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RADICALE 1924
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Flux Tendu (1998)
Flux Tendu (1998)

Flux Tendu (1998)

'Flux Tendu'

Michel François

Michel François is deeply engaged with the dynamic tension between two states, a theme that runs through all his works. His creations can be seen as a "formal master key," exploring the transition between the density of matter and its potential to disperse or vanish. His work often unfolds as "escape plans" within the space, much like a ball of string shifting between a finished object and the materialization of an ongoing process. This duality mirrors the tension between capturing an instantaneous moment and marking the passage of time, as well as the contrast between a physical act and a metaphysical reflection.

Flux Tendu was first installed in 1998 at the Moulins Albigeois, Cimaise et Portiques, in Albi. For Radicale 1924, the work will be presented in a linear view extending from Maison André Breton to Maison Routier, creating a visual connection from Breton's window to Routier's.

Flux Tendu ( 1998/2024)

Flux Tendu ( 1998/2024)

Michel François’s work often unfolds as ‘escape plans’ within the space, much like a ball of string shifting between a finished object and the materialization of an ongoing process. This duality mirrors the tension between capturing an instantaneous moment and marking the passage of time, as well as the contrast between a physical act and a metaphysical reflection. ‘Flux Tendu’ was first installed in 1998 at the Moulins Albigeois, Cimaise et Portiques, in Albi. For Radicale 1924, the work connects Maison Breton to Maison Routier, creating a visual connection from Breton's window to Routier's house.

©FinnFons-Radicale1924

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Flux Tendu (1998)
Flux Tendu ( 1998/2024)
RADICALE 1924
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