idris Sevenans, Simona Mihaela Stoia, Juli Susin Leendert Vanaccoleyen, Pieter Vanderschaaf, Pierre Martin Vielcazat, Zena Van den Block, Wim Wauman, Stefan Wouters, Yi Zhang. Édition : MER. Books / Luc Derycke + Les Presses du Réel https://www.radicale1924.org/nightshop daily 0.75 2021-11-30 https://www.radicale1924.org/nightshop/radicale24 monthly 0.5 2025-05-28 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/453c95cc-6492-4561-97d5-c1ab4db2b161/RADICALE_1924_FRONT+copy.jpg NIGHTSHOP - RADICALE24 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/103b686a-55bb-453d-82dc-f16681f72906/tempImageGofRyO.jpg NIGHTSHOP - RADICALE24 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/07172dbf-6a56-4388-ab92-8f53da2c58ca/MAISONBRETON_RADICALEARTISTS_2021.jpg NIGHTSHOP - RADICALE24 https://images.squarespace-cdn.com/content/v1/610ff4c25b34da3b3ed92e3f/cfebe33d-cb1f-4c6c-acb8-1e363d4d5f3f/9.png NIGHTSHOP - RADICALE24